Ronan Bouroullec's daily drawings.

The new adventure of the Musée Mobile (a traveling museum aimed at making contemporary art accessible to those who are far from it, from the earliest age, that has been touring France, Europe and Africa since 2011), in partnership with the Centre Pompidou: the first museum truck dedicated to Europe's largest collection of modern and contemporary art, designed by architect Isabel Hérault and artist Krijn de Koning, travelling to various regions and villages.

The heyday of New York's underground and alternative cultural scene in the 1980s: a look back at the history of the Pyramid Cocktail Lounge, a primary hub for the burgeoning East Village drag, gay, feminist, punk, and art scenes.

New edition of Steve Cannon's riotous 1969/71 erotic novel Groove, Bang and Jive Around, "an underground classic of such legendary stature that New York's black cognoscenti have transmogrified the work into urban myth," with a foreword from Darius James and an afterword by poet Tracie Morris.

The sixth issue of the transversal journal, at the crossroads of art and thought, political philosophy, gender studies and academic knowledge, delves into the various forms of mutation that ripple through our world.

Torbjørn Rødland, Pierre Joseph, Jill Mulleady, Samuel Fasse, Rob Pruitt, Ugo Rondinone, Lili Reynaud-Dewar, Ana Jotta, Donald Judd, GaHee Park, Ange Leccia, Richard Phillips, NP2F, Seton Smith, Giacomo Borella, Valérian Goalec, Sean Landers, Huma Bhabha, Paul Pfeiffer, Claes Oldenbourg, Brian Calvin, Karen Kilimnik, Robert Gober, Rita Ackermann, Allen Ginsberg, Karen Kilimnik, Robert Longo...

The "deconstruction" of design, between practice and reflection.

A historicist approach of music genres.

Photographer David Simpson opens his 30-year archive on Louisiana's rural Mardi Gras traditions.

The culmination of a multidisciplinary project developed over ten years, where Miquel Mont blends real and fictional autobiographical elements to explore the economy of affects.

The series of portraits of African heads of state unveiled by Kehinde Wiley at the musée du quai Branly – Jacques Chirac in Paris, an exploratory project around the representation of power on which the painter has been working confidentially since 2012.

This monograph presents the visual language inseparable from the higly influential sound project of Sam McKinlay, pioneer of the "harsh noise wall" with the multidisciplinary entity The Rita.

An extended meandering conversation between Swiss art historian, critic and curator Jacqueline Burckhardt and curator/art historian Juri Steiner, accompanied by numerous texts, documents and artist inserts.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

The third issue of the magazine Bagarres, made of constraints and rules of the game.

First monograph devoted to the work of the Italian-Senegalese artist Binta Diaw.

The fifth volume of the bie bao series presents Ilya Zdanevich's fictional auto-biographical writings based on his one-year stay in Istanbul in 1921.

The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.

The first book dedicated exclusively to the female protagonists of Latin American electronic music.

How to look at polycrisis without freaking out (with Henrike Naumann, Shirin Neshat, Roberto Villanueva, Ben Davis, Mire Lee, Precious Okoyomon, Ivan Cheng, Nil Yalter, Anselm Franke, Anna Jermolaewa, Catherine Liu, Oliver Ressler, Morag Keil, Jeppe Ugelvig and many more).

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

A selection of the artist's work from 2020 to 2023, accompanied by a text by Glenn Adamson.

This new body of work consists of paintings featuring heart-headed figures in various emotional states and situations that sometimes teeter between the ordinary and extraordinary. From tender amorous moments to unexpected skate scenes, the work is full of the next iteration of emotive "schmoo" characters.

Caroline Bachmann's dawn paintings.

A dialogue between architectural history and design, in homage to Le Corbusier's theoretical vision behind the construction of the Villa Baizeau in Carthage.

The facsimile and English-language reprint of the volume published in 1721 by Austrian architect and historian Johann Bernhard Fischer von Erlach, a historical and theoretical work covering all architectural periods and styles, from Stonehenge to Chinese imperial arches, which had a considerable influence throughout Europe.

The glass as a listening device.

The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat.

A serious diagnosis of the current form of capital, a profound excavation and presentation of the most important and helpful ideas that Jean Baudrillard published: from the unravelling of western philosophy, to a redefining of marxist theories of economics and capital, to a shift in critical theory that complies with quantum theory. 

Rosé is a queer art zine, edited by Ben Egger and Sarah Berger, that aims to provide a curated public platform for queer artistic perspectives and concerns.

A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).

Morton Feldman's last composition, performed by dissonArt Ensemble.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

Archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition.

Archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition.

First vinyl edition of Giuseppe Ielasi's archipelago of animated sound sculptures.

Centered around the Villa Aurora Organ, an intriguing and mostly unknown instrument built in 1928/29 by the Artcraft Organ Company in Santa Monica, California, "Outerlands" presents a deeply personal approach to the instrument's particular properties, very much in line with Discrepant's ethos.

A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

An analysis of contemporary artistic practices among artists from Estonia, Latvia, and Lithuania in the context of evolving global networks and art production.

First monograph of the Mexican queer artist.

Machteld Rullens' second publication with Zolo Press documents three years of works, friends & family moments, and travels in Senegal, NYC, LA, and Vincent van Gogh's house…

Anniversary issue: 30 artists celebrate 30 years of Neural + 20 of Crónica; interviews with Olga Goriunova, Siegfried Zielinski, Luciana Parisi, Hito Steyerl, Jussi Parikka; The Neural Archive; reports: xcoax 23, Renaissance 3.0 ZKM; books/DVDs & music reviews...

A series of works-in-progress that continue an exploration of contemporary portraiture, instinct and abstraction.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

A picaresque memoir written from inside the heart of the revolutionary twentieth century by one of its most crucial witnesses.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

The first monograph by New York-based Chilean photographer Sebastian Sabal-Bruce.

The immersive, monumental paintings documented here were the first works that José Parlá created after his recovery from a life-threatening battle against Covid.

Montauk Surf Journals by surfer, artist and world traveler Tony Caramanico presents a stunning selection of his art representing his 60 years in and around surfing.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

Rachel Valinsky invites seven artists from both sides of the Atlantic (Davide Balula, Eva Barto, Julie Béna, Jesse Chun, Jean-Pascal Flavien, Gordon Hall, and Alan Reid) to share their views of Guy de Cointet (1934-1983), a major figure in the conceptual and performance art movements.

Antoine de Galbert offers a glimpse into his collection, freed from the traditional norms of art history: an immersion into his artistic universe, through a selection of over two hundred works presented without hierarchy or classification.

A veritable panorama of Art Brut at an international level, through 180 works selected from Bruno Decharme's collection.

Spanning a pivotal time in Arab art, from the 1950s through to the 1980s, this book celebrates the lives, careers, and personas of some of the region's pioneering artists (from Huguette Caland to Hamed Nada and Etel Adnan) and features archival material, images of artworks as well as of the artists themselves.

Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms.

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

The first book to draw a comprehensive cartography of the relationship between visual arts and digital culture since the early 2000s, tracing the history of memes "from Duchamp to TikTok."

Issue 37 of Palais de Tokyo magazine addresses the relationships between mental health, contemporary creation, and art and culture venues, in particular through the prism of institutional psychotherapy, a set of practices aimed at disalienating institutions—initially psychiatric ones.

A collection of early texts by Reiner Schürmann, on religion, Zen, language, Eckhart and Heidegger.

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

Nieves Notebook produced by Moleskine is a lightweight, flexible paper companion for everyday notes and sketches.

A series of watercolor images of vases by the Swedish artist, printed in risography.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

Script is the second book of artist J.J. Zana and a continuation of the series started with Cycles. Composed of fragments, it gathers eleven sections—with a central part telling about his experiments with drugs.

A comprehensive insight into the images of landscape by the Ethiopian-born artist Robel Temesgen.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

Works on paper by the Belgian artist.

With the theme "Building," this issue is interested in the future of architecture as a practice of creating housing for the living within urban agglomerations. It questions the ways architecture, as the creation of living spaces, always requires collaboration with several participants including, hopefully, the users.

François Bayle's luxurious, monumental retrospective box set: 15 CDs covering half a century (1963-2012) of acousmatic creation, accompanied by a 160-page book with various texts, a 2012 interview with Thomas Baumgartner, presentation and annotated catalog of works by Régis Renouard Larivière, and photographs.

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

Combining archive material with a wide selection of photographs of body paintings produced by the duo in the 1970-1980s, this publication retraces the evolution of gender identities and the treatment of the female body in visual culture from the 1950s to the present.

A collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities.

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

Pennsylvania State Senator Nikil Saval tells the story of an unlikely partnership between June Jordan and R. Buckminster Fuller, and their attempt to reimagine Harlem in the wake of the 1964 riots.

A curatorial approach towards deliberative cultures of assembly and a realistic scenario of decentralized power and decision-making (an anthology edited by Markus Miessen).

She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

Written with a sensitive ear to the present, Matinées sans police reveals a relationship with the world in which the intimate and the extimate assert themselves in all their political dimensions.

The second issue of the Cahiers du centre national du graphisme (National Graphic Design Center) is about typography (new edition).

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

First monograph.

Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

The major influence of Henri Matisse on the work of one of the leading figures of American Pop Art.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

Louise Bourgeois' flowers series, painted in gouache on paper.

A collection of quotations from Thelonious Monk, organized as an alphabet book (new revised and augmented edition). More than a hundred entries based on the testimonies of musicians (Steve Lacy, Sahib Shihab, Henri Renaud) and journalists (Leonard Feather, Ira Gitler, Val Wilmer…).

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

New expanded edition of an essential text for defining the thought of composer Pierre Henry (1927-2017): a musical biography in the sense of a diary and an autobiography in forty-two sequences that accompanied him in various forms between 1977 and 2005 (audio download link included).

A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

The first French translation of the texts of the Japanese artist and writer Akasegawa Genpei (Katsuhiko Akasegawa, aka Otsuji Katsuhiko, 1937-2014), a figure of the Tokyo avant-garde of the 1960s, on the concept of Tomason, with a rich iconography.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

Charles Fourier or utopia as reality.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

A picaresque tale of Clara Schulmann's often collective experiences.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

The complete texts and photographs published in the fanzine dedicated to free jazz.

A dialogue between two dress sculptors who, each in their own way, have strongly influenced the world of creation, between art and haute couture.

A lesbian and queer re-reading of Albertine, a central character in Marcel Proust's In Search of Lost Time. A group show constructed as a portrait of lesbian identity.

20 drawings, 15 architects, 125 steps. Twenty perspective drawings edited to scale from plans, twenty architectural climates in comic-book realism to decipher the language of modern architecture through the work of fifteen architects.

Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.

An in-depth historical study of the artistic and political project of the Situationist International (1952-1972).

From the negative hands on the walls of the Chauvet caves (minus 30,000 years ago) to the most recent experiments of a number of contemporary artists, an entire history of art can be written under the prism of breathing. Between these two milestones, this study attempts to highlight the innovative force of breath and the importance accorded to breathing as a creative gesture and artwork on its own.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

Dancer and playwright Esther Meunier Corfdyr ventures into sleeping territories.

Pakito Bolino; Basman Aldiwari; Phill Niblock by Kasper T. Toeplitz; Dominique Grimaud; Félix Blume; Leandro Barzabal; Dror Feiler...

An adventure book, written and drawn, by Luca Merlini that takes us closer to the creative process of the architect and the parallel that can be drawn with literature, highlighting the question of the book and its intimate relationship to architecture.

Jesús María Aparicio Guisado expounds here his conception of architecture by exploring the notion of the wall in four major buildings through drawing and words.

The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Feuilles (Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.

The story of the Galerie Janine Rubeiz, a major venue on Beirut's cultural and artistic scene.

First French translation of Shulamith Firestone's first novel.

A collective manifesto for feminist art schools.

Issue dedicated to the work of writer, poet, performer and musician Mathias Richard.

A collective work to highlight the unique perspective of Pierre Guyotat, one of the greatest authors of the French language and a major figure in the memory of the Algerian conflict, on the war of independence and post-independence Algeria.

An essay on the new challenges facing exhibition curators.

The partitions, to be activated by the reader, by Aziyadé Baudouin-Talec, Mickaël Berdugo, Jocelyn Cottencin & Olivia Grandville, Matali Crasset, Zoée Dahan, Ines Dobelle, Garance Dor, Frédéric Dumond, Diane Giorgis, Vincent Menu, Alain Michard, Aurélie Noury, Nicolas Richard.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

Reference monograph of the most renowned Japanese artist-poet of the 20th century in Europe and the United States, active since the 1920s, a figure of visual poetry, linked to all the European and American literary and artistic avant-gardes, with numerous illustrations.

This latest book—part of a ten-volume series that began with Léman in 1990—takes up and redistributes the elements of an investigation whose main material is autobiographical. The author restores an imaginary "childhood" that he writes about in a poetic attempt to understand it, and never ceases to "become".

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

A critical and ethical reflection on contemporary art and ecology, based on long-term research into the work of some twenty international artists committed to environmental issues.

1000 drawings ranked from lightest to darkest, a major work by a rare and powerful artist, a major influence on the current graphzine scene.

Le meilleur système is a hybrid and meta text. At once a poetic collection and a critical reader, nourished by references to genre literature, it explores the narrator's dissociative affects and her experience of racial passing.

This monograph, taking a thematic approach that brings together both words and objects, aims to highlight the extreme inventiveness of Gaston Chaissac.

A book of poetic texts by the performance artist, choreographer, musician and writer.

Writer Yoann Thommerel seizes on the rating codes to which we are now subjected for the smallest of our daily gestures to hijack them, deconstruct them and make them the basis of resolutely digressive culinary commentaries, between a diary oriented towards gastronomy and the uninhibited reinvention of a Gault & Millau guide stripped of its prescriptive logic.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

This collection does not propose a theory of architectural drawing, but brings together seven essays (written over the last fifteen years), which explore the potential of architectural drawing during the 20th century, through seven modes of representation: plan, section, arrow, grid, images, diagram, drawing.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

Reissue of a book of poetry from 1984—perhaps F.J. Ossang's most incandescent poetic period—that never saw the light of day.

A poetic text on the influence of suffering and illness on the act of writing.

A journal of critical and political poetry

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

Attempting to bridge the gap between specialised scholarship in the humanistic disciplines and an interdisciplinary project of cultural analysis, Mieke Bal has written an intellectual travel guide that charts the course "beyond" cultural studies.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

A vast research on the notion of acoustic and sound ecology and its transition to a new sound ecosophy, integrating the multidimensionality of listening to propose to hear differently.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

On the border between arts and surveillance studies, this book analyzes the technopolitical role of new "machines vision" and considers sousveillance as a democratic counter-power.

Suspected of having been completely assimilated by the commercial industries, it is not so much against these that art must be defended as against a simplistic narrative imposed by a certain sociology of art. When one is finally interested in the artistic practices themselves, it becomes obvious that the art continues to resist: by its politics of the forms.

A collection of three new aesthetic essays, between the visual arts and literature, by Belgian philosopher and semiotician Herman Parret: a reflection on the "delicacy" in the various fields of sensoriality (the visible, the sound, the taste and the tactile)—a most suggestive reading for the construction or the development of a sensitive semiotics.

Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.

An analysis of the true theoretical and commercial system developed by Michel Tapié de Céleyran (1909-1987), who invented his profession of art entrepreneur by combining several activities—art critic, editor, artistic advisor, broker and collector—, contributed to the international destiny of some 200 artists (including Dubuffet, Mathieu, Pollock, Tapiès, Saura, Fontana, and De Kooning) and was at the origin of "Informal Art".