Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

A 7" double groove cut concept-album (2004-2017), including field recordings and ringtones composed by Laura Mello.

Originally published in 1983 by Maurizio Nannucci, this collection gathers a careful selection of audio works by American body artist and conceptual artist Terry Fox, also a pioneer of sound art.

Never released before: on the occasion of the 60th anniversary of the GRM, the composer François Bayle introduces us to some of his unpublished archives.

Spanning 1966-1990, Mémoire Magnétique vol.1 is a revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. The first volume of this compilation allows us to discover some of these lost tapes and unpublished recordings which were composed for the screen or the performing arts.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

Limited edition of a recording confronting the virtuosity of two bassists: Bill Laswell's black trance track Bass Terror Tetragrammaton faces Nik Bullen's hypnotic composition Nocturnal Crawl. The two pieces answer each other strangely, like two sides of the same hidden anxiety.

New compositions for ancient Korean instrument: the Geomungo.

Tarab is the result of live recordings captured during the group's 2017 Al-'An! Tour, which led them to Europe and Canada, and finally Beirut.

The third and final LP report of the Belgian electronic improvised music band from the eighties. Recorded and mixed between 1980 and 1981, Next One's Called… features unreleased songs only. It could be seen as the missing link between their two previous albums—Slaughter in Tiny Place and Europa (limited dark green vinyl LP edition).

New edition of the Belgian band's third album from 1981: inspired by H.P. Lovecraft's universe, Ceux du Dehors is a key release for the band. It sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

This LP presents two sound works from the German composer's project “the O. theorem,” which focuses on Nikolai Obouhow's revolutionary concept of “total harmony”. Liner notes by Volker Straebel and Hans W. Koch.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

LP featuring a recording of the search for a lost tape by musician Ben Patterson, with the help of editor Stefan Fricke and composer hans w. koch. This 1960 lost tape acts a symbolical archive, since it documents Patterson's pre-Fluxus period. Having failed to find it, tehy decided to recreate the recording with a score from this period. The reconstructed track is on the record's B side. This edition includes liner notes, and selected documents chronicling the search.

Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

This compilation features traditional songs that originate from the city of Sanaa, the sheikdom of Lahej, and the port of Aden. The term samar, which is the title of the compilation' second part, describes the delicious, luxury time when people gather for relaxation, refreshment and music. Music performed by the Kawkabani brothers and oudh player Hassan al Zabeede.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

This album by Ultraphallus lead singer is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh, Tom Malmendier, Gabriel Séverin and Ludovic Medery) on these eight tracks inspired by Henry Corbin's writings, Nico, Scott Walker and traditional music.

An ABC book with which the pianist, composer and improviser recounts his experience of sound (with the score and recording on CD of an unpublished piece).

An improvised musical piece recorded with the friends of Herman de Vries at his 80th birthday's summer party on June 18, 2011, in Eschenau. With liner notes by Herman de Vries and photos of the event on the back sleeve.

This vinyl LP associates a visual project and a musical piece by the multidisciplinary German artist. Müller's interest with Wagner's composition Rheingold forms the basis of the sound piece, which consists of a mix of layers of Rheingold recordings. Vinyl sleeves features facsimiles of four ash-painted postcards from the series Not a bird.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

The self-titled 2nd release of the trio featuring Anthony Pateras, Scott Tinkler and Erkki Veltheim, a stochastic / carnatic free improvisation session recorded in Melbourne's Church of All Nations.

During his exhibition at Westfälischer Kunstverein in Münster, artist Zin Taylor invited musicians Christina Vantzou and John Also Bennett to interpret a 90-meter panoramic wall drawing as a musical graphic score. This vinyl edition gathers the recording of this minimal music performance, along with a 180 cm leporello reproduction of the wall drawing.

A piece for mezzo, mouths, skins and Buchla, recorded with mezzo-soprano Loré Lixenberg (vinyl sleeve with a CD inside).

Original motion picture soundtrack by Schneider TM for Omer Fast's acclaimed first feature film Remainder. A heuristic creative approach characterised the collaboration between Omer Fast and Schneider TM, where music and images beautifully intertwined in a compelling sonic structure.

Inexplicable hours opens on the one hand new ways based on field recordings, static electronics and distant pulsations, and continues on the other hand the exploration of drone and ambient but in a brighter, less aggressive, less tense way, almost reminding sometimes Brian Eno's Obscure series.

A story of love and drunkenness with Venus in Zurich's forest, by German writer Oskar Panizza. This edition comes with a musical piece and illustrations by experimental intermedia duo My Cat Is An Alien.

Composer/organist/musicologist Eva-Maria Houben's most compelling piece to date.