Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

An extensive overview of Olivier Mosset's six-decade painting practice.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.

An essay on the political dimension of Rimbaldian poetry.

Four artist's posters.

A number of more or less benevolent considerations on the work of Jacques Halbert.

Olaf Holzapfel's and Guido Yannitto's textile works.

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

Hastings of Malawi's third LP—the antithesis of Christmas albums.

"Night Music" unearthes Sven-Åke Johansson's very first recordings from 1964—made with his Tandberg tape recorder in the Kronenburg Bar, a dive bar in the red-light district in Münster/Westfalen (West Germany). There he performed jazz versions of popular songs and standards with Uwe Wegner (piano) and Gerold Flasse (double bass), sometimes joined by Dutch singer Jenny Gordee. Young Udo Lindenberg was a frequent guest at the Kronenburg Bar

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

An original theory of power based on a dense and insightful inquiry into the consequences of the "Global War on Terror" and the security state, up to the imposition of neoliberal logic and the overflowing of the media made viral.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

With touchstones in electronic dance music, and forward-thinking, synthesizer based abstraction, Hampus Lindwall’s contribution to Matière Mémoire's MMXX Series weaves a singularly striking world of pulsing, organized sound.

The fertile exchanges between French and American poetry since 1968.

This catalogue demonstrates the complexity of Diego Perrone's practice with a thorough analysis of his work from the beginning to the present day.

An in-depth introduction to the artistic practice of Lea Porsager.

Julian Charrière's filmic journey to some of the most inhospitable areas of our planet.

An extensive overview of Olivier Mosset's six-decade painting practice.

A collection of narrative texts articulated around the narrowness of a Parisian dwelling and the daily life of its occupant.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

In Un homme sensible, Octave Mirbeau tells the story of a murderer who, in the name of world harmony, is determined to rid the world of "all organisms unfit for a strong and harmonious life". This inspired Nurse With Wound, which, as an illustration, gives us here a new piece of unpublished music.

A series of “Outrenoirs” produced by Pierre Soulages between 1986 and 2018.

First comprehensive monograph.

“Just painting, without any pattern-pretext nor anecdote”: the first monograph of Moroccan abstract painter Fouad Bellamine.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

An encounter between Gilles Clément, botanist, landscape gardener and writer, and Thierry Fontaine, photographer, both globetrotters and fascinated by the evolution of living things and mutant landscapes.

The never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry, a stunning special tribute to Jacques Villeglé and his work, recorded in 2008 in studio Son/Ré.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

The encounter between international artist Gary Hill and Martin Cothren, an Amerindian fisherman from the Yakama reserve, thrown in prison and died homeless shortly after his release: conceived by Gary Hill, this singular book alternates the story of their common history over twenty years, touching and tragic (an opportunity for Hill to look back on his own trajectory) and Cothren's letters, interspersed with his extraordinary naive drawings.

In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television.

Oh mio cagnetto is the artist's first book of writings, conceived as an artwork. It is a collection of 81 little poems that revolve around the missed and mourned figure of a puppy.

A protean project embracing a reflection around the photographic medium and modes of understanding the world (artist's book).

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

First monograph on French designer Noé Duchaufour-Lawrance, whose practice, deeply rooted in natural forms and fine craftsmanship, ranges from objects or furniture design to architecture working for majors industry leaders, as well as many private projects.

A publication project about listening and sound relations.

Valentin Husson overturns the traditional hierarchy between being and having, rehabilitating the latter as an ecological imperative, in order to rethink our relationship to the environment, in an innovative re-reading of the history of philosophy.

An analysis of Mike Kelley's work as a position in materialist philosophy, which appears as the feature that is most at stake in his artistic practice, focusing on the pieces he produced around the issue of memory––his leitmotiv from 1995 onward.