Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

First monograph.

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

Designed by the artist in collaboration with the graphic studio S-y-n-d-i-c-a-t, Fouad Bouchoucha's first monograph gathers a selection of his works along with four essays and an interview.

Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper (an illustrated philosophy book for children).

On a long, cold winter night, more than three hundred years ago, Mister Descartes is suddenly beset by profound doubts: Can I trust my senses, or am I fooled by illusions? Is there an Evil Genius behind all things? What if the outside world is only a dream? Is my own existence nothing but the product of my imagination? (an illustrated philosophy book for children).

This issue addresses the notion of (counter-)monuments with essays on National Identity, Immersion Serving Memory, Optical Protocols, Alexandra Pirici's Soft Power, The Kai Dikhas Gallery, Thomas Hirschhorn, The Memorial to the Victims of Communism…

A theoretical, literary and critical dossier dedicated to the relationship between Maurice Blanchot and Georges Bataille; Jean-Luc Nancy's La Communauté désavouée, around the notion of community in Blanchot's oeuvre.

A theoretical, literary and critical dossier dedicated to the relationship between Maurice Blanchot and Georges Bataille; Jean-Luc Nancy's La Communauté désavouée, around the notion of community in Blanchot's oeuvre.

Artist's book in two volume.

With Collective Memory, Mustapha Akrim appropriates one of the most pervasive and widely circulated media of official postcolonial visual culture, the Moroccan dirham. At stake here is how visual representation affects political representation and vice versa.

German photographer Heinz Peter Knes offers a new photographic perspective on the furnishing of the CAPC museum of contemporary art in Bordeaux, one of the famous interior designer Andrée Putman's most accomplished projects and a milestone in the history of design.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

Amy Lien and Enzo Camacho, Georgie Nettell, Dave Miko, Ned Vena, Antek Walczak, by Tanja Widmann / Paris Noche by Jay Chung / Verena Dengler by Lili Reynaud Dewar / Call and Response and Forever Now by Kari Rittenbach / Daniel Pommereulle by Hélène Fauquet / Hans Christian Lotz by Sam Pulitzer / Sigmar Polke's reception in the United States and Germany in the 1980s by Magnus Schaefer / interviews with Magnus Schaefer et Guy Tosatto / On Some Models of Artist / Gallery Relations (with Marie Angeletti, Camille Blatrix, Hélène Fauquet, Renaud Jerez, Mélanie Matranga)...

The influence of cartoon on Duchamp's work.

The result of a series started in 2008, all of The Naked Eye photographs are looks between the fanned pages of paperbacks that date back to the 1950s–1970s. This first exhaustive monographic publication of an ongoing series reveal a particular taste for mass-market celebrity biographies and movie novelizations featuring photo sections and pulpy paper stained by brightly-dyed edges.

This book gathers the papers presented at an international symposium on artists' periodicals, organized by academical Marie Boivent and curator Stephen Perkins. It serves as a smart introduction to a broad range of publishing strategies adopted by artists and others who were experimenting across the field of periodical publishing in new and expanded ways from the 1960s onwards.

This book offers several thematic gateways to Alain Huck's work showing the persistence of the same autobiographic, environmental, historic and linguistic issues in a variety of mediums.

The story of an iconic work by Claude Rutault.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

Nieves reissues Frank Asch's famous children's book, originally published in 1972.

This new monograph gathers 42 images documenting 3 years of photographs taken between 2011 and 2014 during the Purim holiday in the neighbourhood of Stamford Hill, London.

Artist's book.

Special “Migrations & Borders” issue: texts by Bernard Schütze, Geneviève Chevalier, and Michael Blum, Milutin Gubash by Chantal T. Paris, François Morelli by Bernard Lamarche, interview with Aram Han Sifuentes, Dominique Sirois-Rouleau's essay on outdoor art, the usual features…

Up to date / Art, biology, (Al)Chem(istr)y / Etre étonné, c'est un bonheur ! (Ardouvin, Bagot, Barbazanges, Brial, Chotard, Darrot, Davrinche, Pierre & Gilles, Rauzier, Rousseau, Villeglé) / Céleste Boursier-Mougenot / Jocelyn Robert / Pascal Pinaud.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

A collective work bringing together thirty contributors, based on an experimental research project conducted with artists and theoreticians (philosophers, sociologists, historians, scientists...) around the question of the formats of art, a forgotten yet decisive issue that crosses contemporary artistic practices in depth.

First monograph.

A concrete / post-digital oratorio in 5 parts.

A concrete / post-digital oratorio in 5 parts.

This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.

Jérôme Zonder's drawings in large format.

An analysis of the implications, challenges and specificities of the artist's magazines, as an artistic practice.

Comprehensive monograph.

Special feature on Ecology, Nicolás Uriburu, interview with Edith Brunette, Kochi-Muziris Biennal, Ariane De Blois on the sculpted body, exhibitions and books reviews…

The “micro-interventions” in the public space in the age of social movements and citizen action.

For those who look for truth: On the origins of Western philosophy (an illustrated philosophy book for children).

The ghost of Karl Marx makes a solemn vow to give the story of the class conflict a happy ending by fighting the Market, that infernal magician (an illustrated philosophy book for children).

An A–Z Memoir about art publishing.

The first detailed study of the artist's book within the Fluxus movement.

Quote in drawing practive, Anna Maria Maiolino, Martin Barré, Didier Semin, Odilon Redon, Eve Pietruschi, Mamadou Cissé, Rachel Whiteread, Nil Yalter, Sebastian Gögel, Bernard Mahé' comics collection, selection of books bu Daniel Nadaud, The Self and Jean-Jacques Rullier...

This audio art book documents an experiment in binaural sound by French artist Loris Gréaud performed around the world over five years. Using binaural beats, Crossfading guides the listener to the threshold of sleep. The book includes MRI images of the artist listening to the piece.

A notebook that combines text and collages to trace the imaginary history of the natural history museum created by Loris Gréaud at the Dallas Contemporary.

A notebook that combines text and collages to trace the imaginary history of the natural history museum created by Loris Gréaud at the Dallas Contemporary. Limited edition accompanied by a real butterfly, on black cardboard, unique piece.

A critical book: a reassessment of Julien Blaine's poetry and the aesthetic problems related to it.

“Diorama” special feature (studies on Xu Zhen's Starving of Sudan and Kent Monkman's Bête Noire, essays on Dominique Gonzalez-Foerster and the Persistence of the Diorama, the Diorama as artistic process, Vicky Sabourin's stagings), interview with Nathalie Heinich— in addition to the usual contents.

This cookbook is the outcome of a collective project for which random people opened the door of their kitchen to share their favorite recipe and tell their life experience. A celebration of life and cooking in 52 recipes and 31 portraits illustrated with colir photographs.