The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

Meditations on cinema and method.

Meditations on cinema and method.

A filmed interview with the pianist, composer and teacher Émile Naoumoff, conducted by Nathalie Guilbaud, with a booklet gathering the testimonies of some of his former students.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

The fourth issue of the critical journal Dixit, in which the words of the architects Jan Kinsbergen and David Klemmer confront each other, in the format of a dichotomous visual atlas, around the theme of the process.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

Reissue of Volume A of Dominique Pasqualini's Editome, which explores the permanent state of testing of our lives and our relationship to technology.

This text is the script of a performance by Claude Closky, which took place in February 2022 at the Pernod Ricard Foundation. Invited by Jill Gasparina to an Interview on Art, Claude Closky twisted the exercise by writing a text-partition, based partially on interviews given by the artist since the 1990s.

A journey through the years 1960-1980, following Pierre Tilman's friendships with the artists, poets, jazz musicians and creators who marked the artistic and literary landscape of the time.

A survey of Louise Nevelson's research on collage.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

Special issue: a retrospective of L'Humidité, the most important art and experimental poetry magazine of the 1970s, created and directed by Jean-François Bory from 1970 to 1978.

Very cheap non-human animal imitations amicably mimics the wonderful presentations of songs from birds and other protagonists of the animal world, made available by the ornithologist and publisher Jean-Claude Roché in the 1980s.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

A history of the museum of modern art, exhibitions and discourses on art and its public in the 20th century, from the trajectory of Jean Cassou (1897-1986), writer, resistance fighter, art critic, poet and chief curator of thenational museum for modern art of France from 1945 to 1965.

Contemporary art and performative practices in Africa.

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

How our experience of presence, time, and history are articulated in contemporary artistic practices.

A documentary film made over 10 years by Virgile Novarina, portraying the iconoclastic artist Pierre Pinoncelli, known since the 1960s for his shocking happenings.

A journey through the sculptural work of the Franco-German artist through a series of installations in the public space.

The history of the contemporary art center of Metz.

The catalog of the exhibition at the first Biennale of Architecture and Landscape.

Autobiography by Claude Closky is a question about identity and social media. On a dark mode theme colored background, tens of "Claude" of different genres and identities are displayed in sequence. What is the real "Autobiography"?

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

The film by Charles de Meaux, with Fan Bingbing, Melvil Poupaud, Jin Shi-Jye, Wu Yue, Thibault de Montalembert, Féodor Atkin, in book (texts by Philippe Azoury, Anne Dary, Donatien Grau, Élisabeth Lebovici, Brice Pedroletti, Thomas Schlesser), on Blu-Ray and DVD.

A collective reflection on the imperatives of sustainability and reversibility to which architecture must respond today, in connection with contemporary societal and environmental issues.

A composition in two continuous parts of 30' and 19' which melts two antagonistic and complementary dimensions: a data-text read by the French artist ORLAN and a virtual orchestra, composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.

Variations on the face: downtown legend Kenny Scharf's permutational exploration of character.

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

Venice preview, Dan Graham, Basel Abbas and Ruanne Abou-Rahme, Nikita Kada, Titian's Poesie...

The ecologies of experimental cinema in the Anthropocene age.

Azimuts #54 reports on a selection of design research surveys that were carried out in Saint-Étienne between 2015 and 2022 by various researchers and collectives in collaboration with artists and academics in relation to this territory, their terrain.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

A book of interviews with Sylvère Lotringer.

"Two Duos" is pressed from cellist Okkyung Lee's OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it's magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities.

An journal of critical and political poetry: Leslie Kaplan, Rothenberg, arts and critical positions, an anthology of contemporary Central American poetry, a catalog of visual poetry, a dossier on the Brazilian concrete poetry group Noigandres, new translations of William Blake by Jean-Jacques Viton...

Afterall issue 52, entitled "New Politics", featuring: contextual essays by Natalia de la Rosa, Thomas (T.) Jean Lax, Pascal Gielen; Jonas Staal by Sven Lütticken, Jonas Staal by Kim West, Kapwani Kiwanga by Elvan Zabunyan, Aldo Tambellini by Hanna B. Hölling, Aldo Tambellini by Barrington Matthew, Feminist Art and Activism in South Korea by Hyeonjoo Kim...

Iannis Xenakis by Kasper T. Toeplitz; interviews with Delphine Dora, Paul Lovens, J.A. Seazer, Frédéric Blondy; Fred Van Hove by Gérard Rouy; carte blanche to Julie Hascoët; reading notes and about sixty albums reviews; contemporary Arabic poetry: Mina Nagy...

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).