First monograph.

Artist's book (zine).

Zenit brings together photographs, films, and light-responsive installations by Berlin-based artist Shirin Sabahi. Shown in non-chronological order, and some for the first time, the photographs ground her artistic roots in photography—at times as a study, and at others as the work itself.

The first major monograph dedicated to Dutch artist Charl van Ark.

A children's book by Johannes van de Weert, a veteran of the punk underground (Rondos, The Ex, Red Rat, Raket).

Leïla Grace Voight’s debut novel: the story of two parallel confinements, told in forty-three scenes by twenty-one women and twenty-two men—all visual artists—accompanied by an emerging AI, an anti-COVID superheroine.

A true odyssey of design, featuring pieces from a dozen French heritage institutions, and a narrative structured as a play of mirrors between forms, words, and gestures.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

The catalog accompanying the provocative performance installation by Austrian artist and choreographer Florentina Holzinger, presented at the 61st Venice Biennale.

A retrospective of the visual work of Aleksander Lebedev-Frontov, a key figure in Russia’s post-Soviet underground culture.

First monograph.

Marc Kokopeli by Theo Belci, Art After Neoliberalism by Katy Siegel, Florentina Holzinger by Caroline Lillian Schopp, Duchamp v. Duchamp by David Rimanelli and Helen Molesworth...

A retrospective of the work of American artist Kiki Smith, who, through an extremely diverse range of media and techniques, focuses on the multiple forms that connect living beings to their environment.

The third issue, titled "Opacity", of Flash Art's yearly review.

The first retrospective of the work of Jean-Claude Guillaumon (1943-2022), a self-taught artist who defies categorization, associated with the French Fluxus scene, avid practitioner of happenings and other forms of ephemeral art.

Based on the relationship between the visible and the invisible in the development of Antoni Muntadas' projects, this publication examines the five series of works that bring together significant projects reflecting Muntadas's artistic approach since 1999.

The first reprint since its 1970 release of Bruno Munari's legendary artist's book Xerografia: an intimate look into Munari's groundbreaking experimentation with the Xerox machine, where technology becomes a tool for poetic and visual exploration.

The first reprint since its 1970 release of Bruno Munari's legendary artist's book Xerografia: an intimate look into Munari's groundbreaking experimentation with the Xerox machine, where technology becomes a tool for poetic and visual exploration.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

An important collection of poems by Jimmie Durham (1940–2021).

Christiane Geoffroy’s "fragments" work through small touches, through trial and error. Their great temporal flexibility allows them to wander from the origins of the universe and life to generations not yet born. At times, they function as short performative poems.

Five stories set in a world in upheaval, taking us to the far reaches of Russia, Ukraine, South Africa, the Democratic Republic of the Congo... and the Botanical Garden of the National Museum of Natural History in Paris. Non-human beings are the central characters in these stories.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

An exciting exploration of the imaginary world of Belgian artist Panamarenko, who became internationally renown for his groundbreaking creations connecting art with science and technique.

A book dedicated to the last drawings created between 2021 and 2022 by Gianfranco Baruchello, who passed away in January 2023.

On the forms of sabotage, insubordination, and invisible activity that evade the terrain of politics.

An artists' book in which Anri Sala interacts with the corpus of paintings by Edi Hila.

Conceived as a hybrid between an exhibition catalogue and a fashion lookbook, as well as a document of their practice and a sculptural object in its own right, the Women's History Museums' first publication interweaves newly commissioned texts with illustrated image spreads that reference iconic precedents, from Matsuda's 1990s lookbooks to early Vivienne Westwood.

A transcript of a lecture by Harun Farocki exploring the relationship between architecture and cinema.

A reflection on our present, through a series of portraits of contemporary artists.

A collection of portraits by Pieter Henket that focuses on a new generation of young Mexicans who are redefining contemporary expressions of gender, identity, tradition, and spirituality.

Why continue to produce objects today? In a world saturated with artifacts and facing ecological urgency, the very legitimacy of production seems to waver. Starting from this question, issue 61 of Azimuts brings together designers, researchers, artists, and students around contemporary object practices.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

A look at a href="index_theme.php?id=224&menu=4">South Korea's contemporary art scene through the medium of video art.

The Queen of Kitsch by Olivia Kan-Sperling, Palantir Goes to MoMA by Simon Denny, The Totemic Returns by Glenn Adamson, Ben Lerner's Devices by Gemma Sieff, Henrike Naumann by Alexander Koch...

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Why continue to produce objects today? In a world saturated with artifacts and facing ecological urgency, the very legitimacy of production seems to waver. Starting from this question, issue 61 of Azimuts brings together designers, researchers, artists, and students around contemporary object practices.

A poetic pathway exploring a series of stories related to the art produced in Brazil since WWII.

Scholar and curator Christine Eyene serves as guest editor for this special issue, featuring a central section dedicated to the work and place of women—particularly Lubaina Himid—within the Black Arts Movement.

Retail Vérité: Vancouverama is A Maior's second novella, and the outcome of writing workshops led by A Maior at Western Front in February 2025. Through a blend of improvisation, LARPing, and speed dating, the participants sketched the characters, narrative, and setting in real time.

The story of Tony the Donkey! A children's book illustrated by Artur Varela (1937–2017), completed shortly before the Portuguese artist's death, adapted and published posthumously by Daisy Publishing.

First monographie.

This revised edition of Louise Colet’s Voyage en Orient (1873)—a vivid account of the poet, novelist, and committed feminist journalist’s enchanted discovery of nineteenth-century Egypt—brings to light a passionate literary work that has long remained overshadowed by her famous, tumultuous romantic affair with Gustave Flaubert.

A text that is both humorous and political by visual artist and author Laurence Denimal.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

First monograph on the Swedish artist.

In Into The Trees, an artist's book for children, Jonathan Monk carries on appropriating Salvo's work by creating an endless imaginary landscape.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.