Cinema

The Japanese edition (with the original English text) of Keanu Reeves' poem illustrated by Alexandra Grant.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

This artist's book by the American artist, musician (Destroy All Monsters), writer and bookseller intertwines Polaroids of 1970s Detroit with photographs of painterly collages made of TV stills and print ephemera combining Christian iconography, Classical Hollywood cinema, pop and b-movie culture.

Researcher Elena Vogman examines the unpublished archival material relating to the film adaptation of Karl Marx's Capital by Sergei Eisenstein. The analysis of these materials reveals the clear and ambitious idea that animated the Soviet filmmaker for this aborted project: to build a visual theorization of value.

Artists, scholars, filmmakers, and writers revisit the films of Danièle Huillet and Jean-Marie Straub.

Navigation and montage in Harun Farocki's work.

A new kind of queer art writing.

Mario Pfeifer's most extensive monograph to date.

The first book to examine the life and work of the fascinating figure of Saul Bass, exploring the designer's revolutionary career and his lasting impact on the entertainment and advertising industries.

A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.

An investigation into the history of Tunisian filmmaker Habib Masrouki (1950-1980).

First comprehensive monograph.

An unusual vantage on the history of cinematic production in the twentieth century.

First comprehensive monograph.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

An unpublished tale by Raoul Ruiz.

An unpublished tale by Raoul Ruiz.

Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

American production designer Hannah Beachler engages in a conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and elucidates her role.

In the form of a conversation with filmmaker and artist John Akomfrah, this book sets out to explore how his work with montage can be understood to articulate contemporaneity in sensuous ways.

A conversation about performance, genre and cinema in the subversive work of Brice Dellsperger.