Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition.

Fanzine / artist's book.

Guillaume Dustan; Japanese playgrounds; dance and pornography; Patrick Bouchain; Raffaella della Olga; Mohamed Bourouissa...

Sofi Hémon; interviews with Maria Chavez, Tori Kudo, Rudolf Eb.er and Anne-Laure Pigache; arcticles on Max Neuhaus and Tetsuo Kogawa...

The Fevered Specters of Art is the final chapter of a long-term project curated by Edit Molnár, Lívia Páldi, and Marcel Schwierin that started with a group exhibition at Edith-Russ-Haus für Medienkunst, Oldenburg, in 2016. The show looked back on the epoch of Cold War radicalism and anti-colonial revolution, an era characterized by a proliferation of ideas about how radical social change might permeate the globe.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

New book on Maya Schweizer's moving image works and complex montage aesthetics, with six essays.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

The summer issue of Flash Art is an attempt to map the ecological breakdown> that is restructuring our belief systems, forcing us to conceive of new relational modes that reappraise our centrality in the world and advocate for a new continuity with the other.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

Art, destruction and creation.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Conceived around an anthropology of the object, this book proposes to follow the course of royal objects of Abomey, former capital of the pre-colonial Kingdom of Dahomey (in present-day Benin).

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

New monograph.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

First monograph.

First monograph.

New monograph.

Unreleased rarities from Ariel Kalma's personal archives recorded in the legendary GRM's Studio 116 during the 1970's.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

Masayuki Takayanagi's legendary “lost” album.

Artist's book.

As part of the 2016 edition of the Printemps de septembre, British artist David Shrigley designed a tailor-made project for the Institut supérieur des arts de Toulouse by providing all the elements needed to organise a music festival.

New monograph: an overview of Andrea Pichl's sculptural, drawn and photographic work, with four essays.

The 5th experimental novel by French artist Béatrice Cussol.

A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

The first French edition of the text on exile by ancient philosopher Favorinos (circa 80-150).

Documenting Pope.L's exhibition at La Panacée, this catalogue's content comprises texts from the curators, Nicolas Bourriaud and Noam Segal, and photographs of the show. Pope.L worked in close collaboration with graphic designer Johanna Himmelsbach on this editorial project.

Palais magazine is devoting its issue #29 to the exhibition “City Prince/sses”, presented at the Palais de Tokyo from 21 June to 8 September 2019. Artists, fashion designers, filmmakers, musicians, DJs, tattoo artists, experimenters: about fifty creators coming from Dhaka, Lagos, Manila, Mexico City and Tehran are investing the Palais de Tokyo which has become an imaginary city, multiple and complex, open, messy, thundering and creative.

Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.

An unprecedented transdisciplinary study dedicated to the deathly relationship between sharks and surfers, initiated from a thorough analysis of newspaper obituaries.

Bringing together an important body of work produced between 1970 and the present, this publication analyzes historical and current issues of feminisms by proposing crossed perspectives on the field of art history and its oft-interrogated construction.

This Summer Artforum reflects on Stonewall at 50: to celebrate the occasion, Artforum invited 24 gorgeous artists and writers to share an early or particularly vivid memory of a gay bar. Plus 5 artists and curators consider the legacy of Okwui Enzor, William E. Jones on the art of James Bidgood, Derek McCormack on Thierry Mugler, Molly Warnock on Gilles Aillaud's Rhinocéros, eau et rochers, exhibition reviews from Paris, Berlin, Athens, Tirana, and much more.

Boxset containing a book and ten artist's films (Mali Arun, Ismaïl Bahri, Hicham Berrada, Antoine Danis, Maïder Fortuné, Ana Maria Gomes, Daphné Hérétakis, Joachim Olender, Clément Postec, Dania Reymond) on DVD.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

This book traces this evolution of Laura Lamiel's work. It presents a chronology of her exhibitions from the last 20 years alongside an anthology of critical writings, a previously unpublished interview with the artist and two original essays that offer a new analysis of her work.

Summer issue, featuring Yuji Agematsu, Genesis Belanger, Adam Gordon, Candice Lin, Jannis Marwitz, Kaari Upson...