In this issue: Donald Trump's furniture, the opening of the Bir Zeit's Palestinian Museum, how digital technology renewed the art of painting, South Africa's student protests target colonial art in Universities, Rio beyond the postcard view, 1960's New York in photographs, culture and refugee crisis in Germany, the paranormal in early cinema, interviews with Jenny Holzer and Asli, and a portfolio by Roman Stetina.

Interviews with Sarah Oppenheimer, Njideka Akunyili Crosby, Jen Bervin and Dianna Frid, Mel Chin, Marina Rosenfeld, Okwui Okpokwasili, Nell Zink, Laia Jufresa, “Artists on Artists” section with Audra Wolowiec by Emmalea Russo, James Esber by David Geers, Laura Owens by Claudia La Rocco, fiction and poetry, portfolio by Olga Chernysheva, books' reviews, end page by Jonathan Horowitz...

Featuring: Medialabmx, The 3D Additivist Manifesto, Digital Technology and Stone Sculpture, interviews with Garnet Hertz, Darsha Hewitt, :vtol: (Dmitry Morozov), Dennis de Bel, Quayola, reports from Transmediale 2016 and Meta.Morf 2016, records and books reviews…

Fall 2016 exhibition previews, featuring 45 noteworthy shows worldwide. Plus, Kerry James Marshall on Marvel's Black Panther, Alan Licht on Martin Creed's “The Back Door,” the art of Willem de Rooij, Amy Taubin on the art of Bruce Conner, a special dispatch on art in Dakar, Jill Magid discusses her new work, and Hannah Black reviews the 9th Berlin Biennale…

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

A case study about concept cars and former modernist memories (artist's book).

Designed to be an artist's monograph as well as an artist's book, Parages unveils Guillaume Robert's practice as a video maker and a visual artist throughout seven chapters, with contributions by artists Louise Hervé & Chloé Maillet, Rémy Héritier, Marcelline Delbecq and Jean-Xavier Renaud.

T. J. Demos considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.

Celebrating the first-ever united Baltic Pavillion at the Venice Architecture Biennale, The Baltic Atlas intends to explore the built environment of the Baltic States as a shared space of ideas.

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Reprint of the multiple produced by Philippe Cazal in 1972.

Artist's books and book history (new edition).

3 tales of childhood and disappearance by William Wordsworth, accompanied by the primitive and free metal music of French duo Talweg.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

Investigating the relationship between movement and sound, the duo has been developping installations to translate sound frequencies into vibrations. This double vinyl LP includes four recordings produced as part of this research project.

Arrivederci recalls the artist's personal journey in Sardinia to explore textile craftsmanship. Favini narrates the stories of each piece of fabric he gathered and used for his new body of work—from its origin to the exhibition display. The publication is enriched with photographic documentation and texts by curators and stylist Antonio Marras.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

Kerry James Marshall, Jean-Luc Moulène, Dora Budor, Samson Young, Dean Blunt, Matthew Lutz-Kinoy and Tobias Madison's hommage to Shūji Terayama, Rodolfo Aricò, Emily Segal's notes on the color Magenta, exhibitions reviews…

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

Transcript of incantations poems recorded on vinyl and produced in the framework of a multimedia work on sound and geology. The poem is translated into Inupiaq, the official Inuit language of the State of Alaska, where this project was developed.

Taking the form of a dialogue between the philosopher Judith Butler and the anthropologist Athena Athanasiou, this thought-provoking book seeks to elaborate our understanding of dispossession outside of the conventional logic of possession, a hallmark of capitalism, liberalism, and humanism.

An “anti-history” of the indecision in which Joseph Vogl probes the literary figures of Oreste, Wallenstein, Joseph K., Bartleby, or the man without qualities.

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

Religious crimes, Rosetta spacecraft, Hillary Clinton, workers' struggle in France, Calais jungle: a critical commentary of the news by poet Julien Blaine.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

45 chapters of 45 sentences at 45 years.

The limits of the participatory game in nowadays democracies.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

This publication documents a project initiated by Jay Heikes whose purpose is to reflect on collaboration as artistic practice.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Published on the occasion of the twenty-year anniversary of the non-governmental organization ART for The World, this publication presents the prestigious organization's activities during the period 1995 to 2016.

The publication encloses a rich documentation on the design, construction and installation of an eponymous permanent work created by Liliana Moro for the seventh edition of “All'Aperto” (Outdoors) in Trivero, in the Piemonte countryside.

Road Back To Relevance gives insight into the last decade of Dan Rees's practice. It brings together groups of works—paintings, videos, installations, and photography—that have never before been viewed simultaneously, and reveals the complex nature of the artist's research.

Louise Bourgeois, Adel Abdessemed, Jan Fabre, Judy Chicago, Andres Serrano, Sara Favriau, Camille Henrot, Tino Sehgal, reviews of Angélica Liddell and Nadia Lauro plays, Brussels Kunstenfestival, festival d'Avignon, festival TransAmeriques…

Cave is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: the first volume makes a case in favor of concretism in contemporary artistic practices.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

A set of charades invented by Alain Séchas and illustrated with original drawings, with an original artwork signed by the artist.

These volumes document Kunsthalle Lissabon's fourth and fifth year of activity, which happened between 2013 and 2014.