A series of texts that serve as literary variations on Jean-Luc Godard's Numéro deux / a film on DVD which can be described as upending the ideas propounded in Godard's film, featuring artists' works as part of a mise en abyme and dialogue.

Jean-Paul Fargier's film about the historical encounter between the filmmaker and the writer in 1984.

Special offer for the purchase of the 6 books / DVDs.

Godard and Corman have worked concurrently on the same themes and subjects, using similar stylistic devices and production techniques. The fact that this affinity has so far remained undiscovered has its explanation in hard-set opinions and judgment criteria. Harald Harzheim has now succeeded in breaking this mindset, enabling us see the work of these radical independent filmmakers in a completely new perspective.

The reception of Jean-Luc Godard's oeuvre by American visual artists.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

Artist-run galleries, Claes Oldenburg, Jean-Luc Godard, Sanya Kantarovsky, Tania Candiani...

An essay on the climate crisis by Erri De Luca.

Jack Smith (Michael Krebber, Felix Bernstein, Enzo Shalom, Branden W. Joseph), Gary Indiana, Bruce Hainley and Sohrab Mohebbi, Jean-Luc Godard by Ferdinand Gouzon, Leilah Weinraub by Juliana Huxtable, Nina Könnemann by Megan Francis Sullivan, Louise Lawler by Nick Irvin, Claire Fontaine by Anita Chari, Robert Malaval by Valentin Gleyze, Afuma (Stefan Tcherepnin & Taketo Shimada) by Keith Connolly, Park McArthur by Noah Barker, Ken Okiishi by Felix Bernstein...

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

It is a hundred and fifty years since Hector Berlioz is caught between storm and passion, violence and adolescence. This book wants to get out of these cliches, even to sink into others.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

A transdisciplinary study on the Tutsi genocide, tackling various issues related to the writing and the transmission of the genocide's history, to its political and judicial dimensions, and to its media and artistic representations.

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

Taking as a point of departure a photograph of actress Jane Fonda in Vietnam, Jean-Luc Godard and Jean-Pierre Gorin reflect on the role of intellectuals in the revolutionary process. Originally published in 1972, this Letter to Jane is one of the last texts issued by the two founders of the Dziga Vertov Group.

Taking as a point of departure a photograph of actress Jane Fonda in Vietnam, Jean-Luc Godard and Jean-Pierre Gorin reflect on the role of intellectuals in the revolutionary process. Originally published in 1972, this Letter to Jane is one of the last texts issued by the two founders of the Dziga Vertov Group.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.

Rethinking public space.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Jean-Luc Godard and art (a return on Godard's controversial project at the Centre Pompidou in 2006).

Reference monograph, with an essay by Okwui Enwezor, images of the most recent exhibitions and public interventions, as well as a selection of the artist's emblematic installations and press works since the mid-1980s.

Medea is an original sound composition based on recordings of radio interceptions and field recordings compiled by Soundwalk Collective during a two-month journey by boat along the coasts of the Black Sea.

Medea is an original sound composition based on recordings of radio interceptions and field recordings compiled by Soundwalk Collective during a two-month journey by boat along the coasts of the Black Sea.

A litterary tribute to Jean-Marie Straub and Danièle Huillet by the director, screenwriter and writer Vincent Nordon.

A litterary tribute to Jean-Marie Straub and Danièle Huillet by the director, screenwriter and writer Vincent Nordon.

A transcript of the earliest of John Cage's extended writings.

Art as a combat sport.

A selection of Eisenstein's writings.

Comprehensive monograph following the development of Alfredo Jaar's work, with texts by Georges Didi-Huberman, Jacques Rancière...

A collection of texts and interviews by the art critic and independant curator (John Armleder, Mehdi Belhaj Kacem, Guy Debord, Jean-Luc Godard, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Michel Houellebecq, Pierre Huyghe, Jacques Lacan, Jean-François Lyotard, Olivier Mosset, Philippe Parreno, Andy Warhol...).

This book provides a theoretical and critical framework to examine how contemporary art and cinema can still hold out against an experience of vision and of the “visual.”

The film and video biennale catalogue.