Conversations between Swiss architect Luigi Snozzi and the philosopher Fabio Merlini.

A billion perspectives on the same instrumental explosion, by Anthony Pateras and Valerio Tricoli.

Seven meditations for clarinets, pianos and electronics: The Long Exhale catalogues psychoacoustic experiments and sparse acoustic excursions undertaken between 2014 and 2015 by Australian composer/performers Anthony Burr (clarinets, ARP 2600) and Anthony Pateras (piano, prepared piano).

Music for two prepared pianos (Erik Griswold & Anthony Pateras) and electronics (Robin Fox) without precedent.

Instruments that sound like instruments: the debut album from North of North, featuring Anthony Pateras (piano), Scott Tinkler (trumpet) and Erkki Veltheim (violin).

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

The comic strip adapted from the eponymous novel by Costes.

A minimalist piece of forty-four minutes in which the electroacoustic composer and experimental guitarist goes beyond the conventional modes of the instrumental approach, deploys a radically personal atypical universe and subtly explores the idea of space by generating different degrees of tension and emotion.

A retrial of Félix Fénéon (an artist book conceived and written by artists Sanna Marander and Niklas Tafra, with contributions by poet Claes Tellvid and assistant judge Erik Hellsten).

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

A musical, ecological and philosophical production for which Guigou Chenevier signs the score.

A dive into the world of Frederic Le Junter's machines and DIY instruments.

A 48 pages book of drawings by Costes, with all the lyrics of the 10 songs that are on the accompanying CD.

A critical and visual testimony about a cultural and artistic exchange project between the two cities of Quebec and Bangkok.

Investigating the complex and ever-changing story of Italian fashion from 1945 to 1968 through a contemporary lens, this catalogue offers a symphonic account of the many creative components that continue to interact and shape the success and enormous appeal of the “Made in Italy” brand.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

In the last of the wild lands: an exploration of the world's least hospitable territories which have made and still make human settlement difficult or impossible. The study is conducted by means of three work tools: a Glossary, an Atlas and a travel guide.

The follow-up of Jérôme Bertin 's autobiographical enterprise: the life of an outcast in the margins of society.

The Florentine mannerist painter Jacopo da Pontormo, who was busy producing a series of frescoes for the choir of the San Lorenzo basilica in Florence, holds from 1554 to 1556 a strikingly remarkable diary.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

A review of three commissioned works executed by artist Nicolas Floc'h in isolated communities in Santiago, Chile, Rennes, and Tours, France, as part of the New Patrons program.

All posters produced by M/M (Paris) for CDDB-Théâtre de Lorient since 1996, with comments by Eric Vigner, Bénédicte Vigner, and Mathias Augustyniak (edition completed with a photographic booklet and the theater's 20th anniversary programming).

Following an invitation by an organization in Ardèche, Denicolai & Provoost conceived a temporary and contextual project around issues of ownership and use of the natural landscape. By migrating their project to Paris, they extended its history into the urban realm. This book documents the Parisian stage.

An account of the 21st edition of the CSAV—Artists Research Laboratory—a workshop for young artists held every year at the Fondazione Antonio Ratti, Como, with invited artists Yvonne Rainer and Andrea Kleine.

Appearing after the Reader, this second volume covering the 8th Momentum Nordic Biennial features images from all artists participating in the exhibition, both in the pages of the publication and via a memory stick, incorporated in the spine.

This volume presents the results of the Resò International Art Exchange program which seeks to comprehend the role and influence of evolving geography and residency on artistic practice.

The first extensive survey catalogue of Zaccagnini & Lagomarsino, a selection of works from 2001 to 2015 especially displayed by artist Luca Frei and which reflects the two artists' transnational ideals.

With Marie and William, Alex Cecchetti attempts to transpose the performative gesture in the space of the book.

Alexandre da Cunha plays the Drawing Room Confessions.

Artist's book / exhibition index.

Bruce McLean plays the Drawing Room Confessions.

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

The first fifteen years of Patrick Tuttofuoco's career in 16 written portraits.

Richard Wentworth plays the Drawing Room Confessions.

Artist Marc Horowitz has photographed each page of an art catalogue by Phillips, the famous auction house in New York, having placed on the pages the residues of junk food: an irreverent work staging the encounter between art and consumption (artist's book).

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

A collection of essays and interviews on the issue of curatorship in contemporary art with Pierre Restany, Zoran Kržišnik, Harald Szeemann, Daniel Buren, Charles Esche and Walter Benjamin.

An unpublished novel by one of the great figures of Land art.

In over 40 years, Sue Williams' art has continuously explored and challenged the fantasies of feminism, sexuality, gender, and culture. This first comprehensive monograph dedicated to the American artist follows her work from the early 1980s to her most recent paintings.

The publication addresses performative artistic strategies as a lived practice of resistance in Latin American countries such as Argentina, Brazil, and Chile.

What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

Le Jardin hospitalier documents Jyll Bradley's eponymous site-specific artwork produced in April 2015 under the auspices of the Fondation de France's New Patrons program, at Hospital Roger Salengro in Lille, France. The artist has transformed a 100m long, window-less corridor into an immersive installation—a promenade—with black-lit photographs, literary texts and tactile sculptural elements

The small opera created by Nicolas Murer for Lili Reynaud-Dewar's installation presented at the 2014 Venice Biennale, sung by Lili Reynaud-Dewar, Nicolas Murer and the choir of HEAD, Geneva.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

German photographer Heinz Peter Knes offers a new photographic perspective on the furnishing of the CAPC museum of contemporary art in Bordeaux, one of the famous interior designer Andrée Putman's most accomplished projects and a milestone in the history of design.