The sixth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A dialogue between the visual artist Margherita Morgantin and two musicians and sound makers.

Acclaimed author Alice Rawsthorn has revised her bestselling field guide to design in the wake of the pandemic, technological change, and the escalating climate emergency.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

A critical anthology on the spatial mediation of art consumption through digital technology.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

First monograph.

Combining art and activism, semiotics and capitalism, art and finance, control and subversion, Monitoring Control by Paolo Cirio represents a critique of the social manipulation imposed by new technologies, while examining the counter-control that individuals can implement to dismantle these forces, sabotage them, and protect themselves.

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

Complete facsimile of The Cricket, an important but underknown music magazine edited by poets and writers Amiri Baraka, A. B. Spellman, and Larry Neal in 1968–69—a rare document of the Black Arts Movement.

A project of Angélique Buisson after a poem of Jean-Baptiste Gresset, published in 1734, composed and interpreted by PEREZ.

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

A body of fragmented images and views that draw their iconography from public spaces or from motifs specific to modernity.

Collecting previously unissued works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, "Drumming Up Trouble" focuses on a hitherto almost unknown aspect of Alvin Curran:'s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion.

The first release to document the variety and playfulness of the concerts that Arnold Dreyblatt and Paul Panhuysen's Duo Geloso performed throughout Europe in 1987-88.

Part of the Arbitrary's Framework editions, Delirious Cartographies by composer, improviser and synthesist Richard Scott includes three pieces and six printed drawings—as well as a text by Scott—published as a limited edition portfolio folder.

roygbiv&b is Marina Rosenfeld's first book publication, documenting her eponymous performance for the exhibition Instructions Lab at the MoMA (NY) in 2011, and includes gate-fold renderings of the score pages, a "User's Manual" by the artist, photos from the several performances of the work, and a foreword by musicologist Benjamin Piekut.

Culled from field recordings, sampled orchestral noises, and voice recorders, the new production by New York artist and composer Nickolas Mohanna explores the spatial impressions of sound within a delicate acousmatic language; producing expressionistic collages that translate into wide-screen cinematic terrain.

Unpublished and outstanding archival recordings by electroacoustic music pioneer Luc Ferrari: a piece in three acts composed in 1989 for contemporary dance, choreographed by Anne-Marie Reynaud.

An expanded edition of Ballen’s debut photobook—a charming homage to the spirit of boyhood around the world.

Far from modernity: the first overview of the French photographer famed for his portraits of marginal cultures, in acclaimed photobooks such as Surfers and Yes Rasta.

Father and son collaborate on a photographic panorama of humanity.

Unseen images of the Great Depression from the famed chronicler of the African diaspora.

Everyday life on the Haight: previously unseen portraits from the hippie epicenter by the acclaimed documentarian.

A new series of intimate scenes composed in the tradition of great seventeenth century Dutch painting by the American photographer.

An anthology of silence pieces from the records history.

The score for Romeo Castellucci and Scott Gibbons' stage work.

An invitation to reflect on exile and self-building (novel).

Reissue of the cult punk book by the transgender artist (filmmaker, musician, poet, writer...) Ossang, written in 1980 and first published in 1993, now impossible to find.

Innovative hybridizations between research, creation (theater and performance) and pedagogy.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

The catalogue of the 15th Triennial of Small Sculpture Fellbach exhibition, curated by Elke aus dem Moore.

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

Elizabeth Povinelli's anthropology of the otherwise locates itself within forms of life that run counter to dominant modes of being under late settler liberalism. In these essays, she considers the emergence of new worlds and the extinguishment of old ones, seeking to develop a social imaginary that can sustain radical potentiality without turning a blind eye to our deep interdependence.