A series of images made along the rivers by the Switzerland-based French photographer, meeting the fishermen of the canton of Fribourg: an investigation giving birth to a visual tale based on the realities of river fishing.

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner).

Live performance of the artists Jacopo Benassi (voice, guitar, dildo and japanese axe), Michele Lombardelli and Luca Scarabelli (guitar and analog devices) at the RetroStudio, Fiorenzuola d'Arda, 11 July 2022. Including a 16-page booklet of photos by Jacopo Benassi.

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

Claudia Comte's "autobiography" (artist's book).

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

The emancipatory pamphlet by a young feminist against the misogyny of the father of anarchism.

This publication features a selection of photographs by Lisetta Carmi, documenting the social transformations of Genoa during the 1960s. Carmi witnessed the economic boom of the city, but also its everyday life, including her famous photo series of transvestites which caused a scandal at the time (new edition).

The Arabic edition of Ahmed Bouanani's book on the history of Moroccan cinema from 1907 to 1986, published for the first time 33 years after it was written: a hybrid text with prodigious inspiration.

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

The reprint of a document containing the script of Skip Norman's film On Africa (1970).

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

Morton Feldman's last composition, performed by dissonArt Ensemble.

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

A new series of very large-format drawings, the ideal entry point into the world of Mad Meg.

Madhusree Dutta writes on hierarchy and exclusion in cinematic practices.

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

A plunge into the colorful world of designer Laureline Galliot.

A collection of letters (from 1957 to 1995) that the famous brothers Jonas Mekas and Adolfas Mekas sent from America to Semeniškiai village, their homeland, all addressed to the most important addressee of their lives—their mother, Elzbieta Mekienė.

Made in Crete, the native land of the photographer Nyima Marin, "L'Adieu du Minotaure" is part of a research combining poetry, alternative printing process, Mediterranean mythology and family history.

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.

Publication based on a project initiated by Dora Budor at Progetto (Lecce, Italy) in 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy.

Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

First monograph.

An exploration of the shifting acoustic ecology of the Western Isles.

An essay by Guillaume Belhomme on the singularly modern work of the painter Eugène Carrière (1849-1906), accompanied by a piece by Japanese saxophonist Harutaka Mochizuki, inspired by the master's paintings.

A project by architects Hamed Bukhamseen and Ali Karimi questioning geopolitical strategies related to the development of Kuwait's global oil distribution.

An exploration of the history of Indian cinema from its origins in the late 19th century to the present day: Bollywood Superstars presents the artistic and civilizational richness of the Indian subcontinent (beyond the international success of Bollywood), through its long tradition of image making, and the diversity of the Indian film industry, now the largest in the world.

Publication dedicated to Lebanese artist Nayla Romanos Iliya's "Small Characters" sculptures, inspired by and named after each of the 22 letters of the Phoenician Alphabet.

An exploration of the history of Indian cinema from its origins in the late 19th century to the present day (also available in English).

A transdisciplinary investigation and a choreographic performance, between Umeå and Oslo, about ecological grief, cultural panic, and a feeling of collapse.

This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness.

Monilola Olayemi Ilupeju's debut collection of writing.

An Ongoing-Offcoming Tale comprises abstractions, subversions and poetic ruminations, housed within essays that engage with the lives and practices of over 30 artists.

An installation by the artistic duo Tehnica Schweiz (Gergely László and Péter Rákosi) comprising a film and a porcelain sculpture collection: a re-examination of our relation to architectural and material cultural heritage.

Publication based on a cycle of exhibitions and events conceived by curator and art critic Elsa Vettier, inspired by the narrative arc of Bruce Sterling's 1980 science fiction novel of the same name, around questions of visibility, artificiality, control, surveillance, seduction and disappearance.

An analysis of the failed experiment of an exhibition of the Situationists that ought to have taken place at the Stedelijk Museum in Amsterdam in 1959, and of the Situationist International's ambivalent relationship with the format of the exhibition, the museum and the institution.

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

A large research into the first, long forgotten film by Moroccan filmmaker Mostafa Derkaoui About Some Meaningless Events (1974): a cinematographic history that sketches out a constellation of micro-histories on the cultural, artistic and political Morocco of the 1970s.

The French choreographer looks back on his career in a very personal text, both playful and poetic.

A set of sculpture-paintings, paintings and drawings of the artist made over the period 2020-2022, accompanied by a text by fashion historian and artistic director Olivier Saillard.

Three extraordinary texts—pitched between writing and image—that project Artaud's ferocious engagement with the act of drawing.

The series of photographs taken by Jean-Luc Moulène of his partner of ten years, Laurence Lorenzi (1956-2004).