French illustrator Julien Brunet adopts the chiaroscuro style and the pointillist technique to create lascivious nudes of monstrous figures, evolving in a background of floral and organic patterns. His first monograph gathers a series of 36 ink drawings produced between 2010 and 2016.

The February issue of Artforum, with features on the art of Zhang Peili, Hanne Darboven, and Heather Phillipson, a conversation between Julia Bryan-Wilson and Miranda July on feminist film project Joanie 4 Jackie, Tim Griffin on HBO's The Young Pope, Bibiana Obler on Barbara Kruger in Washington, a Top Ten from Jun Takahashi, and reviews from New York, Miami, Hamburg, Stockholm, Baku, Mexico City, Johannesburg, and more.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

How to organize introductory dance classes (educational booklet).

This publication is the result of a series of meetings and interviews with Michel Butor in Italy, between 2012 and 2016. It also features texts by Mireille Calle-Gruber, Paolo Fabbri, and Butor himself, as well as six unreleased photographs from 1952 to 1958, documenting the French author's travels in Italy. The accompanying DVD À propos de. Entre littérature et art, le paysage véritable is a video-essay by Isabella Bordoni, and one of Butor's final appearance.

Publication introducing the synthesis of a project inspired by the artistic and intimate experience of Hans Hartung and Anna-Eva Bergman on the island of Menorca, where they built a house-workshop and lived in from 1932 to 1934.

Special Music Issue (included a flexi disc by D.A. Spunt).

Four portraits depicted with four raw matters: the regular and expanded edition of a limited edition artist's book originally published in 2012.

Limited edition, with an exclusive Toilet Paper tote bag included.

A new year's issue with strong political contents, featuring: Kelley Walker's new show, Oliver Payne, Jimmie Durham, Anna-Sophie Berger, Paul Pfeiffer, Sadie Benning, The Young Pope review, Victor Burgin's 1984 article “Yes, Difference Again,”—in addition to the usual contents.

A collection of previously unpublished texts and drawings (artist's book).

A collection of previously unpublished texts and drawings, with an original artwork signed by the artist (artist's book).

A meticulous survey of French photographer Valérie Belin's stunning series from Magicians, Bouquets and Lido to Brides, Bob, and Black Eyed Susan and continuing up to recent work including Super Models and All Stars.

24 unpublished letters by Gustave Courbet.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Documentation around 17 commissioned artworks set in middle schools, as part of the Percent for Art Program established in the French Department of Seine-Saint-Denis.

This artist book is at the intersection of art, archaeology and genetics. It translates several years' research in the fields of archaeology, genomics and ethics into a publication at the interface of art and science. It consists of three essays by specialists and an interview, images from the Inrap collection and views of the artist's installation at La Maréchalerie, a contemporary art center in Versailles, France.

Be Polite follows the exhibition of largely unseen works on paper by one of Australia's most visionary and critical artists, Gordon Bennett. Including drawings, acrylic/gouache and watercolor paintings, poetry, and essays—the exhibition and publication are the first to present the work of Bennett since his death, and to pay homage to a figure of the post-colonial thought.

This publication is the result of a sound improvisation project by audio artist Alexandre St-Onge. It gathers a collection of hermetic poetry texts and 13 tracks of experimental sounds to download.

British artist Monica Ross (1950-2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross's works from 1970 to 2013.

A visionary essay on the notion of artistic composition in a world spinning into a confused chaos.

Monographic catalogue showcasing the under-recognized work of Brazilian-Japanese artist Lydia Okumura, who, for almost fifty years, has explored the realm of geometric abstraction

Catalogue documenting a video installation in which the British artist pursues her investigation on the translation of elusive, natural phenomena into formal language. Structured rhythmically around the pattern of a foghorn sounding, Grey Light finds its origins in the notion of the foghorn as an auditory marker for opacity.

Collection of poems and drawings by the Korean artist.

A collection of notes written along the years by Spanish curator and Head of Institut Kunst in Basel Chus Martínez. Aimed at her students, this notebook gathers personal thoughts on artists who inspire Martínez's ongoing practice.

Gathering Pascal Pinaud's most recent works, this monograph features numerous exhibition views highlighting the artist's scenographic qualities and his relationship with design, furnishing and architecture. This edition includes two essays and a long interview.

Retrospective catalogue (new edition).

This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms: Lutz Bacher, Stanley Brouwn, Christopher D'Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York (new edition).

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

Three textual pieces on Kafka, Sade, and Lautréamont, inspired by the author's dreams and nocturnal readings.

A book-DVD documenting a commissioned work for which Jean-Michel Othoniel redesigned spaces housing the sacred treasures of the Angoulême Cathedral.

Photographic inventory of the rural landscapes of Switzerland and France, combining original photographs and found pictures customized by the artist. An ethnological and sociological approach which culminates in a poetry of the ordinary.

Publication documenting a project installation by German artist Margit Busch, the joint recipient of the 2016 Kunsthalle Wien Prize. Busch's project sheds light on the meeting points of scientific, philosophical, artistic, and practical discourses.

Black & white photographic diary between London and Switzerland during the year 1972, just before Iwan Schumacher devoted himself entirely to filmmaking.

Selected unreleased works from 1980 to 2000 by a key composer of Belgian electronic music.

Finnish media theorist discusses slow violence & environmental crisis through the prism of art, design, and technological practices.

This two-volume publication consists of an artist's book by Nathalie Du Pasquier with drawings, photographs, and reproductions of her paintings and a publication with photographic portraits of her works from the past decades by Delfino Sisto Legnani.

This recording brings together two pioneers in their respective fields, sound artist Christina Kubisch and video artist Fabrizio Plessi. Two and two is the outcome of a Fluxus-oriented multimedia performance inspired by the natural elements.

Hubs and Fictions, originally a touring forum, invited international curators, writers, and producers to probe how fiction plays out in a globally distributed art-world ecology, and how infrastructures are invented against its background. This unconventional reader gathers documents, negotiations, and reflections from and on these conversations.

Spring 2017 Previews of 45 shows worldwide, James Quandt on Abbas Kiarostami, Women's History Museum's Top Ten, Lynne Cooke on Merce Cunningham, Wolf Vostell's Concrete Traffic, 100 Words with Pieter Schoolwerth, Carroll Dunham on Kerry James Marshall's “Mastry”, and exhibition reviews from New York, Moscow, Oslo, Beijing, Mumbai, Mexico City, and more.

In 1981, photographer Eric Bachmann and journalist Christian Kämmerling made a report on the Casa Verdi, a retirement home for musicians and opera singers founded in Milan by the Italian composer. This volume includes Kämmerling's text, Bachmann's photographic archives, and detailed biographies of the retired musicians who lived at the venerable institution.

New monograph.

Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination, and reception of contemporary art in the Middle East and North Africa.

Catalogue documenting a project that entertwines Georg Keller artistic one-man enterprise with Switzerland's biggest department store chain Manor. Interviews with employees at various levels of the corporate hierarchy form the first thread of the narrative. The second delves into the artist's creative work.

This reader is the result of a cycle of seminars and an exhibition developed by the Iuav University of Venice around the notion of heritage. The publication focuses on issues related to the status of heritage in the contemporary; the study and use of archives; restoration strategies; and heritage as a place of transformation.

Survival Research Labs's robotic warfare, contemporary dance in Belgrade, interviews with João Pedro Rodrigues, Éric Hazan, Pierre Bismuth, the industrial music scene in Paris in the 1980s, Matthew B. Crawford, David Geselson, Mélanie Laurent, David de Beyter, Tsirihaka Harrivel & Vimala Pons, Pierre Huyghe at Palais de Tokyo, portfolio by Sophie Kitching & Rebecca Storm…

This book presents a wide range of artistic working processes that Peter Radelfinger developed and implemented together with students in various disciplines during the many years he taught at Zurich University of the Arts: several series of elementary (to begin with, drawing and performing) exercises, strategies and techniques of working with images, researching, artistic actions and complex artistic projects.

The 63rd edition of the Jahresring series—one of the longest continually published annual journals for contemporary art in Germany—focuses on the practice of curating in Southeast Asia, a region experiencing a time of increased global visibility as well as nation and institution building.