When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City
, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.
Published on the occasion of the biennal “The Lulennial”, at Lulu, Mexico City, from February to May 2015.
With Zarouhie Abdalian, Francis Alÿs
, Paola de Anda, Carl Andre
, Billy Apple, Darren Bader, Pierre Bal-Blanc
, Robert Barry
, Graciela Carnevale, Ulises Carrión
, Lygia Clark
, Isaac Contreras, Marie Cool
, Tania Pérez Córdova, Eduardo Costa, Christopher D'Arcangelo, Marcel Duchamp
, Koji Enokura, Lucio Fontana
, Fernanda Gomes, Alberto Greco, Simon Gabriel Greenberg, Matt Hinkley, Hi Red Center, Tehching Hsieh, Douglas Huebler, Stephen Kaltenbach, Yves Klein, Joseph Kosuth
, Jirí Kovanda
, Sol LeWitt
, Lee Lozano, Jenine Marsh, Cildo Meireles
, Robert Morris
, Roman Ondák
, Yoko Ono
, Gabriel Orozco
, Chantal Peñalosa, Goran Petercol, Kirsten Pieroth, Wilfredo Prieto, Ana Roldán, Lotty Rosenfeld, Karin Sander, Ana Santos, Martín Soto Climent, Mladen Stilinovic, Mierle Laderman Ukeles
, Isidoro Valcárcel Medina Goran Trbuljak, Lawrence Weiner
, B. Wurtz, Lin Yilin, La Monte Young.
See also The Lulennial II – A Low-Hanging Fruit