Second in the Book of Air series, this recording is performed by vvolk, a group of 18 improvisers who explore the relation between time and motion: How is the perception of sound influenced by time? How do we relate to time in music as improvising performing musicians?

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

Reprint of the multiple produced by Philippe Cazal in 1972.

Artist's books and book history (new edition).

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

Investigating the relationship between movement and sound, the duo has been developping installations to translate sound frequencies into vibrations. This double vinyl LP includes four recordings produced as part of this research project.

Arrivederci recalls the artist's personal journey in Sardinia to explore textile craftsmanship. Favini narrates the stories of each piece of fabric he gathered and used for his new body of work—from its origin to the exhibition display. The publication is enriched with photographic documentation and texts by curators and stylist Antonio Marras.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

Transcript of incantations poems recorded on vinyl and produced in the framework of a multimedia work on sound and geology. The poem is translated into Inupiaq, the official Inuit language of the State of Alaska, where this project was developed.

Taking the form of a dialogue between the philosopher Judith Butler and the anthropologist Athena Athanasiou, this thought-provoking book seeks to elaborate our understanding of dispossession outside of the conventional logic of possession, a hallmark of capitalism, liberalism, and humanism.

An “anti-history” of the indecision in which Joseph Vogl probes the literary figures of Oreste, Wallenstein, Joseph K., Bartleby, or the man without qualities.

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

Religious crimes, Rosetta spacecraft, Hillary Clinton, workers' struggle in France, Calais jungle: a critical commentary of the news by poet Julien Blaine.

The limits of the participatory game in nowadays democracies.

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

This publication documents a project initiated by Jay Heikes whose purpose is to reflect on collaboration as artistic practice.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Published on the occasion of the twenty-year anniversary of the non-governmental organization ART for The World, this publication presents the prestigious organization's activities during the period 1995 to 2016.

The publication encloses a rich documentation on the design, construction and installation of an eponymous permanent work created by Liliana Moro for the seventh edition of “All'Aperto” (Outdoors) in Trivero, in the Piemonte countryside.

Road Back To Relevance gives insight into the last decade of Dan Rees's practice. It brings together groups of works—paintings, videos, installations, and photography—that have never before been viewed simultaneously, and reveals the complex nature of the artist's research.

Cave is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: the first volume makes a case in favor of concretism in contemporary artistic practices.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

A set of charades invented by Alain Séchas and illustrated with original drawings, with an original artwork signed by the artist.

These volumes document Kunsthalle Lissabon's fourth and fifth year of activity, which happened between 2013 and 2014.

A record of experimental electronic music that explores possible relationships between voice and modular synthesis.

This first monograph dedicated to Maxime Bondu's work includes an essay by Daniel Kurjakovic and focuses on nine of the artist's essential installations. Numerous sketches, drawings, mock-ups, archival material and exhibition views contribute to throw light on an experimental, speculative oeuvre that explores alternative readings of the world, history and society.

A list of titles for exhibitions available free of charge from the artist (artist's book).

Starting from the art collection of the museum M in Leuven, Vilanova reflects on the artof exhibiting and explores display modes from showcases to postcards.

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

A photographic attempt to capture the elusive nature of the Californian landscape.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

A swan song for Vienna's drinking dens.

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

Caroline Sury's latest work: a series of phantasmagoric shadows cut out of black paper in a very refined mirror game.

Retrospective monograph on all Beckman's video works since the 1970s.

This reader is the result of a series of public events, performances, and workshops which examined performative patterns and subvertive power in comedic and cartoonist practices.

Theatrical rendition of an experimental international symposium centered around the topic of “presence” in arts, humanities and social sciences at Cabaret Voltaire.