The first reissue of Wounds by David Toop and Paul Burwell, originally released in 1980 on Toop's Quartz! label, a representative album of a seminal moment within the British music scene evolved around the London Musicians Collective in the late 1970s and early 1980s.
Founded in 1976 by a group of improvising musicians and sound artists including Evan Parker
, Peter Cusack, Lol Coxhill, Sylvia Hallet, Max Eastley, the LMC contributed to shape a new generation of free improvisers with broader interests ranging from the music of John Stevens, Evan Parker, and Cornelius Cardew, to non-western music experiences. David Toop and Paul Burwell came to know each other precisely in these crucial moments, to start a long-lasting collaboration on two separate but intertwined projects a trio with the artist and poet Bob Cobbing, and an improvisation duo. As result of the latter, the nine tracks included in Wounds are edited from a single performance at the LMC, date 30.6.1979. Recorded by Max Eastley and Russ Wood, these shows saw the employment of different musical instruments as well an odd number of found objects placed in front of the artists, on the floor, ready to be picked up and played. Electric guitar, flute, cassette, water, rubbish, explosives, six strings harp, bamboo fiddle, whistle were only a few of the wider arrange of instruments at the disposal of the two. The result is an ambivalent album, suspended between the unfolding of the time of performance, and the circularity of the ritual. And if the collage of texts appearing on the artwork demonstrates a certain disapproval and skepticism toward the progress of society, Wounds seems also suggesting a possible cure. The improvised music, the use of non-canonical instruments, the presence of pre-recorded sounds coming, seems indeed to be an open invitation to the listeners to abandon the old conventions and to search for a new system of relationships.
Born near London in 1949, David Toop is a musician, writer and sound curator.
He has published three books, numerous solo albums since his first album released on Brian Eno's Obscure label in 1975, curated five CD compilations, composed the soundtrack for an outdoor spectacular under Lisbon Expo '98, recorded shamanistic ceremonies in Amazonas. He
worked with musicians including Brian Eno, John Zorn
, Prince Far I, Jon Hassell, Derek Bailey
, Talvin Singh, Evan Parker, Max Eastley
, Ivor Cutler, Haruomi Hosono, Jin Hi Kim and Bill Laswell
, and collaborated with artists from many other disciplines, including theatre director/actor Steven Berkoff, Japanese Butoh dancer Mitsutaka Ishii, sound poet Bob Cobbing, visual artist John Latham, filmmaker Jae-eun Choi and author Jeff Noon.
As a critic and columnist he has written for many publications, including The Wire
, The Face
, The Times
, The Sunday Times
, The Guardian
, Black Book
, The New York Times
and The Village Voice