Catalogue.

The first catalogue of Gitte Schäfer's work, between monograph and artist's book.

Artists' book: a selection of watercolors on paper.

Inspired by a monumental installation by Andro Wekua, this artist's book showcases a collection of illustrations and archives.

A reprise of Ed Ruscha's ground-breaking artist's book from 1963 (boxed set of 26 oversized postcard-like prints of photos).

A reflection on contemporary representations of man in the context of a continuous expansion of the field of visibility.

A project (photographs and video stills) originated in audio and visual footage gathered on journeys to the Chinese province of Yunnan.

Catalogue / retrospective monograph.

Catalogue of a double exhibition in Quebec and Cuba.

The tour guide of a miniature city in ruins (artists' book).

First monograph.

Large format artist's book.

The first publication in North America devoted to the installation work of the German filmmaker Harun Farocki.

A selection of Xerox printed preliminary works by artists—based on the 1966 book by Mel Bochner following the iconic conceptual art exhibition “Working Drawing And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art”.

Twelve films created by the artist and his wife between 1960 and 1963.

This monograph documents the artist's exhibitions since 2005, reflecting on the evolution and diversity of her work. The heterogeneous essays tracing her career are illustrated with exhibition views.

Page Sucker is a 32-page magazine featuring 16 photographs collected over the Internet via a single keyword. This keyword also determines the design of the magazine. This second issue is dedicated to the word “waterfall.” All images were photographed at the Yosemite National Park in Nevada.

Two essays in which the Italian philosopher proposes a study of the concept of festivity.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

This poem by Bernard Heidsieck starts with Vaduz, the capital of Lichtenstein, and from it, lists all the people and ethnic groups of the world: a great humanist work and an extreme experience of poetry-action. The publication features a recording of the poem, read by Bernard Heidsieck.

A poetic document gathering fragments of texts found on the websites of political groups and international news agencies.

This visual essay on hostage portrait questions the emotional relationship to the image in wartime. The artist uses basic communication tools to encourage us to reflect on information in public spaces.

In this essay, Franck Leibovici attempts to describe how information technologies can serve as tools in our lives. Illustrated with examples taken from the scientific, political and artistic spheres, his reflection leads to a new division between art and science.

The first volume of an experimental series on historiography devoted to the place of gesture and language in the historical narrative.

The first volume of an experimental series on historiography devoted to the place of gesture and language in the historical narrative.

A poetic investigation into the exile of Merz founder Kurt Schwitters in Norway and England after the Nazis' takeover of Germany.

First critical anthology of the poetry of Raoul Hausmann, one of the founders of Dada Berlin. It features many unpublished documents, an introductory essay by Isabelle Maunet-Salliet, and a recording of phonetic poems read by Raoul Hausmann.

Full-color anthology dedicated to the works of visual poet and performer Julien Blaine.

This study takes a look back at a century of collage practice, including visual arts, photography, video art, cinema, sound art, and literature. Author Olivier Quintyn draws on a body of work that includes Picasso, Rodchenko, Jasper Johns, Max Ernst, John Heartfield, Denis Roche, Manuel Joseph, Anne-James Chaton, Oval, People Like Us…

An audiovisual performance that stages the texts of the writer Marc-Henri Lamande.

Two films and a musical piece by Joachim Montessuis.

Tsé (Guillaume Ollendorff)'s second album.

A full documentation on the collaborative project between Yona Friedman and Camille Henrot.

Two contemplative videos inspired by the Divine Comedy, with two series of photographs, images of burning newspapers and views from the rooftops of Cairo.

Hermeneutics: 6 patterns of analysis.

The third volume in a series of experimental novels deconstructing the semantic and formal structure of literature.

A personal atlas for landscape description.

Some thoughts on the definition of poetics.

First monograph on Swiss young sculptor: a renewal of appropriationist discourse.

First monograph dedicated to Swiss artist's complex geometrical compositions reinvesting the inheritance of Op Art in a contemporary practice and discourse.

Reference monograph.

First monograph.

A retrospective monograph / a creative work that carries the artist's distinctive imprint in both its editorial structure and its design.

Reference monograph designed by the English artist, focusing on the projects of the last five years, with a new theoretical framework and full description of numerous projects.

Comprehensive monograph highlighting a new group of sculptures.