The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

An original meeting, powerful and explosive, between Charlemagne Palestine, Eric Thielemans and Oren Ambarchi.

An investigation into the current social architectures that determine the perception of the notion of "evil"... and the production of figures that embody it.

Afterall #53 "Medium/Metaphor/Milieu" looks at the exhibitionary in and beyond exhibitions. Gathered through the notions of medium and milieu, it looks at a range of practices and modes of thinking that foreground the exhibitionary in concrete, spatial, architectural and experiential terms.

The third release on Corvo Records by sound researcher and conceptualist Stefan Römer, a soundtrack for one of his experimental films as well as a new addition to his meta project "Deconceptualize".

Marking an important step in the discography of the Portuguese musician, Oeste A.D. is crossed by a nostalgic impulse, between a nod to the theme of the Expo 98 in Lisbon and a tribute to the best productions of Fennesz and Black Dice in the early 2000s.

The new album of composer Loren Rush is inspired by poems from "L'allegria", the collection of poetry by Giuseppe Ungaretti written in the trenches of World War I.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

The catalog of the exhibition at the first Biennale of Architecture and Landscape.

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

Flanger Magazine's second album integrates strings, wind instruments, percussion, and synthesizers, and subtly blends folk, Americana, chamber music, electronica, and jazz in a suite of pastoral, ethereal, and kaleidoscopic pieces.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Through eleven collections and the exploration of two formats (aphorism and short prose), J.J. Zana intends, in this first book, to develop a writing that transcends the concept of genre—or gender.

A series of recent paintings by French artist Marion Bataillard.

The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.

The use by artists of objects coming from the collections of museums of art, science, and society.

Issues 31 to 34 of the critical review dedicated to graphic design.

A sculptor's life: on the career and innovations of Makoto Fujiwara.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

The misappropriated notion of care and the paths for its rehabilitation.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

This book is a moving tribute to Jörg Binz's work, a selection from a great many paintings, especially portraits, and from his secret sketchbooks. It contains startling, bizarre, sublime works interspersed with literary and biographical texts that engage in an ongoing conversation with the paintings.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

Artists' book.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Russian writer and philosopher Oxana Timofeeva was born and grew up in various parts of the USSR. The book explores the difficulty of reducing one's sense of homeland to one's country alone, the philosophical interconnectedness of movement and rootedness, our plant and animal souls, and how we need to reimagine our desired, fictional if need be, homelands.

A series of drawings revisiting the history, the landscapes and the fantasy of Tyrol in Austria (leporello).

Stefan Römer performs quotations from cultural or musical theoreticians commenting on performances by two iconic musicians, Syd Barrett and Conrad Schnitzler.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

This reference book devoted to the figure and work of the choreographer Alain Buffard (1960-2013) brings together rich testimonies, extensive iconography and unpublished archival documents.

Contributions by Laura Owens, Daehyung Lee, Alvin Li, Catherine Malabou, Daniel Baumann, Ubermorgen, Walter Van Beirendonck, Mark von Schlegel, Cao Fei & Hou Hanru, Dean Kissick, Bianca Heuser, Ingo Niermann, Victoria Campbell, Enis Maci...

Wolfgang Tillmans; Ben Russell; Philippe Descola; Exarcheia; Hasmik Tangyan; Rone & (La)Horde; the “bioartists”; Vaslav Nijinski...

The inaugural publication of the “Research/Practice” series focuses on an artistic research by Michael Rakowitz on the aftermath of a canceled show by Leonard Cohen initially scheduled in Palestine.

Publication documenting a series of workshops involving Raumlabor, a Berlin-based group architects, and the youths of Barca, a neighbourhood in outskirts of Turin. The project, which advocates for the re-appropriation of the public space, saw the development of a series of inhabitable environmental installations.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

A collection of musical compositions derived from film interviews with conceptual artists, including Martha Rosler, Art & Language, Andrea Fraser, Ed Ruscha, Shilpa Gupta, Sol LeWitt, Lawrence Weiner and Yvonne Rainer.

The issue 30 of the magazine Palais is published on the occasion of the exhibition “Future, Former, Fugitive,” presented at Palais de Tokyo from 16 October 2019 to 5 January 2020. This exhibition devoted to a French scene is based on an open view of belonging to a land and it escapes from the effects of a tabula rasa dictating that one generation eclipses another. It unites a good forty artists born between the 1930s and the 1990s, but who all live and work in and within their era.

Travis Jeppesen's Bad Writing is a collection of interconnected essays and “fictocriticisms,” many appearing in print for the first time, that etches a pathway for a truly radical “bad” modernism in art and literature. Erudite, witty, and occasionally controversial, Bad Writing reinvigorates the too-often staid medium of art criticism as an iconoclastic and inventive literary art form.

Art beyond good and evil.

Summer issue, featuring Yuji Agematsu, Genesis Belanger, Adam Gordon, Candice Lin, Jannis Marwitz, Kaari Upson...

Black Zone Magick Chant is the newest moniker from French psych-drone artist Maxime Primault, who debuts on Shelter Press. Consisting of three longform compositions borne from what Primault describes as “a couple of very intense periods, in altered states of consciousness”, Voyage Sacrifice incorporates slowly unfurling drone, murky ambient passages and the reverb-heavy sounds of bells and pitch-shifted vocals.

What can be changed through the twists and tweaks of design, architecture, technology, infrastructure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is currently out of reach, this issue looks at the non-heroic ways of doing things differently that can open our minds and make the world better. This issue is all about lifestyle protocols.

A book of portraits with a difference, culled from a 2002–2018 photo archive of porn actors who resemble or actually even portray celebrities and public figures. Polish artist Piotr Uklański draws on a stock of hard and soft copies of “dirty” glossy men's magazines like Hustler and Loaded—as well as a plethora of meme culture material dumped on websites and blogs.

Interviews with Oscar Tuazon, Jaque Fragua & Brad Kahlhamer, Ruth Cuthand, Janaina Tschäpe (by Francesco Clemente), Jessica Grindstaff (Phantom Limb Company), Tomoko Sauvage, Cecilia Vicuña, Alicia Kopf; portfolios by Ragna Robertsdottir / Monique Verdin & Raymond Jackson; fictions by Eliva Wilkan and Laura van den Berg; essay by Stefan Helmreich…

A series of hallucinatory illustrations inspired by psychedelic art and the darkest side of fairy tales.

All for All! is a trip through All! (2012-2017), a project conceived by Kinkaleri and instigated by the voracious attacks on language committed by William Seward Burroughs. It intentionally strays beyond the limits of theatre and dance, suggesting an outside and setting the possible into motion along an undecidable boundary between the body and language.