A reflection on the tensions and social uses of contemporary forms of representation on the basis of an exercise in critical analysis focussing on the multifaceted artistic practices of two artists.
How does one deal with the times?
and Rodney Graham
internationally known artists, answer
the question in their endless invention
of new “dispositifs”. They cross paths in
their distinctive usage of film and video.
Their artistic practices share concerns
about medium, history and selfrepresentation,
the artist's place and
role. This book, as does the exhibition
"HF|RG" conceived by Chantal Pontbriand
, explores four of the
recurring concepts to be found in their
work: the Archive, the Non Verbal,
the Machine and Montage.
Four philosophers, Catherine Perret
Catherine Malabou, Peter Szendy
and Christa Blümlinger, address these
four classical concepts taken from (post)
modernist theory in the light of the work
of Harun Farocki and Rodney Graham.
Two emblematic texts taken from the
artists' writings echo this conceptual
In an image section, the presentation
of the works contribute to the reader's
own associations and editing.
Hyperlinks freely emerge, opening up
the singularity of each artist.
(1944-2014) was born in Neutitschein, in German-annexed Czechoslovakia. Since graduating from Berlin's Deutsche Film-und Fernsehakademie
in 1966, he has directed more that 90 films that include feature films, documentaries and television programs. He has also collaborated with numerous filmmakers as scriptwriter, actor and producer. His films have been the subject of retrospectives at the Museu d'Art Contemporani de Barcelona
in 2004, and the Vienna Filmmuseum in 2006. He has participated in important international events such as the 2005 Carnegie International and Documenta XII (2007). He has held many teaching posts and between 1993 and 1999 taught at the University of California Berkeley. Since 2004 he has been Visiting professor at Vienna's Akademie für Bildende Künste
. Harun Farocki was a media theorist and writer and was the editor of the influential German film journal Filmkritik
from 1974 to 1984.
Born 1949 in Vancouver, Rodney Graham
is an internationally acclaimed artist. He is known for literary and conceptual artworks, cinematic installations, costume dramas, and also as a singer-songwriter. In the late 1980s and early 1990s, with projects such as "Parsifal Score", "Parsifal (1882-38,969,364,735)", and "School of Velocity", Graham began to make artworks whose central subject was music
or the concrete objects of music such as musical scores and CDs. Since then, the line between his visual art practice and his music practice has become blurred and eventually completely conflates in works such as "How I Became a Ramblin Man", "Zabriskie Point" and "The Phonokinetoscope".
See also Harun Farocki
; Rodney Graham