Cinema

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

In the spring of 1949, while they were shooting “Stromboli” on the island of the same name, Ingrid Bergman and Roberto Rossellini began a love affair which was to cause a scandal. The great photographer Federico Patellani documented the development of the film as well as life on the island.

This publication explores the pioneering role of 19th century photographer Eadweard Muybridge in the development of moving-image projection. The study also maps the exceptional influence of his experiments on contemporary world's visual form.

An archeology of Swiss experimental film.

This publication explores the legacy of Renzo Martens' landmark film Enjoy Poverty: a provocative work establishing how poverty became Congo's most lucrative export.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

Full transcript of Mekas's Lithuania and the Collapse of the USSR: a five-hour-long film made up of footage from US television newscasts covering the independence of Lithuania and the collapse of the Soviet Union.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

Researcher Elena Vogman examines the unpublished archival material relating to the film adaptation of Karl Marx's Capital by Sergei Eisenstein. The analysis of these materials reveals the clear and ambitious idea that animated the Soviet filmmaker for this aborted project: to build a visual theorization of value.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

Hans Hartung and the cinema.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

First monograph.

First monograph.

Unpublished Dennis Hopper: new light on the 1960s and the actor's unique transit through American history.

Taking Manoel de Oliveira's posthumous film A Visita ou Memórias e Confissões as a point of departure, this publication offers a broader questioning of the concept of the house in the filmmaker's oeuvre. Lavishly illustrated with archive material and images of his films, it includes several especially commissioned texts, together with an unpublished conversation between Oliveira and architect Álvaro Siza.

First monograph.

The script of Harmony Korine's new movie The Beach Bum.

Boxset containing a book and ten artist's films (Mali Arun, Ismaïl Bahri, Hicham Berrada, Antoine Danis, Maïder Fortuné, Ana Maria Gomes, Daphné Hérétakis, Joachim Olender, Clément Postec, Dania Reymond) on DVD.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

In this compilation of essays, Dork Zabunyan analyses the creation, use and circulation of images in the contexts of the “Arab Spring” and the Syrian War.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film. This artist's edition includes a hand numbered bonus LP, an art print and a dowload code for an exclusive 99' bonus track.

Jean-Paul Fargier's film about the historical encounter between the filmmaker and the writer in 1984.

A travel diary / a screenplay.

Serving as a score for David Hartt's film of the same name about the Habitat Puerto Rico project by Moshe Safdie, In The Forest finds Karl Fousek at his most focussed and controlled.

A panoptic cinema.

A courtly tale that takes the form of prose poems, dedicated to Surrealist artist Benjamin Péret. Written by Emmanuelle K., poet, storyteller, video artist, and companion of the Situationist International.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

It is a hundred and fifty years since Hector Berlioz is caught between storm and passion, violence and adolescence. This book wants to get out of these cliches, even to sink into others.

First monograph dedicated to the artistic freelance photography of industrial photographer and filmmaker Giorgio Wolfensberger (1945-2016). Beginning with the black-and-white documentary photography of his first years, the publication then documents a rich body of colorful photographs depicting with humor, the strangeness of everyday life and its objects.

Léon Moussinac was an influential French art critic and communist intellectual. This critical edition of his diary offers a unique testimony on political and cultural life in post-war France. This edition comes with a DVD of the documentary Léon Moussinac – L'héritage de Spartacus, directed by Patrick Cazals.

A collection of texts by Soviet avant-garde filmmaker and theoretician Dziga Vertov, including a critical apparatus and visual documents.

In 2006, film director Amos Gitai invited Gabriele Basilico to undertake a journey retracing the locations of the shooting of Gitai's film Free Zone, on the demilitarized zone between Israel and Jordan. This publication follows this unique photographic project.

A contemporary discussion around the use, value and purpose of analogue film.

The films of Ana Mendieta.

A series of off-the-cuff photographs demonstrating the poetic experience of air travel (artist's book).

This film documents the struggle for the preservation of the prehistoric rock art sites in the Côa valley in Portugal in the early 1990s.

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

Second in a trilogy of children's books, The Brutal Turtle tells the story of a Turtle wandering in the desert, trying to reach the animal farm. Facing cruel obstacles during his journey, he becomes angry and terrorizes the farm's people once he arrives at the farm. A tale on power's relativity, hate, violence, and on the importance to be nice.

The last in a trilogy of children's books, this publication tells the story of a hamster stuck between the pages of a book. Wishing to escape to discover the animal farm, he will find the help of his own fleas. A story about caring and learning, by artist Keren Cytter.

Naturalis Historia is the result of an ambitious multimedia research on the history of nature. Taking an encyclopedic approach, artist Pauline Julier explores several nature stories appealing to the arts and sciences to create this vast narrative. The 504-page edition includes a rich iconography, original texts as well as interviews with Philippe Descola and Bruno Latour.

An essay on Adolfo Bioy Casares' novel.

This monograph is a photographic record of the interiors of the Palais des Nations in Geneva, before its renovation. The work of François Vermot is the last visual testimony of this labyrinthine building with authoritarian architecture. Built in the 1930s, the Palace was the headquarters of the League of Nations, and then became the European center of the United Nations.

Bouchra Khalili's films, video installations, photographs and silkscreen prints suggest civic platforms, from which members of minorities perform their strategies of resistance to arbitrary power. This catalogue dedicated to the French-Moroccan artist spans ten years of creation.

Departing from his eponymous exhibition at Kunsthalle Wien, this catalogue examines new works by acclaimed video and visual artist Marcel Odenbach. The series gathered in the publication reflect on the persistence of the victim-perpetrator structure within post-war society, in Germany or Africa.

This publication gathers a series of photographs made during the artist's formative years. Between 2004 and 2008, Nadim Asfar photographed anonymous passersby from the balcony of his studio in Beirut. As faceless figures cast shadows under the hard city light, heading in undisclosed directions, their narratives are only announced, never told.