Video art

Reference monograph.

Silent speeches is a book on the non-compliant force of sound in contemporary art and a career-spanning catalog focusing on the employment of music, songs, and silence in the work of the artist duo Pauline Boudry & Renate Lorenz.

An investigation into the repertoire of performative gestures emerging from the work of German artist Ulla von Brandenburg and the practice of her troupe of performers.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

This array of source material from Peter Wächtler's 2024 show at Simian, Copenhagen, traces a free-spirited voyage towards the outer edges of professional exhibition-making and beyond.

A series of reflections on research and fieldwork that situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

This recording (2002) captures the two instruments central to Conrad's practice at the time: his self-built Long String Instrument and his amplified violin. He performed hidden behind a large sheet, and the nature of what unfolded behind it was never disclosed to the audience.

One of Phill Niblock's final compositions, commissioned by bassist Robert Black, completed in late November 2023, based on recordings of acoustic bass and bass clarinet performed by Neil Leonard and Robert Black under Niblock's direction in 2021.

A project by Francesco Bertocco dedicated to the cultural legacy of Franco Basaglia, a key figure in the transformation of modern psychiatry and a champion of a radical critique of total institutions.

Mathilde Roman explores contemporary video installation practices through the lens of theater and the performing arts.

This book offers the first comprehensive overview of Anna Franceschini's practice. Organized around recurring themes, its associative structure reflects her interest in repetition, transformation, and unstable images.

Beneath the dome of the Bourse de Commerce – Pinault Collection, within Tadao Ando's concrete cylinder, Fujiko Nakaya's Fog Sculpture appears as a landscape of mist drifting beyond the Rotunda's boundaries – thickening and dispersing in response to shifting air currents and visitors' movements.

Visual artist and filmmaker Jacques Perconte explores digital materials as one might traverse a landscape, allowing light to penetrate it. His images evoke less a reproduction than a sensation, offering us an impressionistic interpretation of the world. In residence at the Michel Ciry Museum in Varengeville-sur-Mer, he envisions a kind of uncertain garden between land and sea.

The first reader of essays devoted to the work of the renowned artist and media pioneer Lynn Hershman Leeson.

Salomé Lamas' selected works from 2017 to 2025.

The catalogue of the 18th Geneva Biennial, dedicated to artists' film and video, curated by Nora N. Khan and Andrea Bellini.

This illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.

An unique reinterpretation of Pierre Henry's little-known sound heritage combined with eRikm's original composition.

An unique reinterpretation of Pierre Henry's little-known sound heritage combined with eRikm's original composition.

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

Zenit brings together photographs, films, and light-responsive installations by Berlin-based artist Shirin Sabahi. Shown in non-chronological order, and some for the first time, the photographs ground her artistic roots in photography—at times as a study, and at others as the work itself.

Le Un ensemble orchestra, accompanied by a group of guest researchers, continues its sonic, musical, and poetic experiments as it travels downriver along the Gironde estuary.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

A look at a href="index_theme.php?id=224&menu=4">South Korea's contemporary art scene through the medium of video art.

A book dedicated to the last drawings created between 2021 and 2022 by Gianfranco Baruchello, who passed away in January 2023.

A transcript of a lecture by Harun Farocki exploring the relationship between architecture and cinema.

P. Staff's first collection of poetry.

A collaborative album born from a live performance rooted in a meticulous mutual observation of each musician’s playing style and setup: eRikm’s turntables, electronic devices, and vast sound library; and Pierre Bastien’s mechanical orchestra and range of acoustic instruments.

The choreographic in cinema.

First monograph.

A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.

The social, political, and anthropological implications of image production by machines, which permeate all spheres of existence and reconfigure the visible.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

An overview of the French artist's film remakes over a decade.

Published on the occasion of the Chilean artist's first institutional survey exhibition in Europe, this monograph is dedicated to Sandra Vásquez de la Horra's experimental practice and focuses on her spatial, energetic, and global thinking.

A deep dive into the experimental film work of Gregory J. Markopoulos, a key figure in New American Cinema.

An artist's book composed of fragments of texts from different eras and contexts—literary, science fiction, philosophical, scientific—all centered on the theme of the subterranean.

An interdisciplinary and critical examination of the role of hope in contemporary art and activism.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

An album entirely dedicated to the sound composition created by Éric La Casa for Luke Fowler's film A Grammar for Listening, based on recordings (images and sounds) made in Paris and Glasgow. A new stereo version from 2023 interacts with the original mono soundtrack from 2009.

A visual and text based investigation led by Moroccan artist Bouchra Khalili during many years following the traces left by the Mouvement des travailleurs arabes, a group fighting for the rights of the Arab workers in France at the turn of the 1970s.

An artist book providing an immersive entry point into Valentin Noujaïm's cinematic world.

A facsimile of the artist's book created by Ugo Rondinone in 1998 in response to the AIDS crisis.

Artist's book.

Published on the occasion of Nina Könnemann's eponymous exhibition at Haus am Waldsee, Berlin, this double volume brings together two central strands of the artist's work.

A record-cum-publication that unfolds through sound and text by transposing and transforming the soundtrack, dialogues, and images of Salomé Lamas' film Ouro e Cinza / Gold and Ashes (2025); featuring text by Frédéric Neyrat, Isabel Pettermann, Isabel Ramos, Lucas Ferraço Nassif, Salomé Lamas. The experience is intended to be intimate and meditative as it resonates between the spoken and unspoken, between sound and silence.

Invited by Marie de Brugerolle, ten artists, from both sides of the Atlantic (Ericka Beckman, Julien Bismuth, Sharon Lockhart, Tony Oursler, Anna Wittenberg...), look at the work of John Baldessari, one of the leading figures of West Coast conceptual art.

Exclusive works designed by Laure Prouvost for her carte blanche at the Mucem in Marseille, a series of immersive and poetic installations in the heart of Fort Saint-Jean, photographed by Raphaël Massart for this cut-out book, between an artist's book and an exhibition catalogue, accompanied by drawings and critical texts.

Compassion and Inconvenience combines artist Vika Kirchenbauer's 30-minute video work Compassion and Inconvenience (2024)—whit its script reproduced alongside stills and audio descriptions—and her essay Instituting Inconvenience and Colonial Relations: The Genesis of European Contemporary Art Institutions in Mid-18th Century London (2025).

An in-depth look at nearly two decades of artistic output by the Palestinian artist and filmmaker Basma al-Sharif.