Switzerland

The 11th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), inaugurating its new formula, with NORM, Feng Li, Marco De Mutiis, Zachary Lieberman, Maïwenn, Lionel Baier, Abel Ferrara...

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

Selina Trepp's "dirty drawings".

Music, sound, memory and perception in Latifa Echakhch's practice and work.

The fourth issue of the critical journal Dixit, in which the words of the architects Jan Kinsbergen and David Klemmer confront each other, in the format of a dichotomous visual atlas, around the theme of the process.

Autobiography by Thomas Hirschhorn is a visual autobiography that through some selected images, narrates the story of the life and career of the artist.

A collection of poems by Nouria Behloul written between 2011 and 2021.

First monograph of the Swiss artist Till Rabus, who creates phantasmagorical subjects from everyday objects and waste of our society before translating them on hyperrealistic canvases, in stagings taking up aesthetic codes of the history of painting and Baroque.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

Luxurious retrospective monograph of the Swiss painter (1939-1998): 250 works on paper (ink, pencil, pen and watercolor drawings) covering more than three decades of exploration of the graphic potential of the line.

Lush monograph dedicated to the series "Orlando" inspired by Virginia Woolf's novel: more than 200 portraits in which the Swiss painter explores gender roles and identity as well a her own identity as an artist, and the temporality of art history.

A portrait of the Swiss architect-designer couple that reveals their intimate universe and their relationship to art.

This first overview of Altmann's work to date, characterized by a strongly socio-critical consciousness, reveals the artist's influences and inspirations.

New series of paintings by the Swiss artist, that examine the role of humankind in nature and within its social fabric on a philosophical-anthropological level.

First monograph.

A celebration of the 40 years of career of electropop pioneers.

A series of blue ballpoint pen drawings capturing capitalist executives and far-right leaders as grotesque monsters in suits.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

A staircase drips, not with water but with sound: book / CD dedicated to Fritz Hauser's impressive "sound drawing" for the Vincent van Gogh Foundation in Arles.

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

New monograph.

A speculative arc, spanned with hints from different epochs of occidental music, with poetic and personally coloured texts that deal with the world (of art).

Olga Kokcharova's LP Furnica is a conceptual and striking sound work that emerged from a recording session in a forest, where the Geneva-based artist captured the sounds of an anthill. As the session unfolded, ants infiltrated the recording device and gradually destroyed its components, leading to intensifying sonic disturbances that overtook the original soundscape.

Yves Scherer's Tatami mats series.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

An overview of the wide-ranging oeuvre of paintings and sculptures by the Chilean-born Swiss-based artist.

The first installment of FUTURE, an ongoing series of publications by Taiyo Onorato & Nico Krebs, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead.

15 years of conversations between Caribbean philosopher Édouard Glissant and his friend Hans Ulrich Obrist.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema. The book is accompanied by Emmanuelle Antille's film A Bright Light – Karen and the Process on DVD (special offer).

The meeting between the artist and the philosopher, working together to create a common space.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

Artist's book.

An ongoing series of figurative oil-on-canvas paintings by Swiss-born London-based artist Mathis Gasser, decontextualizing in the same gesture characters of the popular culture and figures of the history of the art.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

A series of over 1200 close-ups of advertising posters in Zürich photographed by Anna Stüdeli.

Bastien Aubry's sculptures.

This edition, printed in serigraphy, delivers the reworked transcription of a recorded interview between musicians Jacques Demierre and Louis Schild, in which the notion of surveying and measurement is examined, among other things and in a conversational manner (with a musical transcription and a contribution from the playwright Michèle Pralong).

Swiss photographer Christian Lutz documents right-wing populist people, movements and hot spots all over Europe.

Second issue of the critical journal Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.