The new novel by Keren Cytter: an incomplete guide for life.

50 black & white photographs of post-war Italy taken by director Luigi Comencini shortly before his debut behind the camera. With a series of writings establishing connections between his work as a photographer and his cinematographic oeuvre.

This artist's coloring book is a silent illustrated narrative of a sudden lust-filled encounter between a cowgirl and an Indian girl and their threatening journey through a psychedelic Wild West at night.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

The first monograph to focus exclusively on Paul Sietsema's paintings and drawings.

I Want reviews the eponymous duo's double-projection film installation examining issues of gender, sexuality and performativity—and inspired by the words of punk poetess Kathy Acker and convicted whistle-blower Chelsea Manning.

Publication documenting a series of sculptural works focusing on everyday items.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

This publication gives an overview of a series of signs stemming from Hungarian dance artist Rudolf Laban's notation system for human movement.

Marocco 1971 offers an intimate, social, and aesthetical portrait of Morocco by Italian photographer Gabriele Basilico. Set during the Summer of 1971, the series also brings back the distinctive spirit of this era.

A selection of trucks—coaches, tow trucks, merchandise trucks—drawn with ballpoint pen and pencil by underground legend Wesley Willis. Compiled from different notebooks, this series highlights an essential and almost obsessive motif in the visual work of the Chicagoan artist.

The work of African-American artist Rashid Johnson is considered central in the contemporary debate revolving around the issues of identity, integration and memory. This exhibition catalogue showcases a series of his most iconic oeuvres to offer an intimate yet broad introduction to Johnson's artistic practice.

First publication ever to provide a complete survey of the artist's oeuvre to date: like Prouvost's art, the book is fast-paced and full of quick turns and surprises. It includes a series of essays, a conversation between the artist and her model Barbara Steveni, and a complete list of her works and exhibitions.

Artist's book accompanying a sequence of exhibitions by James Richards in Norway, England, and Germany. The publication contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg.

The eighth volume of the Critical Spatial Practice series focuses on Jill Magid's “The Barragán Archives,” a multiyear project that examines the legacy of Pritzker Prize—winning architect Luis Barragán (1902-1988), and questions forms of power, public access, and copyright that construct artistic legacy.

Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the “Archives” series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture.

An erotic coloring artist's book juxtaposing scenes of intimacy and loneliness in the city at night.

Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.

In this post-truth era, how does one navigate the endless information available and choose a viable narrative of reality? In How to Know What's Really Happening Glasgow-based writer and curator Francis McKee looks at various techniques for determining verity, from those of spy agencies and whistle-blowers to mystics and scientists.

Companion book to Basim Madgy's eponymous video: a dreamlike tale about the ocean and its secrets.

Catalogue analyzing the oeuvre of Kosovan artist Petrit Halilaj from multiple perspectives, through a selection of essays by Andrea Bagnato, Leonardo Bigazzi, Adrian Paci, and Roberta Tenconi.

Monographic study on the work of artist Lawrence Abu Hamdan on the perception of language, sound, and listening.

A both poetical and political text, praising the poetic revolution of language against the current condition of the everyday life.

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

Monograph offering a collective literary and poetic rendering of Alan Reid's works.

Signature Strengths reproduces in full the four books in the series “No-Frills” published in the early eighties. Inspired by the unadorned packaging of a grocery brand, the series editors designed genre fiction books with similar straightforward and experimental approaches. The volume is completed with enlightening notes on genre writing and mass-market publishing.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

4-volume box set gathering six of the artist's most iconic photographic series. This special publication brings an end to a research on the notion of document that started in 1999 (limited edition of 700 signed copies).

Publication dedicated to the Versos series, in which Philippe Gronon photographs the verso side of paintings by ancient and modern masters. With a foreword by Hubert Besacier.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Jordan Wolfson, Ari Marcopoulos, Kahlil Joseph & Deana Lawson, Pierre Paulin, interview with Nhu Duong, contributions by Darja Bajagić, Georgi & Ketuta Alexi-Meskhishvili, Korakrit Arunanondchai, Julie Verhoeven, special feature on Disorientalism including interviews with Sophia Al-Maria and Meriem Bennani, two essays, a case study and a round table, Christopher Williams, Jasper Spicero, Alexa Karolinski & Ingo Niermann's Army of Love, a tribute to Alan Vega…

François Boutonnet's Mnemosyne offers the first consideration of the “Arts of Memory” from antiquity to contemporary art, connecting it to mind mapping in digital culture.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

Dirty Ear Report reviews the activities of the Dirty Ear Forum—a research platform focusing on contemporary sound studies and sound art, and the diversity of approaches surrounding its practice and thinking. Drawing on from the researches carried out during the first edition held at Errant Bodies Project Space in Berlin, this first issue gathers contributions investigating sound as a social material.

This issue surveys the second edition of the Dirty Ear Forum at Bergen Academy of Art and Design in Norway, centered around the sound as the basis for a new discursive paradigm.

This artist's book contains a collection of recent collages assembled from found book pages, in which the artist specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

Catalogue of Orozco's eponymous in-situ work at Château de Chaumont-sur-Loire: inspired by the princely apartments's old tapestries, the installation looks back at the castle's history and draws on a reflection on memory.

Artist's books and book history (new edition).

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

A series of photographs taken in the margins of the 63rd Bilderberg conference, which brings together some of the most influential political and economic leaders of the Western world.

Featuring: Medialabmx, The 3D Additivist Manifesto, Digital Technology and Stone Sculpture, interviews with Garnet Hertz, Darsha Hewitt, :vtol: (Dmitry Morozov), Dennis de Bel, Quayola, reports from Transmediale 2016 and Meta.Morf 2016, records and books reviews…

Designed to be an artist's monograph as well as an artist's book, Parages unveils Guillaume Robert's practice as a video maker and a visual artist throughout seven chapters, with contributions by artists Louise Hervé & Chloé Maillet, Rémy Héritier, Marcelline Delbecq and Jean-Xavier Renaud.

Kate Cooper stages CGI female models in a parody of lookbook. Reproducing the patterns of hypercapitalist aesthetics, her images underlie a powerful reflection on gender, representation, and the potentialities of the digital world.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

Cave is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.

This publication documents a project initiated by Jay Heikes whose purpose is to reflect on collaboration as artistic practice.