For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

This first novel tells the story of performing art producers who travel around the world looking for new artists. The protagonists will be confronted with the realities of globalization, its promises, its violence and its lures. An enlightening reflection on the role and limits of creation in the transformation of the world.

This catalogue looks back at Hartung's artistic production and life during the Second World War.

Elizabeth Lebon writes poems, stories and performances, usually with the help of a typewriter. The choice of paper, as well as its format, is centrally important to the conceptualization and experimentation of this artist. This new book-object of concrete poetry plays with the transparency of its leaflets.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.

This LP presents two sound works from the German composer's project “the O. theorem,” which focuses on Nikolai Obouhow's revolutionary concept of “total harmony”. Liner notes by Volker Straebel and Hans W. Koch.

For his first record in 6 years, Thomas Ankersmit pays homage to the late legendary Dutch composer, electronic and tape music pioneer, and multimedia artist Dick Raaijmakers. Inspired by Raaijmakers's composition and recording techniques, Ankersmit exclusively used analogue devices, creating three-dimensional and holophonic sound fields.

First monograph.

A contribution to the construction of a critical thought of the iconic economy of the relations between text, language and image.

This publication looks back at Manoukian's pictorial work, focusing on the 70s and 80s periods of her practice. It includes an essay by Gregory Buchakjian, a chronology by Aline Manoukian, and an interview with the artist by Kristine Khouri.

A visual  sprechgesang opera by Florent Dubois arranged by officeabc, with a libretto by Jill Gasparina, Stephen Knott, Aurèle Nourisson, Joël Riff, and Guiral & Domingues.

PARIS LA 16—a tenth anniversary special—focuses on the dual themes of fashion and writing.

A raw extraction from the email inbox of an aerobics teacher.

Artforum invited Catherine Damman, Dorothea Rockburne, La Monte Young, Carolee Schneemann and others to reflect on the Judson Dance Theater in honor of their forthcoming exhibition at the Museum of Modern Art. Editor-in-chief David Velasco on the art of Adrian Piper, Solveig Nelson on the holographs of Simone Forti, special projects by Awol Erizku and the Women's History Museum, Marilyn Minter shares her Top Ten, plus Fall Previews, looking ahead at 40 exhibitions worldwide and much more.

From Audra Wolowiec's activation through caretaking of Ann Hamilton's Guggenheim show to the collaboratively written fiction of Shelly Oria and Nelly Reifler, Bomb #145 seeks to reconfigure our ideas of authorship, participation, and other willful acts of co-presentation. This issue also has additional features and new literature from J.P. Sniadecki, Las Nietas de Nonó, Sherwin Bitsui, Diana Hamilton, Bomb's 2018 poetry contest winner, Savannah Cooper-Ramsey, and many others.

A comprehensive publication of Rifat Chadirji's photographic folio, which records and analyses the development of his architectural practice in Baghdad, from 1952 until the early 1980s. It provides a unique insight into a collection of photographic sheets that reflect how an architect documented his own work, and coded, organized and referenced his projects using photography.

Jacques Attali's chronicles on art.

This publication presents an overview of the Zurich photographer's work as well as a very personal record of the Swiss and European arts scene of the past sixty years. Edited by Barbara Stauss, it's also a daughter's tribute to her father on his 80th birthday.

Stage director Léa Drouet; “Cut-up nation” by Fanny Taillandier; the figure of the witch, by essayist Mona Chollet; interviews with Christophe Honoré, Véréna Paravel & Lucien Castaing-Taylor, Læticia Dosch; literary collective Wu Ming; Showmen's life in today's France; the rave scene in Georgia; portraits of Debra Granik, Simon Fisher Turner, Nicolas Daubanes; drones and corporeality: an interview with choreographer Éric Minh Cuong Castaing by philosopher Armen Khatchatourov; portfolios by Julien Carreyn and Jack Bool…

Issue coedited with Rachel O'Dwyer, media and communications Research Fellow at Trinity College Dublin; interviews with Olivier Sarrouy, Furtherfield (Ruth Catlow & Marc Garrett), Holly Herndon and Mat Dryhurst, Martín Nadal, Ami Clarke, Sarah Friend; A token called ART; How is the Blockchain Transforming the Art World?; reports on the Meta.Morf 2018 – the 5th Trondheim Biennale, and Transmediale 2018.

Forty contributors share their perspectives on photography in Lebanon, evoking its equally numerous forms of existence. Examining techniques, practices, uses, objects, images, histories, and artistic approaches, this publication presents 380 photographs produced between the end of the 19th century and the present day.

Oslo Pilot is a two-year research-based project that has laid the groundwork for the Oslo Biennial's first edition in May 2019. It aims to explore art in public spaces and spheres. This publication gathers a collection of commissioned and previously published essays on the subject, and includes a selected transcription of the eponymous symposium.

Acousmatic Striptease, a performative text by Thibault Walter; Musique Action 2018; improvised music in the Netherlands; Ring-Modulation #28 by Kasper T. Toeplitz; interviews with Marisa Andersaon, Peter Ablinger, Christine Wodrascka; carte blanche to Richard Bokhobza and Thomas B.; chronicles and disc reviews…

Summary by Swiss artist Manuel Burgener is a companion piece to his 2018 Manor Prize show at the Kunsthaus Pasquart in Biel, Switzerland. The idea behind this artist's book is to undertake a fundamental examination of the purpose of an exhibition catalogue. It asks whether an artwork, especially a sculpture, can be documented at all in the form of a readable depiction.

Forty contributors share their perspectives on photography in Lebanon, evoking its equally numerous forms of existence. Examining techniques, practices, uses, objects, images, histories, and artistic approaches, this publication presents 380 photographs produced between the end of the 19th century and the present day.

An homage to William Burroughs' and Brion Gysin's eponymous book, this artist book of more than 300 pages is a huge cut-up of the artworks showcased during the group exhibition conceived by Ugo Rondinone at the Palais de Tokyo in 2007.

Nearly 20 years after the publication of his first inventory, Éric Watier has collected 100 new examples of artworks deliberately destroyed by their creators. This new edition combines 200 destruction cases in one volume.

A philosophy of decolonization that intends to show how, in knowledge and the arts, the past can be passed.

Henning Christiansen: Freedom is Around the Corner, the third issue of Blank Forms' journal, is released in conjunction with a retrospective exhibition and performance series of the same name, devoted to the work of pioneering Danish composer and artist Henning Christiansen (1932–2008).

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Beautifully produced LP of birdsongs from Venezuela, originally released in 1973 by the famous French ornithologist. Introduction by David Toop.

Pauline Oliveros's early and rare electronic works in a strictly limited edition on silver vinyl—with no reprint.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

A collective photographic series focusing on the on the subject of agalmatophilia—the sexual attraction for statues.

Visual documentation on Jonathan Monk's eponymous exhibition, commissioned by curator Marc-Olivier Wahler on the occasion of the twenty-year anniversary of the CAN Centre d'art Neuchâtel. The British artist revisits an iconic exhibition he did during the first years of the CAN in 1997. The publication confronts the images of the two events.

A game of cards and strategy whose goal is to bring out his or her rival from the Hospital, a place of freedom without boundaries. Players will have to use alternative medicine, electroshock, trade union struggle and occult forces to succeed.

This film documents the struggle for the preservation of the prehistoric rock art sites in the Côa valley in Portugal in the early 1990s.

New paintings, sculptures, photographs and site-specific installations.

Affiliated with Vaporwave—a sub-genre of electric music and art which criticizes and mocks 1990s internet imagery—artist Chloe Feinberg takes a new turn with this series of black & white erotic illustrations.

Limited edition, numbered from 1 to 50, signed, and accompanied by a multiple by Benoit Maire.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

On the occasion of this 13th issue, the Japanese artist asked 46 participating artists to cultivate a hyacinth, and to give an account of this experience through artistic gestures, including paintings, photographs, poetry, haiku, essays, and observation diaries (with Yukinori Maeda, Masanao Hirayama, Benjamin Sommerhalder, Susan Cianciolo…).

Opened to the public since 2005, Codalunga is a section of Nico Vascellari's studio in Vittorio Veneto devoted to experiments in visual and sound art. This publication documents a project which has been going on for a decade now, gathering artists from all around the world.

This publication features academic and literary contributions, interviews, songs and photos which explores the impact of labor migration on the notion of motherhood from the perspectives of women migrant workers and children left-behind.

Cicoria is a visual essay conceived as a stream of images of the Alessandro Cicoria's past and current artworks, put together with apparently no visual coherence by Cicoria himself. A dialogue between the artist and curator Luca Lo Pinto is the map to understand the peculiar attitude behind his work and vision.

Five writers respond to Clare Goodwin's painting Dennis and Denise (2018), offering narrative foils to Goodwin's visual language. Dennis and Denise is neither described nor explained, but serves as a catalyst for literary experimentation. The texts, in turn, illustrate the painting's wealth of implicit meaning (texts by Tony Grisoni, Rebecca Geldard, Chris Fite-Wassilak, Frances Loeffler, Aoife Rosenmeyer, J. Emil Sennewald).

First monograph.

This first monograph accompanies a series of videos inspired by the Metabolist utopist architecture movement, created in 1959 in Japan. The videos bring together several portraits of Japanese towns, combining digital images with filmed or photographed images of social and urban reality.