A book of interviews with the curator and pedagogue Laurence Rassel, who develops in thought and action ways to remedy what ruins relationships and hinders emancipation.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

The second issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, is dedicated is devoted to the concept of resonances, with contributions by Maryanne Amacher, Chris Corsano, Ellen Fullman, Christina Kubisch, Okkyung Lee, Pali Meursault, Jean-Luc Nancy, David Rosenboom, Tomoko Sauvage, The Caretaker, David Toop, and Christian Zanési.

Issues 19 to 21 of the critical review dedicated to graphic design.

First French translation of Shulamith Firestone's first novel.

Delirious comic strip by Costes about coronavirus and containment. Two original color drawings pasted in the book, signed and numbered by the author.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

The colony as a major philosophical concept in contemporary political thought—a basis for reflection on decolonization (expanded reprint of the book published in 2008).

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

A picaresque tale of Clara Schulmann's often collective experiences.

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

The Conclusive Scene - Mao Zedong's Last Meeting with the Red Guards, 28 June 1968 includes the first complete English translation of the Chinese Cultural Revolution document "Conversation in a Meeting with the Responsible Persons of the Capital Red Guards."

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

Catalogue of Soun-Gui Kim's retrospective exhibition in South Korea: an overview of her work since the late 1960s.

Conceived on the occasion of two exhibitions at CA2M Madrid and CRAC Alsace, this catalogue features extensive documentation and collages of the artist's evolving works as well as essays by the show's curators, Elfi Turpin and Daniel Steegmann Mangrané.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

A collection of poems first published in 1972 by the French companion of the Beat Generation.

Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

New monograph.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

The first of a two-volume publication dedicated to the artist's novel, this theoretical essay aims to elucidate the pressing questions posed by the emergence of this new artistic medium with a number of key case studies and interviews.

An accordion and two turntables for an abstract musette.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

The crucible of creation: portraits of New York artists in the intimate seclusion of their work spaces.

A clothbound collection of Alexandre de Mortemart’s richly textural black-and-white cityscapes.

Jeremiah Dine's illuminated vision of New York street life.

First monograph devoted to the work of the French designer / scenographer, with a text by design historian Tony Côme, interviews, and an important iconography.

The first vinyl edition of Shea's classic album, celebrating the 25th year of its release: a crafty piece of complex narrative audiocollage, combining samples and acoustic instruments, inspired by Chinese philosophy, easy listening, and experimental music.

First monographic catalogue dedicated to multimedia artist Thao Nguyen Phan, whose recent video and visual works explore the agricultural, political, and social issues in rural Vietnam.

Full transcript of Mekas's Lithuania and the Collapse of the USSR: a five-hour-long film made up of footage from US television newscasts covering the independence of Lithuania and the collapse of the Soviet Union.

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

A complete archive of contents from the 11th Biennale Internationale Design Saint-Étienne.