The story of a therapeutic experience with paper mache initiated in a Geneva shelter and which ended up "outside the walls", illustrating how another psychiatry is possible.

A rereading of Tatiana Trouvé's work based on her drawing practice.

A Dantean geography.

A hybrid edition (a vinyl record with a newspaper and an insert) extending the artist's research on the links between sound, architecture and the history of spiritism.

The complete works of one of the pioneers of Belgian early electronics.

Dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order, For McCoy finds Eiko Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures.

Ronan Bouroullec's ceramic bas-reliefs.

A sound creation based on the texts and voice of Giampiero Cane performed by himself and manipulated by the composer Daniela Cattivelli, who electronically projected them into a chaotic flow.

Following Palo Alto's previous Difference and Repetition – A Musical Evocation Of Gilles Deleuze 2LP/CD this limited 7'' edition features The Tears of Nietszche on side A with Richard Pinhas as guest musician and Vecteur d'abolition on side B with the voice of Gilles Deleuze.

First retrospective monograph.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

Three pieces for speaking pianist by the American avant-garde musician, politically committed composer and virtuoso pianist Frederic Rzewski (1938-2021), performed by Stephane Ginsburgh (for whom two of the pieces were composed).

The script of Peter Greenaway's latest film.

The first monograph dedicated to the pivotal work of African American postmodern dancer, choreographer and video artist Blondell Cummings.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

The 2020 edition of the Tour de France was canceled before being eventually postponed. Tour is a series of 101 photographs shot by Louis Canadas on the race's official route, during this period of uncertainty. Words are from Fanny Taillandier.

A performative publication by author and choreographer Sara Gebran aiming to immerse readers in a world of social intimacy.

Flipbook.

Baptiste Brévart and Guillaume Ettlinger discuss with Julie Sicault Maillé their artistic practice as a duo.

This monograph surveys the first decade of the legendary Korean artist's career from 1987 to 1998.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

Artist's book.

A series of new semi-abstract oil paintings by the American artist.

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

Peter Piller's peripheral excursions around Bremen.

Jong Won Rhee's photographs of scenes of contemporary everyday life in South Korea.

First monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

A collection of texts (visual or conceptual poems, ideas to be realized or mostly not, inventories, compilations, interludes, etc., constituting sorts of scores) composed between 2017 and 2021.

This first monograph of Lee Bae presents a large selection of his works, paintings, sculptures and drawings, as well as twenty exhibition views and photos of the artist in his studio.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

Philipp Mueller's photographs of the emerging techno scene in Switzerland in the early 1990s.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

A study of Tadini's position in the early post-war cultural debate, with a large documentation of paintings, photographic studies, drawing and collages, based on an unpublished manuscript.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

Olga Kokcharova's LP Furnica is a conceptual and striking sound work that emerged from a recording session in a forest, where the Geneva-based artist captured the sounds of an anthill. As the session unfolded, ants infiltrated the recording device and gradually destroyed its components, leading to intensifying sonic disturbances that overtook the original soundscape.

A speculative arc, spanned with hints from different epochs of occidental music, with poetic and personally coloured texts that deal with the world (of art).

Twelve articles by Michael Bierut, translated into French and annotated, complemented by a selection of his most emblematic projects.

Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period.

The third and final volume of the catalogue raisonné of Jean-Pierre Raynaud’s work begins in 1998, with the artist’s exploration of skulls and flags.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

Jean-Marie Massou's double album presenting, in a raw way, the recordings made at the end of the 1970s in a giant tank.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.