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From Concrete to Liquid to Spoken Worlds to the Word

 - From Concrete to Liquid to Spoken Worlds to the Word
From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.
Six years after the exhibition From Concrete to Liquid to Spoken Worlds to the Word, and after a disastrous pandemic, the Centre d'Art Contemporain Genève presents the catalogue for this complex, ambitious project. Even at such a remove, we thought it was important to retrace the fundamental stages of this event through critical essays, images of the works and installations, and the calendar of performances and poetry readings. The reason is simple: despite the undeniable weight of images in today's world, a keen interest in writing—rather surprisingly—has recently become a hallmark of many young artists' work. They use writing as a tool to understand the world and as the cornerstone of a critical method, analyzing the present and creating a performative, politically engaged language.
From Concrete to Liquid to Spoken Worlds to the Word explored the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era. This diverse exhibition was accompanied by a series of readings, performances, and screenings revealing the porosity between art and poetry. Poetry readings and recitals in museums, performances centered on the importance of the text and its recitation, videos where poetic language takes on a role that rivals the visual component: the art of our time appears to be deeply and intimately rooted in words.
The program of the Centre d'Art Contemporain Genève, while tracing this link between word and image to the concrete poetry of the 1960s and '70s, tried on the one hand to examine this renewed artistic interest in the word, and on the other to show how the web and social media are introducing new ways of making poetry. The underlying aim was to explore how art and poetry shape each other in an increasingly interconnected world through ongoing, rhapsodic communication.
Published following the eponymous exhibition at Centre d'Art Contemporain Genève in 2017.

With Henri Chopin, Karl Holmqvist, D.A. Levy, Dom Sylvester Houédard, Manuel Arturo Abreu, Tomomi Adachi, Marc Adrian, Pierre Alferi, Mary Boo Anderson, Fia Backström, Walter Davis, Danielle Dean, Alli Simone DeFeo, Sebastian Dicenaire, Pancho Espinosa, Giovanni Fontana, Gilles Furtwängler, Jérôme Game, James Ganas, Michel Giroud, Mira Gonzalez, @Horse_Ebooks, Michael Inscoe, Remi Kanazi, Sophia Le Fraga, Anne Le Troter, Elizabeth Lebon, Patricia Lockwood, Chris Mann, Andrea Marioni, Memeoji, Becket Mingwen, Joachim Montessuis, Christian Novelli, Jesse Prado, @RealAvocadoFact, Cia Rinne, Sébastien Roux, Marie-Luce Ruffieux, Julie Sas, Lucy K. Shaw, Orion Scohy, Ryann Slauson, August Smith, Cally Spooner, Jamey Strathman, Rain Terranova (Gangster Popeye), Nora Turato, Alok Vaid-Menon, Laura Vazquez.
Edited by Andrea Bellini.
Texts by Andrea Bellini, Mathieu Copeland, Carla Demierre, Brian Droitcour, Karl Holmqvist, Kenneth Goldsmith, Quinn Latimer.

Graphic design: Robert Huber.
 
published in January 2023
English edition
16,9 x 22,4 cm (softcover, dust jacket)
178 pages (ill.)
 
28.00
 
ISBN : 979-12-80579-23-2
EAN : 9791280579232
 
in stock


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