The temporality of curatorial processes and research practices.

Dokoupil's Leopard Paintings.

The richly illustrated memoirs of 1960-1970s jet-set call-girl/muse Susi Wyss: In 800 pages and 1.000 photographs, this publication tells the sulfurous story of Wyss' first forty years. A true tale of sex, drugs, and rock'n'roll, in which the reader will meet a gallery of colorful socialites and artists like Helmut Newton, Kenneth Anger, Iggy Pop, Dennis Hopper, Brion Gysin…

A panorama of the different cultures that have succeeded each other on the territory of the Kingdom of Saudi Arabia from prehistory to the edge of the modern world.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

Following Skins (1994) and Skins & Punks (2008), hailed as modern classics, Gavin Watson's new monograph is an intimate selection of photographs disrupts the notion of skinheads and council estate residents as problematic figures in an almost endearing manner while still preserving the subversive character of the cult of youth.

In conjunction with the exhibition "La table des négociations" [The negotiation table] proposed by the ESAD Saint-Étienne Design Research Cycle as part of the 11th International Design Biennial, Azimuts #50 devotes its thematic dossier to the negotiation of futures.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

135 poems, calligrams and other visual experiments, spread over 54 years of poetic activity, by one of the major actors of the poetic avant-garde in France.

A selection of essays that Jean-François Bory devoted to his favorite and somewhat marginal authors, ranging from Nadar to Raoul Hausmann via d'Annunzio.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

Spike Art Magazine #58 (“The Magic Issue”) inaugurates a new formula all in English.

Interviews with Cornelia Sollfrank, Lílian Campesato, Hyphen-Labs, Faith Holland, Mary Flanagan, Spideralex, Linda O'Keeff; Sonic Territories, monumental loudspeakers to the people; books, DVDs and CDs reviews...

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

On Elephantine, his new Northern Spy/Sub Rosa album, Cairo-based Maurice Louca guides a 12-piece ensemble through a panoramic 38-minute odyssey, which he describes as his most ambitious project yet. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

The first book by Elena Reygadas, Latin America's Best Female Chef, is more than a cookbook.

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

The first issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, Spectres – Composing Listening presents a series of texts by composers (Félicia Atkinson, François Bayle, Brunhild Ferrari, Stephen O'Malley, Jim O'Rourke, Eliane Radigue, Chris Watson...) who discuss personal dimension in the practice of experimental sound art and music.

First major monograph devoted to the “Icarus of Lautertal”, a key figure of outsider art, flying machines inventor Gustav Mesmer. This publication looks back at his path through essays by Lucienne Peiry, Juliane Stiegele and Franz Xaver Ott, as well as photographs by Franco Zehnder and Stefan Hartmaier.

A set of pieces written by sound artist William Engelen for a 18th century organ, exploring and pushing the sonic boundaries and possibilities of the instrument.

Recordings made between 2005 and 2014 by the experimental German band.

Notes on the radio.

17th issue proposes a journey through the many “mental geographies” deployed by 43 contributors, artists, historians, scientifics, and writers.

The noise duo Peür meets Didier Bourgoin (text and voice).

This collective publication, bringing together texts and images by artists and theoreticians, proposes to turn away from the inexorable question, so often reiterated, “What is painting?”, to question the ways in which the painting is made and thought today, with or without the pictorial medium, in or out of the canvas, with or sometimes without the painters themselves.

French art historian Anne Lafont delivers an unpublished study on the close and paradoxical relations of art and race in the Enlightenment. A new voice in current works on issues of race, art, images and colonization.

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

Reference monograph.

An investigation into the artistic and political issues of participatory art since the 1990s.

Guest edited by Shawn Jaeger, the Lee Hyla issue features remembrances and appreciations of the deeply missed composer by Stephen Drury, Rhonda Rider, David Rakowski, Bryan Hayslett, Chris Fisher-Lochheed, Eliza Brown, Scott Wheeler, and Ben Hjertmann (as well as articles by or with Jerome Harris, Charissa Noble, Rick Moody, Sam Amidon, Colin Stetson, Claire Chase, Kate Soper, and Eric Wubbels).

A kafkaesque artist's graphic novel.

This artist's book assembles 41 titles of literary works, transcribed in homophonic translation. An exercise in concrete poetry, stemming from the Oulipo tradition. To be seen as much as read.

Simon Boudvin brings a narrative but also political depth to the architectural project of building the new museum of folklore in Mouscon.

The fifth issue of Rab-Rab: Journal of Political and Formal Inquiries in Art includes stories about nation traitors, fierce masses, socialist women struggles, love-forms, psychedelic counter-revolutionaries, workers unions, Brecht fiddlers, jazz surrealism, Soviet trains, and anti-fascism.

A sound dialogue between eRikM and Anthony Pateras.

In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to expert skills and sound recording techniques. The union of these materials create songs made of multiple tones combined with percussions and occasionally harmonica.

Reissue of Red's album originally released in December 2018, in the form of a 108-page book revealing one hundred of the artist's drawings, selected from those that made up each of the 500 covers of the first vinyl edition of the recording.

60 black and white photos taken in Lebanon, accompanied by poems by the artist.

Tennis Courts III completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

A series of hallucinatory illustrations inspired by psychedelic art and the darkest side of fairy tales.

This catalogue presents an exploration of artistic imaginaries in the age of artificial intelligence. A series of essays examine these new aesthetics through various historical, contemporary and conceptual perspectives. The publication also includes a series of projects by artists such as Ian Cheng, Cécile B. Evans, Avery K Singer, Luca Trevisani…

Polaroid works.

The ninth solo album of the American composer and percussionist reflects his move to Manhattan, where he produced Stadium. Starting with urban field recordings, he then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. Central to his work, his drumset and acoustic percussion performances are pushed to new levels with mesmerizing string and brass arrangements.

Publication accompanying the eponymous film by Danilo Correale, They Will Say I Killed Them is an investigation on Italian film projects that were aborted due to censorship, from the 1950s to the 80s.

This publication combines a series of photographs by Louis De Belle with a story by writer Jordan Hruska, both echoing Bergson's reflections on perception modes of idealism and realism.