Canada

An examination of the relationship between coloniality, raciality, and global capital through a black feminist poethical framework, inspired by Octavia E. Butler's sci-fi novel Kindred (first volume in the On the Antipolitical series).

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

Art, environment and climate emergency.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

Re-territorializing the public space.

An unusual vantage on the history of cinematic production in the twentieth century.

An original theory of power based on a dense and insightful inquiry into the consequences of the "Global War on Terror" and the security state, up to the imposition of neoliberal logic and the overflowing of the media made viral.

A phenomenology of voice and hearing.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

A range of artistic and theoretical proposals on the theme of "laboratories".

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

Contemporary dictatorships and tyrannies.

Aurel Schmidt's drawings.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

First monograph.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

Artistic views on forestry and its actors (catalogue).

The development of the ideology of transparency within aesthetic modernity and the importance of being able to circumvent it.

In this collection of stories and illustrations, Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.