A real, potential and fictitious museum by Michel Giroud.

First release of Gerhard Rühm's Radio-Play “Masoch”. A ritual recitation of Leopold von Sacher-Masoch and Ignatius von Loyola for one female and one male speaker, a chorus of speakers, and tape.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

A collaborative and multidisciplinary narrative including music, sound sculpture, photography, and literature.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

RadioDordogne#1 is a vast montage of sound recordings made by the sound cartographers in 2014 for the web radio RadioDordogne. Sound heritage, readings, landscapes, archives, musical creations are intertwined to propose six radio pieces for listening.

Framework is a series of graphic scores and recordings by Copenhagen-based musician Mads Emil Nielsen. Framework 1 consists of 14 hand-drawn graphic scores, printed in risograph, with simple instructions and a recording for each score.

First meeting recorded live at Swissnex, San-Francisco, in February 2009 (Fred Frith: electric guitar; Michel Doneda: soprano and sopranino saxes).

Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity.

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

All musics done for Jean Dubuffet's Coucou Bazar show.

Guillaume Belhomme's first fictional narrative (limited edition with a musical piece by Michael Esposito on a mini CD).

The long overdue first proper collection of sound-poetry / musique concrete pieces by German installation & conceptual artist Michael Barthel.

Mon's early concrete phonetic poems recorded 1962-64, as well as the radio-play “Ich bin der ich bin die” from 1971.

A collection of 29 pieces recorded 1980-84 by Dominik Steiger. Outsider art home-recordings using voice, acoustic guitar, accordion and bontempi organ.

An initiatory sound journey in the urban jungle of Rio de Janeiro.

A series of interviews with 27 international artists/musicians, centered on the relation of sound to space.

Special one-sided recording with a visible spiral loop on Side B by turntable-music performer Dieb 13.

A chamber music project on LP by the Italian composer, sound artist and performer, inspired by an African divination ritual.

9 discs (CD, DVD, Blu-Ray) directed by Ecole Média Art Fructidor.

Second time in 20 years Charlemagne Palestine and Z'ev are performing together / first time they are recording it... (unreleased material from Palestine's lair, a place now called Charleworld, where both fellows spent 3 days in June 2010).

Second time in 20 years Charlemagne Palestine and Z'ev are performing together / first time they are recording it... (unreleased material from Palestine's lair, a place now called Charleworld, where both fellows spent 3 days in June 2010).

First-ever release for Darmstadt-based composer Hans Essel who has been active in improvised music and “Grundlagenmusik” (foundational music) for more than 20 years.

Singing insects of the Causses, vultures feeding, passerine songs, underground streams, barking stags, rumbling storms, amphibian choruses, sheep bells... a reference in the audio-naturalist field.

Waterkil is a singular sound creation starring Axel Dörner on trumpet & Jassem Hindi on electronics. The recordings for this album were made during a three week residency at EMS in Stockholm and during a live show at Able gallery in Berlin.

The album Living Theory Without Anecdotes conflates Nicolas Wiese's acousmatic compositions from the years 2009-2011. All four tracks are constructed out of samples from acoustic instrument and object recordings, and are characterized by floating structures allowing slow crescendos and little disruptions.

The series of "Papiers Ouverts" by Jean Degottex (1918-1978) created in 1974 and poems by Maurice Benhamou fed the improvisations of the two musicians. Ghosts, ruins, stars, rubble ... punctuate this work recorded in Belgium, Monos gallery.

An improvised and radical meeting between Natacha Muslera's voice and Jean-Sébastien Mariage's electric guitar.

The lyrical and earthy flight of Isabelle Duthoit, the furious growls of Johannes Bauer's dandy trombone, the electrifying stripes of Luc Ex, the legendary founder of Dutch group The Ex, produce a passionate musical mix.

Tris Vonna-Michell's latest artist's record/book is constructed around two works, Capitol Complex (2012-2014) and Ulterior Vistas (2012-2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages.

The collaboration between artist and poet Charles Pennequin, the band Gun-Gi and Laurie Franck.

Audioplay by Adrian Williams (music by Theodor Köhler), performed and recorded live at Portikus, in Frankfurt am Main, between September 24 and November 6, 2011.

First album.

2CD-Box collecting 11 pieces from Jean Dubuffet's “'Expériences musicales” (recorded in 1961) for the first time on CD.

CD presenting 37 solo text-pieces, phonetic poems and poetry duets (with Monika Lichtenfeld) written and composed between 1952 and 2010.