At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

This poem by Bernard Heidsieck starts with Vaduz, the capital of Lichtenstein, and from it, lists all the people and ethnic groups of the world: a great humanist work and an extreme experience of poetry-action. The publication features a recording of the poem, read by Bernard Heidsieck.

A poetic document gathering fragments of texts found on the websites of political groups and international news agencies.

This visual essay on hostage portrait questions the emotional relationship to the image in wartime. The artist uses basic communication tools to encourage us to reflect on information in public spaces.

In this essay, Franck Leibovici attempts to describe how information technologies can serve as tools in our lives. Illustrated with examples taken from the scientific, political and artistic spheres, his reflection leads to a new division between art and science.

The first volume of an experimental series on historiography devoted to the place of gesture and language in the historical narrative.

The first volume of an experimental series on historiography devoted to the place of gesture and language in the historical narrative.

A poetic investigation into the exile of Merz founder Kurt Schwitters in Norway and England after the Nazis' takeover of Germany.

First critical anthology of the poetry of Raoul Hausmann, one of the founders of Dada Berlin. It features many unpublished documents, an introductory essay by Isabelle Maunet-Salliet, and a recording of phonetic poems read by Raoul Hausmann.

Full-color anthology dedicated to the works of visual poet and performer Julien Blaine.

This study takes a look back at a century of collage practice, including visual arts, photography, video art, cinema, sound art, and literature. Author Olivier Quintyn draws on a body of work that includes Picasso, Rodchenko, Jasper Johns, Max Ernst, John Heartfield, Denis Roche, Manuel Joseph, Anne-James Chaton, Oval, People Like Us…

An audiovisual performance that stages the texts of the writer Marc-Henri Lamande.

Two films and a musical piece by Joachim Montessuis.

Tsé (Guillaume Ollendorff)'s second album.

A full documentation on the collaborative project between Yona Friedman and Camille Henrot.

Two contemplative videos inspired by the Divine Comedy, with two series of photographs, images of burning newspapers and views from the rooftops of Cairo.

Hermeneutics: 6 patterns of analysis.

The third volume in a series of experimental novels deconstructing the semantic and formal structure of literature.

A personal atlas for landscape description.

Some thoughts on the definition of poetics.

First monograph on Swiss young sculptor: a renewal of appropriationist discourse.

First monograph dedicated to Swiss artist's complex geometrical compositions reinvesting the inheritance of Op Art in a contemporary practice and discourse.

Reference monograph.

First monograph.

A retrospective monograph / a creative work that carries the artist's distinctive imprint in both its editorial structure and its design.

Reference monograph designed by the English artist, focusing on the projects of the last five years, with a new theoretical framework and full description of numerous projects.

Comprehensive monograph highlighting a new group of sculptures.

First monograph on German artist.

Comprehensive monograph following the development of Alfredo Jaar's work, with texts by Georges Didi-Huberman, Jacques Rancière...

First monograph on Swiss young sculptor: a renewal of appropriationist discourse (also available in English edition).

First monograph (also in English edition).

A deliberately unrepresentative compilation of genre-hopping textual and visual material around the work of four artists who represent Switzerland at the 52nd Venice Biennial 2007.

A part of the Dutch Pavilion at the 52nd International Art Exhibition of the Venice Biennale.

A collection of texts by writers, critics, artists and scientists inspired by the artists' research or one of their specific works that form part of the BSI Art Collection.

Research about the potential of the Merzbau in contemporary art and architecture, with contributions by art historians, artists, critics and architects.

Based on an exhibition curated by Christophe Cherix and John Tremblay at the Print Room of Geneva, this volume presents an overview of the use of vacuum-formed plastic in art of the last forty years.

Anecdote and contemporary art.

A short story and a literary layering.

This interview with G&G, filmed in 2000 by the curator Hans Ulrich Obrist, concentrates on the hysteria of the archive and the collection.

A documentary on Xavier Veilhan: 256 days of the life of a contemporary artist in his environment — emotional, relational, and professional.

An archive of 269 paintings and drawings realized from 1993 to 2007 on cut out, fragmented, transparent or hollowed out paper, reproduced on a 1/1 scale.

260 drawings from the famous "Copy Books" group of works.

Artist's book: drawings in very large format with a dust jacket-cum-poster, an anthropological reading of American popular culture.

Nothing Special is French artist Julien Berthier's second book with drawings and reflections on his own work: a framework of artistic research and the beauty of failure, a manual on how to make things even more complicated.

Two discussions about Karl Marx by the famous slovenian philosopher, illustrated by the German artist.

Monograph on French artist, with texts, interview and biography.