Canada

Monograph surveying more than ten years of the Canadian visual and performance artist's career, whose engaged practice addresses social and environmental issues, with two essays by Chantal Pontbriand and Ayelet D. Aldouby.

A poetics of perception, between sculpture, architectural installations and photography.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

An overview of the Canadian designer's creative process.

The dynamic aspects of neurodiversity in creation, in the context of art therapy, or the production of contemporary visual art works.

A semi-digital audio publication by performance artist and musician from Northwestern Quebec Emilie Roby.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

An exploration of the shifting acoustic ecology of the Western Isles.

The General Idea drawings.

Jonathan Scherk's first solo LP immerses us in a highly distinctive world of plunderphonics-sampledelica-variations acousmatiques that's impossible to classify while feeling familiar nonetheless. Following a strict two-minute format, thirteen complex sound constructions offer a range of experiences—as if the neurosciences had developed an acoustic formula capable of triggering illusions of memory.

Aesthetics/Ethics of the Flesh.

A colossal compendious overview of the revered and subversive queer Canadian collective, designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

A colossal compendious overview of the revered and subversive queer Canadian collective, designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

A major addition to the body of carefully hewn solo work Crys Cole has released over the last decade, offering up two side-long suites of her radically intimate approach to sound.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.

First monograph.

Poetics of the voice.

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

An examination of the relationship between coloniality, raciality, and global capital through a black feminist poethical framework, inspired by Octavia E. Butler's sci-fi novel Kindred (first volume in the On the Antipolitical series).

20 proposals for the intersection of artistic practice and research in academic milieu.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Space in the feminine.

A renewed approach to the history of sculpture and post-minimalism, based on the Royden Rabinowitch collection at MAMCO.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

The use by artists of objects coming from the collections of museums of art, science, and society.

Through short poetic texts that are both humorous and insightful, Quebec artist Annie Descôteaux speaks to her ever-evolving art practice and relationship with the physical world, while also incisively critiquing the institution.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

Art, environment and climate emergency.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

Re-territorializing the public space.

An unusual vantage on the history of cinematic production in the twentieth century.

An original theory of power based on a dense and insightful inquiry into the consequences of the "Global War on Terror" and the security state, up to the imposition of neoliberal logic and the overflowing of the media made viral.

A phenomenology of voice and hearing.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

A range of artistic and theoretical proposals on the theme of "laboratories".

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

Contemporary dictatorships and tyrannies.

Aurel Schmidt's drawings.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

First monograph.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?