various

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

The notion of “form” in architecture.

Michel Beretti, author, Jérôme Lamy, sociologist, and Élise Parré, artist, joined in a yearlong research project initiated by the Observatoire de l'Espace (the cultural laboratory of the French Space Agency) around the birth of the French space technology and its first spaceport in Hammaguir, Algeria.

The sixth issue of the annual magazine mixing graphic design, publishing and architecture is devoted to the double theme of “Minimal & Maximal”.

Reference monograph, collecting the past 10 years of Marcos Lutyens' research and career, with two essays and detailed introductory texts for each project.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

The second volume of François Huglo's literary portraits: du Bellay and Borer, Zénon and Valéry, Borges and Beckett, Leibniz, Proust and Redon, Kafka, Barthes and Derrida, Baudelaire and the oenologist Émile Peynaud, Bory and Novalis...

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

The catalogue raisonné of Jean-François Maurige's prints produced with Michael Woolworth from 1991 to 2019.

This collective book devoted to the work of Sammy Baloji explores how the artist, born in the DRC in 1978, attempts to “restore defeated connections”. How to think about the memory sifted through colonial violence? What effects does the mining of yesterday and today in Katanga and elsewhere have on the project of a common future? How does form make history beyond erasure?

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

This double issue explores new analytical methods to characterize the pop voice in its singularities.

A research and artistic experimentation project based on the observation of the evolution of landscapes and the consequences of climate change.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Seven musicians and producers from East Africa and Europe experiment on new sounds together, inspired by a large variety of artistic environments and soundscapes.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Jean-François Bory's travel diary to Japan.

Thinking design with philosophy (a teaching manual).

Exhibition catalogue of the sixth Triennal 50JPG – 50 Days for Photography in Geneva, exploring the relationships between eros and cosmos.

Photo documentary set in a deserted Geneva during the G8 counter-summit in 2003. The series stages the abandonment of the urban space and its transformation through the deployment of defense barricades.

Artist's book stemming from a performance by the Swiss feminist artist, featuring newspaper cut-outs evoking the female sex (limited edition).

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

First monograph dedicated to one of the most recognized independent French graphic design studios.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.

A series of drawings that retrace a trip to California, where the multiplied and labyrinthine architecture invites the visitor to wander between reality and fiction.

A free reflection on the influence of Bertolt Brecht in the work of Nina Hagen, this hybrid text approaches two great popular figures of German culture through an unusual prism, through the margins, and paints a portrait of Nina Hagen as we have never seen her before.

A portrait of Claude Ollier (1922-2014), writer of the Nouveau Roman, where memories, reflections, hypotheses and descriptions are intertwined, with a notebook of photographs composed by Camille Rosset.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

The new Tom James Scott record, the first document of his solo work since 2017.

Divagations about René Ghil, Jean-François Bory, Lucien Suel: three authors who invented and practised the most diverse forms of “experimental poetry” and who have profoundly transformed the very idea of “poetry”.

Serendipity and “accidental intelligence”.

Publication based on the eponymous exhibitions organized at CAN, Neuchâtel, and Post Territory Ujeongguk, Seoul, bringing together the works of six Swiss and Korean artists, as well as new texts by Korean curators and theoreticians.

First French translation of Shulamith Firestone's first novel.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Delirious comic strip by Costes about coronavirus and containment. Two original color drawings pasted in the book, signed and numbered by the author.

The fifth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

The colony as a major philosophical concept in contemporary political thought—a basis for reflection on decolonization (expanded reprint of the book published in 2008).

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.