Canada

A massive artist's book-cum-overview of the revered and subversive queer Canadian collective, exquisitely designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

A massive artist's book-cum-overview of the revered and subversive queer Canadian collective, exquisitely designed in collaboration with AA Bronson: the most comprehensive source on General Idea.

First monograph.

Poetics of the voice.

An examination of the relationship between coloniality, raciality, and global capital through a black feminist poethical framework, inspired by Octavia E. Butler's sci-fi novel Kindred (first volume in the On the Antipolitical series).

20 proposals for the intersection of artistic practice and research in academic milieu.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Space in the feminine.

A renewed approach to the history of sculpture and post-minimalism, based on the Royden Rabinowitch collection at MAMCO.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

The use by artists of objects coming from the collections of museums of art, science, and society.

Through short poetic texts that are both humorous and insightful, Quebec artist Annie Descôteaux speaks to her ever-evolving art practice and relationship with the physical world, while also incisively critiquing the institution.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

Art, environment and climate emergency.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

Re-territorializing the public space.

An unusual vantage on the history of cinematic production in the twentieth century.

An original theory of power based on a dense and insightful inquiry into the consequences of the "Global War on Terror" and the security state, up to the imposition of neoliberal logic and the overflowing of the media made viral.

A phenomenology of voice and hearing.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

A range of artistic and theoretical proposals on the theme of "laboratories".

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

Contemporary dictatorships and tyrannies.

Aurel Schmidt's drawings.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

First monograph.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

Artistic views on forestry and its actors (catalogue).

The development of the ideology of transparency within aesthetic modernity and the importance of being able to circumvent it.

In this collection of stories and illustrations, Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

An artist's book that reflects Sophie Jodoin's ongoing preoccupation with the interaction of language with images.

An inquiry into the inadmissibility of the artistic exception today, and the importance of atypical individuals in the symbolic economy of a society.

Art, destruction and creation.

Bringing together an important body of work produced between 1970 and the present, this publication analyzes historical and current issues of feminisms by proposing crossed perspectives on the field of art history and its oft-interrogated construction.

Serving as a score for David Hartt's film of the same name about the Habitat Puerto Rico project by Moshe Safdie, In The Forest finds Karl Fousek at his most focussed and controlled.

Inter #131 focuses on rural areas: how is the local reinvented in a context of economic and technological relocation?

This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book, commenting on media's continuous changes of form and format. Through an interplay of theory and artistic research material, the book extends Judy Radul's ongoing investigation of media with an idiosyncratic perspective on television—while still feeding off collective experience. The book thematizes television as a cultural container, both in its format as a box for content and as an ideologically saturated apparatus for reception.

This issue offers various approaches to what the animal point of view can be, through a set of contributions that reflect on this new relational state in which animals can take part in the artistic activity.

An exploration of the theme of emptiness in art (exhibition catalogue).

20 proposals for the intersection of artistic practice and research in academic milieu.

Visions of Apocalypse.

The first artist book by Athena Papadopoulos conceived as a diary and a novel. The publication is a collection of drawings and thoughts of the artist in the form of a romance, published in two different editions.

This monograph brings together nearly a decade of work, combining sculpture, installation, artist's book and writing. More specifically, the publication explores the themes of growth and training within the artist's conceptual practice, through a long interview conducted by writer and curator Dieter Roelstraete.

This recording stems from a collaborative sound experimentation developed as part of a project to create new forms for artistic research within the university. Invited artists, musicians, and researchers produced a series of sound actions focusing on questions of community, creative resistances, sonic agency and the créolité passing between Haiti and Quebec.