JRP|Editions

First publication of Le Va's scrapbooks.

First monograph on the Swiss artist, winner of the Prix Manor 2005.

An anthology exploring the notion of reality.

Publication on the Walter A. Bechtler Stiftung foundation, which has the particularity of being shown in a public space.

Baudevin's interviews about contemporary music (also in English edition).

A retrospective of Armleder's work in 600 drawings.

Artists' book, covered in the fabric used on London Underground seats, with an electronic chip ringing like a mobile phone when it is opened.

The book concentrates on spatial concepts in contemporary painting.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

With Shahrzads newest publication, the focus is on the mise-en-scene of contemporary historiography in today's Euroamerica.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

Extensive monograph with serigraphs.

First monograph of the futuristic artist / film-maker / documentarist.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

Mapping collaboration in Swiss art.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

Art and glamour as spaces for transformation of the self.

An exploration of the body in contemporary culture (artist's book / collection of texts).

A complete documentation on the artist's project at the Whitechapel Art Gallery, London.

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

The art scene for collectors, and art and economics.

An investigation into the relationship between art and entertainment.

The contemporary urban city and the links to the utopian city.

A surprising book-object created by the artist.

A transcript of lectures on culture and globalization by artists and cultural analysts.

Monograph / interview.

Over more than a decade Ivana Keser has questioned the world of communication, and in particular the press. This book is the first monograph, documenting all the newspapers she published between 1993 and 2003 for each of her exhibitions, and which were distributed to the public free of charge.

Fully illustrated catalogue realized for the 10th edition of the Geneva Biennial, dedicated to artists' film and video.

The first monograph dedicated to the collaboration between two artists.

Monograph.

A source book on uses of multiplication techniques in contemporary art. With contributions of Bob Nickas, John Armleder, Seth Price et Ivana Keser. Guest artists : Fabrice Gygi, Allen Ruppersberg, M/M (Paris), Philippe Parreno, John Armleder, Pierre Huyghe, Isa Genzken, Liam Gillick, Robert Morris, Xavier Veilhan...

This book aims to establish a new creative paradigm for a generation of young artists (Angelblood, Bruno Peinado, Frédéric Post, Saskia Olde Wolbers).

Exhibition catalogue (texts by Christophe Cherix, Sarah Lombardi, Olivier Mosset, Caroline Nicod, Bernard Wyder, interviews by John Armleder, Rene Berger, Pierre Keller).

All black and white photographs reproduced in the book as well as the cover image were taken by Gygi during the winter 1990-1991. Immediately thereafter, the quasi totality of the negatives were stacked in a press and pierced with a drill. 4 - color leaflets present recent works of the artist.

An anthology of texts around issues such as spatial politics of representation and identity, the public and the private, the space of art and culture, the memory of places and the inscription of remembrance, and the relations between utopias, heterotopias and the real.

First monograph on the artist.

The film and video biennale catalogue.

A retrospective.

An unprecedented insight into Louise Bourgeois' art by Jenny Holzer.

The drawing practice of Kara Walker.

One year in the art world: Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays about contemporary art, and personal highlights from artists, curators, collectors, and museum directors.

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Since 2003, Thomas Hirschhorn has produced large drawings of about three by four by himself, or with the philosopher Marcus Steinweg, which he calls "Maps", in which he interacts with colored images, fragments of texts and his own comments. This volume focuses on this particular aspect of his practice.