Sound and auditory experience as platforms for social meeting, urban intervention and environmental investigation.

Sixteen visual artists give their vision of Clair Obscur's album We Gave A Party For The Gods And The Gods All Came.

Soundtrack for an exotic elevator, innocent muzak, only a priori, an orchestra with sequins and cheap junk (the soundtrack of Pierre Beloüin's eponymous installation).

This publication is the result of a happening of sound poetry. It gathers the texts read during the lecture, as well as a recording made from the sound asperities of each of the reciters.

Conceived as an homage to Musique Concrète pioneer Pierre Schaeffer's Solfège de l'objet sonore, Dataphonics is a project that focuses on the relationship between the data of sound and the sound of data. The work deploys frequencies at the very edges of human hearing, sounds that, as Ryoji Ikeda explains, “the listener becomes aware of only upon their disappearance.”

Conceived as an homage to Musique Concrète pioneer Pierre Schaeffer's Solfège de l'objet sonore, Dataphonics is a project that focuses on the relationship between the data of sound and the sound of data. The work deploys frequencies at the very edges of human hearing, sounds that, as Ryoji Ikeda explains, “the listener becomes aware of only upon their disappearance.”

The book and audio CD Water Days documents an exchange of pictures, texts, sounds and voices between multimedia artist Leah Singer and Sonic Youth's Lee Ranaldo inspired by the contrast between wanderlust and the desire for home.

The book and audio CD Water Days documents an exchange of pictures, texts, sounds and voices between multimedia artist Leah Singer and Sonic Youth's Lee Ranaldo inspired by the contrast between wanderlust and the desire for home.

Cercueil's first album.

The life and death of a shitty poet: a fake concept album on the trials and tribulations of a young literary mind and rock'n roll enthusiast.

L'étoile Absinthe was composed in 1999-2000 in the composer's studio. Chant d'ombre was composed in 2004 in the composer's studio. It is dedicated to Eliane Radigue.

This edition of 4 audio CDs in a wooden case comprises the reading of On Kawara's One Million Years [Past and Future], with Gemma Saunders as the female voice reading all even numbers and Leo Chadburn as the male voice reading all odd numbers, covering 969 611 BC to 967 811 BC & 33 411 AD to 34 450 AD.

Two long time out of stock references, remastered at le Laboratoire Central.

The work of these musicians and performers from Germany, Italy, France, and USA is settled between weird Pop, avant-trash, free improvised music, Mediterranean folklore and noise drones. A creation of unique and exciting experiences by artists coming from different social and musical backgrounds.

An adventurous sonic exploration of the voice, cello and electronics.

The Cigar That Talks, recorded by the trio of Michel Doneda, soprano and sopranino saxophones, John Russell, acoustic guitar and Roger Turner, drums and percussion, is an album of radical improvisation where copper, wood and steel become music by the only miracle of a perfect interaction seized on the spot.

Free improvisations and phonographies in the forest, bundles of sounds, armfuls of dead leaves, arboreal rhythms, chestnut blasts.

First monograph.

Publication gathering all the texts and recordings of the Biopsies series (1965-1969).

Publication gathering all the texts and recordings of the Passe-partout series (1969-2004).

This publication brings together the sound poet's first work, published in 1955, as well as the entire Poèmes-Partitions series (1955-1965). It also includes 2 CDs with all the Poèmes-Partitions recorded in their time by the author.

Norscq's new album.

An intimate journey into the personal universe of the artist through a series of daily leaps: from her New York studio in Tribeca to the numerous travels and landscapes she crossed over a whole three month period.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

An intimate journey into the personal universe of the artist through a series of daily leaps: from her New York studio in Tribeca to the numerous travels and landscapes she crossed over a whole three month period.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

The third issue of United Dead Artists' visual magazine gathers contributions by regular signatures (Blanquet, Lolmède, Anne Van der Linden, Gilles Berquet among others) and living legend (Robert Crumb). Comes with a vinyl recording of William S. Burroughs and a tabloid “Pascal Doury est mort” devoted to the poet-artist's work.

Écoutes, de l'entendre au faire (trois points de vue sur le son enregistré) / Pierre Redon (Art et environnement, les artistes au service de l'écologie ?) / Hans Tammen / Chris Corsano & Mick Flower / Chroniques d'arts sonores (Samuel Mittelman, Philippe Baudouin, Gwladys Déprez & Magali Schuermans) / disques, infos, concerts... / CD audio.

A concept album made up of covers of pop songs about the sun (yellow vinyl).

A collection of texts and works dealing with the materiality of language and highlighting the theme from various perspectives.

An audio work by Peter Downsbrough, in collaboration with two musicians of the Buffle collective Xavier Garcia-Bardon and Benjamin Franklin.

The live recording of the performance given by the artists at NBK, Berlin, 17 August 2008

The first monograph on the multiple activities of the artist / musician / performer, with numerous illustrations, texts, and an audio CD.

The graphic design studio's work for music.

A sound piece recorded during two residencies at Cneai, Chatou, in 2007 & 2008—featuring illustrations by the artists and two essays by curators Sylvie Boulanger and Daniel Kurjakovic.

A complete overview of a pioneer in the field of interactive electronic and musical sculpture's work, with numerous illustrations, texts, and an audio CD with musical installations recordings.

Anne-James Chaton in search of the lost manuscript of Virgil's Aeneid in the city of Naples (a text and a radiophonic creation).

Two texts of poetry examining the organization of everyday speeches. The publication includes a CD with audio recordings by the author.