Catalogue.

The first catalogue of Gitte Schäfer's work, between monograph and artist's book.

Artists' book: a selection of watercolors on paper.

Inspired by a monumental installation by Andro Wekua, this artist's book showcases a collection of illustrations and archives.

A reprise of Ed Ruscha's ground-breaking artist's book from 1963 (boxed set of 26 oversized postcard-like prints of photos).

A reflection on contemporary representations of man in the context of a continuous expansion of the field of visibility.

A project (photographs and video stills) originated in audio and visual footage gathered on journeys to the Chinese province of Yunnan.

Catalogue / retrospective monograph.

Anniversary issue (double, bilingual English / French, full color): a retrospective of cultural practices in Quebec City (visual arts, architecture, urbanisme, writing...).

From the artwork to the event / Salvador Dalí performer / surrealist suicide...

Catalogue of a double exhibition in Quebec and Cuba.

The tour guide of a miniature city in ruins (artists' book).

First monograph.

Large format artist's book.

The first publication in North America devoted to the installation work of the German filmmaker Harun Farocki.

A selection of Xerox printed preliminary works by artists—based on the 1966 book by Mel Bochner following the iconic conceptual art exhibition “Working Drawing And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art”.

Twelve films created by the artist and his wife between 1960 and 1963.

This monograph documents the artist's exhibitions since 2005, reflecting on the evolution and diversity of her work. The heterogeneous essays tracing her career are illustrated with exhibition views.

Page Sucker is a 32-page magazine featuring 16 photographs collected over the Internet via a single keyword. This keyword also determines the design of the magazine. This second issue is dedicated to the word “waterfall.” All images were photographed at the Yosemite National Park in Nevada.

Two essays in which the Italian philosopher proposes a study of the concept of festivity.

An ironic, historic and personal assessment of the transformations of art in the years 1950-1960 by one member of the New realists: the story of collage, the return of dada, an evocation of Léo Malet, the work with Raymond Hains...

A collection of texts.

Writings and interviews by (and around) one of the main actors of the return to painting.

An unpublished text by Raymond Roussel, accompanied with an essay by Jacques Sivan.

A new approach on the Situationist International and its paradoxical myths.

This brilliant work studies the notion of modernity as it's been defined at the end of the XIXth century, especially through the analyse of the links between the visual culture and several main social debates of the time such as sexuallity, urban crowd, riots and social control mechanisms, the Republic and the Church, nationalism and militarism.

An overview of sound installations and environments by the experimental artist-musician, with three essays and an interview, a specific project, installations views and performances on audio CD.

How, in the course of their American exile, the surrealist artists (Duchamp, Tanguy, Masson, Ernst, Lam, Carrigton ...) were influenced by the literary and artistic context. Also a specific study on the perpetual renewal of Surrealism after war, linked with the importance of esoterism, the Amerindian civilizations, and Charles Fourier.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.

This poem by Bernard Heidsieck starts with Vaduz, the capital of Lichtenstein, and from it, lists all the people and ethnic groups of the world: a great humanist work and an extreme experience of poetry-action. The publication features a recording of the poem, read by Bernard Heidsieck.

A poetic document gathering fragments of texts found on the websites of political groups and international news agencies.

This visual essay on hostage portrait questions the emotional relationship to the image in wartime. The artist uses basic communication tools to encourage us to reflect on information in public spaces.

In this essay, Franck Leibovici attempts to describe how information technologies can serve as tools in our lives. Illustrated with examples taken from the scientific, political and artistic spheres, his reflection leads to a new division between art and science.

Art as a social practice through Gustave Courbet's œuvre and political commitment.

The first volume of an experimental series on historiography devoted to the place of gesture and language in the historical narrative.

The first volume of an experimental series on historiography devoted to the place of gesture and language in the historical narrative.

A poetic investigation into the exile of Merz founder Kurt Schwitters in Norway and England after the Nazis' takeover of Germany.

First critical anthology of the poetry of Raoul Hausmann, one of the founders of Dada Berlin. It features many unpublished documents, an introductory essay by Isabelle Maunet-Salliet, and a recording of phonetic poems read by Raoul Hausmann.

Full-color anthology dedicated to the works of visual poet and performer Julien Blaine.

This study takes a look back at a century of collage practice, including visual arts, photography, video art, cinema, sound art, and literature. Author Olivier Quintyn draws on a body of work that includes Picasso, Rodchenko, Jasper Johns, Max Ernst, John Heartfield, Denis Roche, Manuel Joseph, Anne-James Chaton, Oval, People Like Us…

An elucidation of the myths and the political fantasies that surrounded Gustave Courbet's work and life under the second Empire.

An audiovisual performance that stages the texts of the writer Marc-Henri Lamande.

Two films and a musical piece by Joachim Montessuis.

Tsé (Guillaume Ollendorff)'s second album.

A full documentation on the collaborative project between Yona Friedman and Camille Henrot.

A thoroughly investigation of the social role of art articulated by the French left during the July Monarchy and Second Republic.