Catalogue.

New monograph: a walk within a series of recent works by French artist.

A series of "slogans" created from names collected on limited series cars.

Edward Steichen's The Bitter Years exhibition (1961, MoMA New York) offers the starting point for Great expectations. Just like Steichen photographed the aftermaths of the Great Depression, this catalogue gathers contemporary photographs to look at today's Bitter years (catalogue).

A collection of texts devoted to drawing.

The 15th Rencontre internationale d'art performance (RIAP) in Quebec: sound performance, poetry, action art.

First monograph on Swiss artist.

First monograph.

Anthology of Yona Friedman's drawings published from 1975 to 1992 in more than thirty countries and in twenty languages. This last volume focuses on the artist's researches on language, interpretation and improvisation within the urban environment.

A sound piece recorded during two residencies at Cneai, Chatou, in 2007 & 2008—featuring illustrations by the artists and two essays by curators Sylvie Boulanger and Daniel Kurjakovic.

Artist's book / comprehensive monograph gathering the works of Gérard Collin-Thiébaut—commented and illustrated by the artist—from its first scribbles as a child until 2009. The first volume focuses on his works from 1961 to 1969.

In La vie d'artiste, the reading of photo-stories is altered by the addition of a contrasting narration about contemporary art so that each phrase becomes an absurd, humorous slogan.

The third issue of Page Sucker—the 32-page magazine featuring photographs collected over the Internet via a single keyword. This issue's keyword is “lobster”.

The fourth issue of Page Sucker—the 32-page magazine featuring photographs collected over the Internet via a single keyword. This issue's keyword is “fist”.

A philosophical essay reflecting on ethics and poetics through the thought of Gilles Deleuze.

An account of Pierre Courtaud's nativity told with press fragments from December 26, 1951, the author's day of birth.

Penultimate volume of notebooks recounting the scientific-poetic journey of poet Julien Blaine in search of the original language. Here, he reflects on linguistic works by Jean-Pierre Brisset and Jules Hermann, but most and foremost on Hans W. Bornefeld's research on Cro-Magnon glyphs.

13 British and French researchers in popular music studies highlight the differences and similarities between two contexts and two research traditions to better understand the amplified music on both sides of the Channel.

A tale of war bringing together soldiers' testimonies found on various websites—American news channels, websites on war, cellphone videos broadcasted on Youtube…

Investigating the aesthetic notion of Gesamtkunstwerk within t>he realm of literature, Jacques Sivan presents a meta-graphic narrative in color, composed of a superimposition of visual communication items, informative writings, typographical games…

A modernized translation of Dante's Inferno.

A bibliography of the Prime ministers and Presidents of the French Fifth Republic.

This catalogue features 187 artistic projects, including 60 previously unseen works (new expanded edition of a 2003 catalogue).

An experimental detective fiction highlighting the dangers of mass media.

Presented as the apocryphal diary of dancer Nijinsky, this polyphonic text gives birth to a schizophrenic world in which are investigated the relations between the author, the reader, and the subject.

This artist's book proposes to construct a “mental space” through a narrative—mixing ravers, science-fiction and comic strips—presented through illuminations in the style of old children's books.

This artist's book proposes to construct a “mental space” through a narrative—mixing ravers, science-fiction and comic strips—presented through illuminations in the style of old children's books.

An attempt to transform the media image of Valérie, a former reality TV competitor, through a writing process.

An essay on the the appearance of the image.

An attempt to answer the question of desire, through a series of hypotheses.

This exhibition catalogue gathers together the visual works—collages, drawings and installations—of three major French experimental poets.

A gamebook in which the reader evolves in a burroughsian world threatened by a crime and terrorist corporation.

A collection of trite and commonplace remarks from the everyday life.

A poetic contemporary adaptation of the mythical figure of Helen of Troy.

Publication gathering a series of early works from 1962 by French artist Jean-Luc Parant. These 176 hieroglyphs consist of 88 drawings to read, and 88 texts to look at.

A face-to-face between two of the most significant figures in contemporary photography.

This study on the fabrication of Posthumanity questions us on the limits of the human, its boundaries and its possibilities in our “biotech” era. It examines the fundamental distinction between natural and artificial, nature and technology, human and machine, body and flesh.

This study on the fabrication of Posthumanity questions us on the limits of the human, its boundaries and its possibilities in our “biotech” era. It examines the fundamental distinction between natural and artificial, nature and technology, human and machine, body and flesh.

Anne-James Chaton in search of the lost manuscript of Virgil's Aeneid in the city of Naples (a text and a radiophonic creation).

Two texts of poetry examining the organization of everyday speeches. The publication includes a CD with audio recordings by the author.

The making of Pierrick Sorin's video works (catalogue).

A lexicon to look back at the 2005 French riots.

Both a prelude and a continuation to Raoul Ruiz's film, Treasure Island, made in 1984, this text presents itself as the follow up, or rather, a pursuit of Stevenson's novel. A formidable example of the way Ruiz parodies the text and plunges the story inside the story, before losing the reader in a labyrinth of strange images.

Both a prelude and a continuation to Raoul Ruiz's film, Treasure Island, made in 1984, this text presents itself as the follow up, or rather, a pursuit of Stevenson's novel. A formidable example of the way Ruiz parodies the text and plunges the story inside the story, before losing the reader in a labyrinth of strange images.