A series of plays (independent of each other) that all refer to a scene from Greek mythology.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

Artist's book exploring the notion of rigor in experimentation through the constraints of the grid and structure.

Cross-continental tape exorcisms.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

Historical pictures, texts, indications about project, list of recorded sounds, full edit plan & manuscript facsimile of the piece achieved by the composer at Deutsche Grammophon studios in 1970 in Hannover, from the recordings dated July 1967 in Vela Luka, Croatia.

First vinyl re-release of an essential record from Loren Connors' acoustic period.

Catalogue of the namesake exhibition dedicated to artists' calendars, featuring a text by the project's curator Marie Boivent, interviews with Matthieu Saladin and Claude Closky, plus a selection of works with explanatory notes.

Carlos Bernal Ferrara illustrates the fluctuations induced by the printing of a PDF file by printing a square repeatedly until a grid is obtained. From the immaterial plane image to the printed tangible notebook, the physical factors related to the printer or the paper moved the lines. Through this gesture of repetition, the artist demonstrates that we will always obtained a different result even if the file is the same.

Texte 3 is another pictureless book by Beni Bischof, printed in standard pocket size. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

An odyssey into sex, death and terror: the sleaziest and scariest pulp comics ever created.

Mike Bourscheid takes aim at social mores by humourously exploring society's codes and behaviours (catalogue of the artist's exhibition for the Luxembourg Pavillon at the 57th Venice Biennale).

This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell blocks at Eidsberg and Ullersmo Prisons.

A collection of amateur photographs selected from more than ten thousand digital photos retrieved from found SD cards.

Artist's book: an illustrated collage-book made up of recurring visual elements from Franco-Belgian comics. The publication is designed in the traditional format of the bande dessinée.

Monograph devoted to Georges Tony Stoll's painting, with a hundred reproductions, a long essay by Éric de Chassey and eight unpublished texts by the artist.

This publication documents a previously unreleased video project by Canarezza & Coro inspired by poet Eugenio Montale's unusual walk across the Italy-San Marino border to receive a Literature Prize in a context of tensions between the two States. The volume also includes fragments of forty-seven poems by Eugenio Montale, modified by the two artists.

Then architecture student Gabriele Basilico photographs the suburbs of Glasgow on a late summer afternoon of 1969, with its Scottish kids, terrains vagues, and 19th-century industrial archaeology. A photographic baptism for Basilico, who will become one of the main contemporary figures of the medium. The publication of this early series is completed with texts by Umberto Fiori, Pippo Ciorra, and Giovanna Calvenzi.

The troglodyte town of Matera in Southern Italy has fascinated generations of filmmakers since the Post-war area. Documenting the making of the 1953 film She-Wolf by Alberto Lattuada set in Matera, photographer Federico Patellani provides a unique insight of the life of the provincial city in the fifties.

This artist's book collects a photo series taken in spring 2017 in Myanmar, one of the Buddhism's sacred places, where one hundred or so temples have been destroyed by a recent earthquake. Now the pagodas affected by the earthquake, covered by thin bamboo structures, have taken original and unexpected forms, hanging between architecture and art, life and destruction. This temporary condition allowed Isola to catalogue, study and also to develop a sort of appropriation.

Frantic brings together black and white photographs, taken in 2016 in Lisbon and later in London, Warsaw and Rio de Janeiro. The series features shelters with their inhabitants as well as shelters photographed on their own. These temporary shelters built inside houses reflect on the general notion of home and the very fragility of the domestic sphere.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

Artist Michael Fliri investigates concepts such as metamorphosis, mutation and disguise: the protagonists in his work—often Fliri himself—time and again undergo a process of change or transformation. This catalogue offers an extended overview of his practice and underscores his significance on the international art scene.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

The first monograph on Riccardo Baruzzi, containing a selection of images of works made from 2010 to the present and writings by Alessandro Rabottini, Davide Ferri and Luca Bertolo. A perfect introduction to the italian artist's practice, which explores the notion of the unfinished and the provisional by way of an aesthetic investigation of drawing through the body of the painting.

This artist's book is a documentation of the production, installation, and decomposition of Samara Scottis solo exhibition “Silk at Eastside Projects”, Birmingham, in 2015. For the project, Scott gathered materials such as eyeshadow, cistern block, tapioca, pipe-cleaners, scented candles, graphite, mustard, solar reflective roofing paint, aquarium gravel, and red wine, among others.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

A portrait of the artist as an inspiring teacher: this publication focuses on Baldessari's practice at the intersection between pedagogy and art. Visually organized in alphabetical order, Learning To Read features essays, artworks, a chronology, and personal insights on Baldessari's teaching and influence by a group of the artist's former students and CalArts collaborators such as Ashley Bickerton, Liz Craft, Meg Cranston, Matt Mullican, and Tony Oursler.

This artist's book presents a set of photographs made by Belgian artist Sophie Nys during her stay in Zurich. It features each of the modernist fountains produced by designer Alfred Aebersold in the 1970s and scattered throughout the Swiss city. The images are associated with amusing and clever captions written by Leila Peacock, a Scottish artist living in Zurich.

This book is a reinterpretation of the classic children's picture book by English Author and Illustrator John Burningham from 1979, illustrating the preference game “Would you rather”… With enchanting drawings made out of sand by Carolina Cerbaro.

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.

Best of 2017: A renowned group of critics, artists, and curators from around the world take stock of the year in art, and of art's place amid social, judicial, political, and ecological shifts; Five celebrated cineasts select the top films of the year; Five musicians and artists name their music highlights of the year; Seven scholars, curators, writers, and artists choose the year's outstanding titles; 40 artists from around the world choose the most striking work, event, or exhibition of the year…

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

An extraordinary publication gathering a selection of stock images and original photographs drawn from the myriad ads for drug sales on the dark web designed to catch the consumer's eye. These photographs are invisible under normal light: printed in invisible ink, they can only be viewed under ultraviolet light (the publication includes a mini flashlight).

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

This series of photographs narrates Giovanna Silva's life among the Italian army in Afghanistan, while she worked on a commissioned project in honor of Italian journalist Maria Grazia Cutuli.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

Halway between the catalogue and the conceptual publication, Road to Victory presents Pittas' re-reading of exhibition designer Herbert Bayer's 1942 eponymous propagandist show at MoMA. It gathers works by Pittas stemming from his reflection on this historical exhibition, archives, and an anthology of essays by acclaimed authors.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This inaugural issue is dedicated to filmmakers couple Alain Della Negra & Kaori Kinoshita.

The “Mini” series is the natural extension of the magazine L'Incroyable. Each book immerses itself in the youth of artists through an interview about their teenage years. This second publication explores the paths of brothers and filmmakers Arnaud & Bertrand Dezoteux (interview by Jill Gasparina).

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.

This voluminous publication gathers 818 drawings by Dutch artist Michael Tedja, along with a series of commissioned texts by critics and curators. It highlights Tedja's practice as hypersubjective and all-encompassing, as well as predicated on studying the circulation and recycling of images.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

Invited to forge a dialogue with the unique context of the Art Deco building of the Serralves Villa in Porto, American artist Nick Mauss created works that reflect an encounter with the social and private choreographies of the formerly grand and domestic spaces of the Villa. The catalogue includes an essay by the American author and poet, Lucy Ives and an interview with Nick Mauss, conducted by João Ribas, the exhibition's curator.

First monograph documenting a three-year research on the mineral mica that became the ground for multidisciplinary outcomes, including poems, intricate drawings, modular sculptures that form systems of display, and performances.

Catalogue dedicated to one of the pioneers of European conceptual art, whose work adopts a critical approach of the art world and the avant-garde. The publication offers an overview of the Belgian artist's career, and gathers texts by Jean-Michel Botquin from 1960 to 1980, and recent contributions by Nicolas Bourriaud, Denys Riout, Denis Gielen, and Serge Bonati.

Celebrating the 100th title in the “L'art en écrit” series, this leporello by Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst.

Celebrating the 100th title in the “L'art en écrit” series, Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst. Published as a leporello, this artist's book features an original artwork signed by the artist.

Bächli & Hattan's publication features the 1:1-scale reproduction of certain pieces exhibited during a joint show at Centre Culturel Suisse in Paris. The reproductions take the form of printed sheets that have been folded and inserted in a plastic sleeve. It comes with a booklet featuring an interview of the two artists by Jean-Paul Felley and Olivier Kaeser, along with a text by Patrick Javault.

The fifth publication in the On the Table series, that explore the encounter between food and art, Bon! Bon! uncovers the wonderful world of all things sugary through surprising anecdotes and historical accounts, each accompanied by delectable recipes that are sure to satisfy any sweet tooth.