A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

A collective work conducted by students and teachers from the Design & Space Master at ESAAA art school that aims to highlight the atypical forms that young designers produce and address to our contemporary societies.

Entitled “Studies for Player Piano,” the first issue of the contemporary art journal premised on aesthetics of encounter, specifically between the writing, art, and ideas expressed in Latin American culture in relation to discourses, philosophies, and art generated elsewhere, is dedicated to the life and work of experimental composer Conlon Nancarrow (1912-1997). With Mario Garcia Torres, Mariana Castillo Deball, Carlos Sandoval, Céline Condorelli...

Reference monograph, featuring Francesco Arena's works collection and his most important shows from 2004 to 2014, with texts by Marcella Beccaria, Lorenzo Benedetti, Florence Derieux and Ara H. Merjian.

Artist's book.

Camille Henrot, Harald Szeemann, Vincent Honoré and Mauricio Marcin, Jean-Max Colard, Christina Ramberg and artists' contributions for Playboy since the 60's, Alex Da Corte and Matthew Owen, Jordan Wolfson, Takeshi Murata, Claudia Wieser, Oliver Laric, Zak Kitnick, Mark Emblem and Clément Delépine...

Palais #20 reflects the new season of exhibitions at the Palais de Tokyo, more particularly with the exhibition “Inside”, with contributions from a large number of writers, philosophers, curators, anthropologists, historians, architects and researchers; David Maljković; “Inside China: inside the Giant”; a visual contribution by Shahryar Nashat; a focus on five emerging artists from the contemporary art scene: Jean-Marie Appriou, Virginie Gouband, Louise Pressager, Enrique Ramírez, and Qingmei Yao.

Pierre Denan's visual diary (artist's book).

The first publication devoted to the artist's films.

First monograph on Cuban artist Wilfredo Prieto.

Reference monograph: the first complete panorama of Kilimnik's production, allowing a vision that goes beyond the distinctions between painting, drawing, or installation (new and expanded edition).

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

The Coloring Book by Dr. Lakra is the first BOM DIA Kinder book, a new series of children books made by artists.

The origins and creating process of the artwork.

Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. This volume brings together for the first time all of Kracauer's essays on photography that he wrote between 1927 and 1933. It includes a foreword by Philippe Despoix, and a curriculum vitae illustrated with photographs from the Kracauer estate.

The place and role of women in performing arts from 1912 to 2012, between performance and dance.

4 leporellos in slipcase: an artist's book that brings together for the first time, as individual leporellos, the four long drawings Saul Steinberg produced for the Children's Labyrinth at the Milan Triennale in 1954.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

Facsimile of a book of drawings made between 1979 and 2010.

Three iconic series of photographs by Juergen Teller.

Federico Pepe's Magnum opus (limited edition artist's book).

Kaleidoscope's newest release introduces a completely redesigned and revamped version of the magazine, under the visionary art direction of Munich-based Bureau Mirko Borsche. The magazine's new formula combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

The reissue of the Manifesto of Futurist Musicians (written in 1911), in which the Italian composer, musicologist and ethnographer Francesco Balilla Pratella (1880-1955) explains the "violent and absolute principles" of a futuristic music which inspired Luigi Russolo's The Art of Noises.

“Megarave Metarave” considers the historical traces of the futuristic promises of rave culture and the early web.

300 drawing by Portuguese artist Gonçalo Pena.

MacLise's early electronic music.

As a body of repertoire, these 150 pieces of Christian Wolff are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most “musical” of the experimental composers).

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

Collection Clémence and Didier Krzentowski (new, revised, and expanded edition in softcover.).

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.

A Collector's Edition of 500 copies numbered and authorized by Maurizio Cattelan and Pierpaolo Ferrari. On the back cover of the Collector's Edition are printed the signatures of the authors.

New monograph.

This publication traces two years of a project dedicated to the concept of drift, with theoretical texts, artists' contributions and contributions from educational projects, workshops and exhibitions.

New monograph (available in English edition).

New monograph.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A facsimile reedition of an interview with Michael Heizer and curator Julia Brown first published in a 1984 catalogue.

First monograph, with an essay by Jacqueline Burckhardt.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

The manifesto of the network of contemporary art centers.

The second issue of the magazine published by Optical Sound, between experimental music and contemporary art.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

The history and posterity of François Mathey (1917-1993), a singular curator with the destiny of a romantic hero, a major figure in the promotion of contemporary art and a pioneer of artistic heritage.

A research project in progress developed by the artist Johanna Viprey: the book narrates the encounter that has led the artist to investigate the personal history of Jeff Perkins, American performer painter and documentary filmmaker, from an anthropological perspective.

Since 2010, Sophie Lapalu and Jean-Christophe Norman have worked together in the form of interviews and critical writings focussing on artistic actions and their visibility. De l'action à la conversation (“From action to conversation”) forms part of this reflective approach.

A comprehensive examination of Robert Smithson's work and creative process.