Editorial: Sorting it Out
George MacBeth
Is That All There Is?
Unworldliness: A Pathology of Humankind
(On Günther Anders's Negative Anthropology)
Hunter Bolin
Under the Museum's Gaze
Boris Groys
Review:
Jenny Holzer's "WORDS"
R.H. Lossin
Planetarization and Heimatlosigkeit,
Part 1
Yuk Hui
Review: Survival Kit 15, "Measures"
Xenia Benivolski
A Cine-Political Ecology of the Sea
Elena Vogman
Profile: Pallavi Paul
Pramodha Weerasekera
What a Body Can Do
On Paralysis, Part 3
Evan Calder Williams
A Call for Humane Museums
Aubrey K
nox
Review: "Crip Arte Spazio: The Disability Arts Movement in Venice"
Kenny Fries
A Hundred Oceans Will Flood You
Thotti
Review: Steirischer Herbst '24, "Horror
Patriae"
Jörg Heiser
History as the "Tact of Natality"
Boris Groys
The Physicists' Laugh
Stemming the Tide of STEM
Luis Camnitzer
The Politics of Abstraction
Barbara Hammer
Agrarian Economies and Indigenous
Textiles: The Feminization of Land Struggles
María Iñigo Clavo
Behind Closed Doors
Ina Valkanova
My Universe and Unified Field Theory
Artavazd Peleshyan
Dens, clubs, hives, and cells
Review: Busan Biennale 2024, "Seeing in
the Dark"
Harry Burke
Hospital Little Lexington (1962–64) and
the Rise of Dutch Counterculture
Ana María Gómez López
Deschooling Architecture
Sol Pérez Martinez
Technocracy and Hindutva: The
Architecture of Governance in the New
India
Mila Samdub
Fragments Toward an Understanding of a
Week that Changed
Everything…
Precarious Workers Brigade
A Dream of Community in a "Paper
Language": Colby Chamberlain's Fluxus
Administration
Lauren van Haaften-Schick
The Tourist
Review: David Medalla's "In Conversation
with the Cosmos"
Debra Lennard
Transhelvetica
Andrea González Garrán
Review: Whitney Biennial Performance
Program
Sanna Almajedi
Review: Manifesta 15
Juan José Santos
Maritime Smuggling Along a Border Zone
Rouzbeh Akhbari
Can a Biennial Respect Difference in a
Country that Represses Dissidence? On
the Havana Biennial
Solveig Font, Coco Fusco, Celia Irina
González, Hamlet Lavastida, Julio
Llópiz Casal, and Yanelys Nuñez
Leyva
Flickers
Blackout: A Manifesto
Dehlia Hannah
Throwing a Shadow: The Work of Art in
Times of the Production of War
Kateryna Iakovlenko
A Statement of Principles
Maya Deren
Transindividuation
Irit Rogoff and
Bernard Stiegler
The Cinema
Virginia Woolf
Then There Will Be Light
Furqat Palvan-Zade
Promethean Shame
Empire's Island, or, Who Is the Island?
Jonas Staal
Infrastructural Horror
Anna Engelhardt and Mark Cinkevich
Review: "brecht: fragments"
Isobel Harbison
23 Skidoo: On Finding "Ways Out" at the
Crossroads of Artistic Research and Care
Henk Slager
The Sun Seekers
Jacob Dreyer
The Fordian Slip
Stephanie Sherman
Proxies
Society of the Psyop, Part 1: UFOs and the
Future of Media
Trevor Paglen
Review: New York City Roundup
Orit Gat
Small and Close or Big and Far Away
Gary Zhexi Zhang
Writing on the Wall: The Secret Poster
Club and "What Is a School?"
Vijay Masharani
Inextinguishable Fires
The Genocide in Gaza and its
Consequences for the Israeli-Palestinian
Conflict
Étienne Balibar
BlackStar Film Festival 2024 Dispatch
Sophie Lewis
Review:
Harun Farocki's "Inextinguishable
Fire"
Leo Goldsmith
A Burning House on Road 32
Naeem Mohaiemen
Consuming Baghdad
Azadeh Mashayekhi and Rend Beiruti
Translucent Cascade: Peter Zumthor's
Saint Benedict Chapel
Nathan Brown
Obituary: Breaking the Rules: A
Conversation on Kasper König (1943–
2024)
Daniel Birnbaum and
Hans Ulrich Obrist
Open Letter Opposing the Dismissal of the Director of the Slovak National Gallery
Editorial: New Silk Roads
e-flux Architecture,
Jamie Allen,
Merve Bedir, and Peter Mellgard
Editorial: After Comfort—A User's Guide
e-flux Architecture, Daniel A. Barber,
Jeannette Kuo, Ola Uduku, and
Thomas Auer
