Music

Artist's book.

Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.

An essential anthology of studies on music as it is played and lived throughout the world, from France to the United States via South Africa, which underlines Denis-Constant Martin's crucial role in the sociology of popular music. His works, which since the 1970s have questioned recorded and mediatized music by going beyond established musical categories, are striking in their contemporaneity.

Jim O'Rourke's masterful abstract contribution to the MMXX series.

Quentin Rollet lays his mini tape synthesizer and saxophones on drum tracks recorded by Kim Giani in 2015, that is to say in the world before confinement. A humorous and energetic project, realized in a period of global boredom.

Drawing upon traditions of socially engaged poetics, Brandon LaBelle's The Other Citizen presents narratives of contemporary crisis and exclusionary politics—from American teenagers in the maze of neoliberal privatization to those caught between borders of nation-states—outlining the force of a planetary citizenry.

A manifesto for possible future music.

A manifesto for possible future music.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

This project is a cooperation with The Narbonnaise regional park in south France where Enrique Ramírez developped a project related to the rising of the sea level and climate change. All tracks are made from field recordings Ramírez did under the water and in different areas of the nature reserve in the regional park.

The new project of Hervé Zenouda (Stinky Toys): a sophisticated and rustling electronic music.

"Alter-" is Automatisme's reaction to altermodernism in sound art.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

An extended drone work performed on organ, building from a peaceful single note to a harmonically rich and subtile combination of tones.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Sean Baxter, Alessandro Bosetti and Hong-kai Wang, Mark Vernon, Kate Carr, Homei Yanagawa, Malaka Badr...

This double issue explores new analytical methods to characterize the pop voice in its singularities.

Aspirations of Madness, Blank Forms' fifth collection of archival, unpublished, or newly translated texts, considers the work of Masayuki Takayanagi, the poet Louise Landes Levi, musician and writer Joseph Jarman, polymath Catherine Christer Hennix and her one-time student the poet Charles Stein, Russian musicologist Henry Orlov, and Maryanne Amacher—brilliant and overlooked artists whose work Blank Forms will continue to champion in a variety of contexts. Aspirations of Madness features additional contributions by Alan Cummings, Bill Dietz, Peter Kastakis, Art Lange, Leo Svirsky, Satoru Obara, and Tomoyuki Chida.

Seven musicians and producers from East Africa and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Two pieces that evolve with grace and inspiration in the vast domain of the sound world, each with their own agenda.

Eiko Ishibashi"s first album for Black Truffle, produced for the 'Japan Supernatural' exhibition at The Art Gallery of New South Wales, Sydney, focusing on ghost stories and folklore from the Edo period onwards.

Bruce McClure / Contemporary Arabic-language poetry: Soukaina Habiballah / Isabelle Duthoit / Jacques Brodier / Kazuo Imai / Evan Parker...

Vinyl EP from Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

Featuring: Jacques Delamain, Ghédalia Tazartès, Paul Sérusier, John Butcher, Keith Rowe & Cornelius Cardew, Kaoru Abe... and 130 chronicles.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

This monographic study catalogs, explores, and interprets the manifold manifestations of music in Thomas Pynchon's novels.

A vibrant stage adaptation of Louis Calaferte's book by Virginie Despentes accompanied by the rock band Zëro.

Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.

A free reflection on the influence of Bertolt Brecht in the work of Nina Hagen, this hybrid text approaches two great popular figures of German culture through an unusual prism, through the margins, and paints a portrait of Nina Hagen as we have never seen her before.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

The new Tom James Scott record, the first document of his solo work since 2017.