Largely due to the “linguistic turn” that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities.

Gavin Butt and Irit Rogoff raise the question of “seriousness” in art and culture.

Through the medium of distinct films, Astrid Schmetterling and Lynn Turner investigate contemporary questions regarding the ethics of recollection and memorialization within visual culture.

Nine texts by Gilles Barbier, accompanied by an unique work, resin and feathers on cardboard.

Grimmuseum looks back on two years of intense production and manifold explorations within alternative curator/artist frameworks.

First monograph.

A catalogue that proposes an open narrative through the objects on display and questions the position contemporary design plays in the dialogue between people and every day objects.

An introduction to the painting based artwork of Danish artist Mette Winckelmann.

A double exhibition, a mirroring situation or a splitting divergent show between Helsinki and Brussels.

Reference monograph / first comprehensive critical tool dedicated to the work of Swiss abstract painter.

The collection of "critical dreams" made and transcribed by the art critic and curator Jean-Max Colard between 2005 and 2013, nocturnal side of his regular writing on art activity.

Swiss clubbing.

The Looping Papaye Bar was an eccentric hangout initiated and steered by Mauro Paolozzi, Rafael Koch and Dimitri Broquard. This publication brings together the A4 sized invitations drawn with pencil by Dimitri Broquard for the events that took place at the ephemeral bar in 2012. Broquard took inspiration from ancient reproduction techniques such as etching, or from classical themes seen in art history and the decorative arts.

The Animas Report series, including a supplement booklet.

Crossed interviews with artists and their collectors.

The most monumental auto-creative work ever made by Gustav Metzger (catalogue of the exhibition at MAC Lyon, with numerous archive documents, newly commissioned texts and a conversation with the artist).

A New Patrons project, 2010.

Recent video works by the Swiss artists duo: a deconstruction of the cinematic codes within our visual culture.

Artist's book.

Four short essays in which philosopher Alain Brossat analyzes the use of the term “democracy” in contemporary discourse.

This publication documents the architecture of the Kembs-Niffer lock in Alsace, conceived by Georges Heintz and Anne-Sophie Kehr. It also features the text of a performance from 2011 by Charles Pennequin.

Retrospective monograph: the first complete publication dedicated to Pierrette Bloch' practice from the 1950s to the 1980s.

Reference monograph.

First monograph.

Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity.

Chilean journalist and independent curator Valentina Montero outlines some of the milestone events and moments that led to Chile's advanced neoliberalism, and its effects upon education and culture, detecting signs of hope in the lively student movement that emerged in 2011.

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

All musics done for Jean Dubuffet's Coucou Bazar show.

The Silo auditorium in Marseilles is an architecture of industrial splendor designed by Roland Carta. The building inspired Édith Azam a poetic text on the notion of spectacle.

The sport center designed by Rémy Marciano in Châteauneuf-les-Martigues, South-East France, inspired Stéphane Nowak Papantoniou to write a poetic text on the athletic body.

First monograph.

New monograph.

New monograph.

Artist's book: Tadashi Kawamata compiles, like a scrapbook, photographs taken from newspaper reporting natural disasters, terrorist attacks or accidents.

First monograph.

The experiments conducted around the mutations of the city by the urban research workshop at the ENSA (School of Fine Arts) Dijon between 2010 and 2012.

Retrospective monograph of one of the most uncompromising and experimental painters working today (also available in English and Dutch / English editions).

Retrospective monograph of one of the most uncompromising and experimental painters working today.

The first collection of Doug Ashford's writings and conversations.

The first artist's book by Will Benedict.

First publication devoted to the young Danish artist's work.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

This publication presents a retrospective study on the first contemporary art gallery of Morocco, l'Atelier (The Workshop). It highlights the work of the gallery and help to understand the artistic and cultural dynamics of an era: that of the advent of contemporary Moroccan art on the international scene.

First monograph by French painter Gaël Davrinche: an exhaustive journey through the artist's young career, punctuated with a photographic reportage in his studio. An interview by P. Nicolas Ledoux and a foreword by Richard Leydier complete this edition.