PARIS LA #13 or CHEZ CHEZ PERV PERV has been especially created by the artists Gardar Eide Einarsson, Matias Faldbakken, and Oscar Tuazon.

Between documention and recreation: memories and transmissions of performance art and contemporary dance.

Disordered Structures is a book of drawings by the Polish sculptor and installation artist, which documents her artistic research on structures and constructions.

An exploration of the concept of the museum from an artistic and outside perspective.

This publication aims to explore how the multiple production of Raoul Hausmann, a central figure of Dada, has helped to shape the art of modernity.

This audio art book documents an experiment in binaural sound by French artist Loris Gréaud performed around the world over five years. Using binaural beats, Crossfading guides the listener to the threshold of sleep. The book includes MRI images of the artist listening to the piece.

The legendary fight between Muhammad Ali and Jürgen Blin in Zurich, covered by the photographer Eric Bachmann.

An anthology surveying the relationship between artistic practices and documents.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

Two documents and three articles: unpublished texts by Charles Fourier and Eugène Pottier; Georges Orsoni, Denis Andro, and Michel Antony address original perspectives on Fourierism and the spirit of utopia in general.

Catalogue.

The 3 volumes of the Vasarelyptiques: the ultimate original portfolios conceived by Vasarely himself—some high quality prints made between 1971 and 1977—and a set of original documents (1954-2013), gathered in an exclusive and ultra-luxurious box, with an additional book containing translations into four languages.

First monograph.

Ten encounters between artists and young audiences between 2011 and 2013.

The reprint of two out-of-print artist's books self-published in the 80's by the Japanese artists collective The Play, with a previously unreleased documentation.

Entitled “Studies for Player Piano,” the first issue of the contemporary art journal premised on aesthetics of encounter, specifically between the writing, art, and ideas expressed in Latin American culture in relation to discourses, philosophies, and art generated elsewhere, is dedicated to the life and work of experimental composer Conlon Nancarrow (1912-1997). With Mario Garcia Torres, Mariana Castillo Deball, Carlos Sandoval, Céline Condorelli...

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A guide for J. G. Ballard's The Atrocity Exhibition, between human sciences and science fiction, between the history of art and the medicine including reproductions of 20s pulps and of 60s independent magazines.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

The meaning of performance and performativity today.

This book documents an installation by Eric Baudelaire revisiting the political and personal saga of the Japanese Red Army as an anabasys—an allegory of a journey that is both a wandering into the unknown and a return back home.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Designed by M/M (Paris), this book-object documents, through photographs and a text by Frédéric Boyer, the drama entitled La Faculté (The Faculty), from a text created by Christophe Honoré, directed by Eric Vigner.

Comprehensive monograph based on the special commission made by Barcelona-based Portuguese artist Carlos Bunga for the Sonae/Serralves Project in 2012.

A perspective on contemporary video and multimedia creation through the various works produced by students and invited artists-professors for the 16th edition of the “Panorama“ program at Le Fresnoy, curated by Matthieu Orléan.

An epistemology of performance.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

In about 600 selected letters, this correspondence documents the biography, activities, career and work of the art historian Leo Rosenthal (1870-1932).

New monograph.

Gustave Courbet, hunting, and its contemporary representations in Germany.

Reference monograph.

New monograph.

Maurizio Nannucci documents, in the form of an artist's book, a collective action with his family and friends around the world, from Athens to Sydney through Beijing, that literally puts the art in question to better assert its omnipresence while providing a wide range of social interaction.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

Seven encounters between artists and young audiences in 2010/2011.

The fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history.

A linguistic/fictional journey into questions of authorship, language and institutional rhetorics.

The social dimensions of artist's books.

Art in the city.

David Jablonowski's recent and early works.

The everyday as an artistic act: a look back at the artistic and romantic relationship between Július Koller and Květa Fulierová through a series of personal belongings and documents (artist's book).

A photographic journey of rediscovery of the native country of the Swiss photographer of Burmese origin, in search of the familiar in the "exotic".

A subjective lexicon, proposing keywords for contemporary publishers and book freaks.

The first issue of the Intuitive Notebook's series of theoretical texts features an unpublished text by philosopher of mathematics David Rabouin on the relationships between mathematics, physicality, and intuition.

This issue features two photo novels produced during workshops with the academic Bastien Gallet.

A comprehensive documentation on the Austrian art collective's exhibition and elaborate site-specific performance at the 21er Haus in Vienna.