E-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category.

A manifesto in which Jean-Michel Othoniel explains his use of glass material in his work, accompanied by a mirror in obsidian, an original and unique signed artwork.

This edition of 4 audio CDs in a wooden case comprises the reading of On Kawara's One Million Years [Past and Future], with Gemma Saunders as the female voice reading all even numbers and Leo Chadburn as the male voice reading all odd numbers, covering 969 611 BC to 967 811 BC & 33 411 AD to 34 450 AD.

Two long time out of stock references, remastered at le Laboratoire Central.

An observation of everyday life through gestures and speeches (catalogue)

The exhibitions, artists and key concepts of the programming: the comprehensive survey of the activities of the Palais de Tokyo in 2009.

Catalogue.

A newspaper made of 25 double-sided posters with 25 photographs by Inez van Lamsweerde and Vinoodh Matadin and 25 posters by M/M (Paris), with an essay by Michael Bracewell, celebrating Inez van Lamsweerde & Vinoodh Matadin 25 years of work.

Essay.

The second opus in the story of the "paintless painter"'s clandestine pictorial actions.

Artist's book: Jessica Stockholder's adult ABC, in which poetry, cut-outs, letters and word play jockey with the visual languages of collage, sharpie pens, wax crayons, and fluorescent colors.

Deluxe edition of Jessica Stockholder's adult ABC, signed and numbered in a box set, including an original drawing and collages made from a “Sex Poem” by the artist.

Perroquet tout s'écroule band's musics isn't recorded on data carriers. This “album” (a monograph) is therefore a collection of graphic productions made by the group.

Catalogue of the eponymous exhibition curated by François Aubart at Art et Essai, Rennes, France, in 2010, featuring the works of Pierre-Olivier Arnaud, documentation céline duval, Aurélien Froment, Mark Geffriaud and The Infinite Library.

A miniaturized visual inventory of the ordinary (artist's book).

The work of these musicians and performers from Germany, Italy, France, and USA is settled between weird Pop, avant-trash, free improvised music, Mediterranean folklore and noise drones. A creation of unique and exciting experiences by artists coming from different social and musical backgrounds.

This catalogue is an extension of a series of exhibitions featured at Gallery La Box, in Bourges. Each invited artist produced a site-specific intervention which tried to answer the question: Can the artists help us living together?

An adventurous sonic exploration of the voice, cello and electronics.

The Cigar That Talks, recorded by the trio of Michel Doneda, soprano and sopranino saxophones, John Russell, acoustic guitar and Roger Turner, drums and percussion, is an album of radical improvisation where copper, wood and steel become music by the only miracle of a perfect interaction seized on the spot.

Free improvisations and phonographies in the forest, bundles of sounds, armfuls of dead leaves, arboreal rhythms, chestnut blasts.

Publication dedicated to Casino Luxembourg on the occasion of the art forum 15th year.

Artist's book.

A book based on American experimental filmmaker Owen Land's last movie.

First monograph.

Artist's book.

The artist invited hospitalized teenagers to work on a theatre and drawing project based on Snow White.

Artist and poet Eduardo Kac is internationally recognized for his interactive works on internet and for his practice of bio art. This catalogue dedicated to this singular artist features contributions by an art critic (Eleonor Heartney), a leader of the contemporary American novel (Steve Tomasula) and a French sociologist and philosopher (Pierre -Henri Jeudy). An interview with Eduardo Kac by Hugues Marchal concludes the volume.

The screenplay of Goltzius & the Pelican Company‏—the second feature film in the series “Dutch Masters” of Peter Greenaway—about Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints.

An overview of Huang Yong Ping's work since the mid-1980s, a full documentation on a series of recent exhibitions, two essays by Jean Loisy and Gilles A. Tiberghien and an interview.

An update of the French Revolution's spirit, and a reflection on the notions of alienation, emancipation, and citizenship.

A short story inspired by No, a Jeff Wall's photograph from 1983.

A book of thoughts, an instruction and a commentary of the world, an encrypted autobiography… The third publication from an ongoing collection of fragmentary texts, written daily by poet-artist Fabrice Reymond. With illustration by Julie Sorin.

A book of sonnets taking as subjects the modern world and its main actors: the anonymous crowd of famous people of any kind.

This book reassembles the most significant texts and images of works of the 80's art scene, focusing on the problematics of images and representations.

A book of sonnets taking as subjects the modern world and its main actors: the anonymous crowd of famous people of any kind.

The infinite monkey theorem states that a chimpanzee randomly typing on a typewriter will sooner or later end up composing a sonnet by Shakespeare. Pierre Sanges carries the metaphor further with this ethological tale illustrated by Nicolas de Crécy.

The infinite monkey theorem states that a chimpanzee randomly typing on a typewriter will sooner or later end up composing a sonnet by Shakespeare. Pierre Senges carries the metaphor further with this ethological tale illustrated by Nicolas de Crécy.

The third issue of Le Tendon Revolver's erotic & macabre graphic eccentricities. With front and back covers by Jonathon Rosen and Ludovic Levasseur.

A chronicle of the world's political situation and a reflection on the language used by those who persist to defend the current political and economic systems.

Le Tendon Revolver's second issue: a visual trigger loaded with the most bizarre yet talented artists from the graphic scene. Front and back covers by Gilles Berquet and Frederic Fleury.

This publication provides in two illustrated volumes a basis for developing theory and praxis of gallery education: an ideal resource for people working in the fields of curating exhibitions, youth work and cultural policy. The first volume gives a comprehensive and richly illustrated survey of formats and models of education and collaboration with the public at documenta 12.