A concrete symphony (a journey between a public sphere—passing trains, passers-by in the street, a construction site— and the intimate relations that a composer can have with an electronic machine or software).

This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music.

Influential musician Andrew Liles releases a dark and fantastic literary work relating to childhood and sufferings, illustrated with six images and a sound piece.

The second issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine includes documents on Trevor Wishart, Denis Dufour, Hém-Ish, Ione, Broutin, François Poyet, Johannes Kreidler, Gil J Wolman at work, a film by Frédéric Acquaviva on the late Pauline Oliveros, Silva Gabriela Béju on Henri Chopin and the magazine OU, a set of posters and postcards…

A collection of recordings from 1987 to 2013 by German experimental band Argo. The double vinyl LP features mostly live performances overviewing the work of the trio (violin, viola, clarinet) around the notion of transient music.

First QR-Code EP, edition of 100 copies, recorded at EMS, Stockholm, December 2015, with the voices of Frédéric Acquaviva and Loré Lixenberg.

The new organic soundtrack creation by Francisco López inspired by trance rituals.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

In 1987, Michel Redolfi hit the California Desert road during the Fall, to catch those hypothetical poly-sensorial desert tones. He visited the Mojave Desert, Death Valley, Palm Canyon and came back with an extraordinary album of early electronic music, sparse and bright to express the crude light and the divine silences.

Ben Vida's new LP represents the conclusion of one body of work, Damaged Particulates, and the beginnings of a new long form project titled Reducing the Tempo to Zero, in which the american artist return to the durational drone based forms that he first experimented with in his early days.

Élodie Lesourd's first retrospective monograph provides a complete overview of her work since 1993, highlighting her inclination toward Rock culture and hyperrealism.

A musical essay exploring complex variety of digital rhythms patterns.

A musical essay exploring complex variety of digital rhythms patterns.

First reissue ever of one of the holy grail LP from the vault of the amazing Italian library music label Octopus. Originally released in 1973, Climax is a killer studio session by Amedeo Minghi, Piero Montanari and Roberto Conrado. An incredible collection of psych jazz funk tunes with crazy moog sounds, violent drums and deep bass. Ultra rare, hard to find item finally available again.

A stunning collection of quiet and soft piano pieces by the legendary German keyboardist Hans-Joachim Roedelius co-founder of seminal krautrock bands as Cluster and Harmonia. Inspired by the monumental work of Erik Satie, the album was originally released in 1991, and is recommended for fans of Max Richter, Goldmund and Sylvain Chauveau. This first vinyl complete reissue contains the bonus track In Der Dämmerung.

3 tales of childhood and disappearance by William Wordsworth, accompanied by the primitive and free metal music of French duo Talweg.

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

Investigating the relationship between movement and sound, the duo has been developping installations to translate sound frequencies into vibrations. This double vinyl LP includes four recordings produced as part of this research project.

A record of experimental electronic music that explores possible relationships between voice and modular synthesis.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

Inspired by The Residents, Marc Bolan, Mark Frechette & Zabriskie Point, Swans, Autechre, David Bowie, Eva Ionesco, and Polanski's movie The Tenant, Ultraphallus defines their sound with some accents from different styles including Western Music, Death metal, Doom-Rock, Avant-garde Psychedelia and Electronic Soundtracks, as a tribute to Rock Culture.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

An overview of experimental and electronic music in Turkey featuring 29 Turkish artists—from the electronic music of the 1960s to all forms of experimental music of the 2010s.

An overview of experimental and electronic music in Turkey featuring 29 Turkish artists—from the electronic music of the 1960s to all forms of experimental music of the 2010s.

Inspired by The Residents, Marc Bolan, Mark Frechette & Zabriskie Point, Swans, Autechre, David Bowie, Eva Ionesco, and Polanski's movie The Tenant, Ultraphallus defines their sound with some accents from different styles including Western Music, Death metal, Doom-Rock, Avant-garde Psychedelia and Electronic Soundtracks, as a tribute to Rock Culture.

The first album in eight years for the Angelenos duo starring former Axolotl drummer William Sabiston and guitarist Jon Almaraz.

Borromean Rings is a graphic score for double bass and microtonal F tuba, composed for the duo Reidemeister Move by Robin Hayward.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Dorothy Iannone tells her Fluxus Story in a Berlin recording from 1979.

Part four in the Selten Gehörte Musik reissue series, with a recording by Günter Brus, Hermann Nitsch, Dieter Roth, and Gerhard Rühm originally published as a 3LP-Box by Hansjörg Mayer in 1975. Apart from the group session this edition also includes a duo piano session by Dieter Roth and Hermann Nitsch recorded in Stuttgart in November 1975.

The second volume in Gabriel Saloman's “Movement Building” series, continuing the release of original compositions commissioned for contemporary dance works.

Zbigniew Karkowski's last recording, in Sweden, November 2013—a few weeks before his death—accompanied by musicians Jean-Louis Huhta and Lars Akerlund.