Sylvie Fleury's chromatic and esoteric works from the 2000's are presented together for the first time with her classic pieces from the 1990's in this reference monograph. It thus offers readers a new way to register Fleury's contribution to the art of the last decades.

Nieves reissues Frank Asch's famous children's book, originally published in 1972.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

This monographic publication delivers an in-depth exploration of Moon & Jeon's collaborative project “News from Nowhere” premised on a postapocalyptic scenario: humanity has been almost entirely wiped out and is forced to reconsider long-held convictions that may no longer be tenable.

Artist's book.

The Four Seasons Forever is the catalogue of Sam Falls' one year show which presents 13 sun-printed photograms of vinyls on colored textiles exhibited in a dramatic stage-like atmosphere, with parts of Vivaldi's masterpiece playing according to the season (artist's book, the first in a series published in limited editions by Flash Art).

This trilingual publication dedicated to the Polish artist and theorist deceased in 2014 emphasize his essential contribution to action art by gathering previously unpublished articles from his friends and colleagues in the contemporary art world. The authors recount his ideas, career and influence. Photos, reproductions of the artist's original articles and a DVD all serve to enrich this publication.

An artist's book based on excerpts and quotes from Matthieu Laurette's interviews, randomly arranged.

An artist's book based on excerpts and quotes from Matthieu Laurette's interviews, randomly arranged, with an original artwork signed by the artist.

The book of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a catalogue both physical and digital (the paper guide allows access to the complete digital catalogue from a download code).

The digital catalogue of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a radical and poetic take on daily life and the modern world.

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law–based economies. It attempts to shift practices of thought toward both critical realism and new materialism.

Artist's magazine.

Cutting across diverse thematic interests and modes of investigation, the thirty-five essays in Realism Materialism Art (RMA) offer a snapshot of the emerging and rapidly changing set of ideas and practices proposed by contemporary realisms and materialisms, and examine their ramifications on the arts.

Art and the City 2.0.

The first book entirely dedicated to the sculptures of multimedia artist Doug Aitken, this volume offers an overview of his 3D works and includes a specially commissioned text by acclaimed novelist Steve Erickson.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.

This new “varia” issue of Volume! is made of six papers proposing different while often complementary perspectives on popular music (the role of the Hellfest festival in representations and uses of metal culture, discourses of loudness in rock music, recent evolutions in South American music, Damon Albarn and the English identity, La Monte Young vs The Velvet Underground). Also in the issue: Alf Björnberg and wind harmony, a musical device by Bruno Lefebvre...

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

Fines as an artistic medium: Stefan Marx illustrates the monetary penalties collected by Christoph Keller for its activity as a distiller.

Miriam Sturzenegger's Renovieren is a compilation of texts about space, time, and the relationship between them, as well as with her work.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

The internet is an ever-growing storage space of information that we have come to rely on—but what does this thing called the internet really mean? (contributions by Julian Assange, Franco “Bifo” Berardi, Diedrich Diederichsen, Joana Hadjithomas & Khalil Joreige, Bruno Latour, Hans Ulrich Obrist, Hito Steyerl...).

This luxury monograph focuses on Xavier Veilhan's Architectones project, a series of interventions started in 2012 in which the artist invests major modernist's architectural sites.

First issue of Frédéric Acquaviva and La Plaque Tournante's audio / video hybrid magazine, including a CD with music by Frédéric Acquaviva and Phill Niblock, a DVD with performances by Tomomi Adachi, Bernard Heidsieck, Katherine Liberovskaya, Jacques Lizène, Alvin Lucier, Loré Lixenberg, and Alex Mincek, posters, and documents.

An anthology of texts by the artist.

Drawings as diary.

Artist's book.

Comprehensive monograph.

The first major survey of Barbara Kasten's work, this publication includes a biography of the artist, a conversation between Kasten and artist Liz Deschenes, and new scholarly essays by curator Alex Klein, and art historians Alex Kitnick and Jenni Sorkin.

Comprehensive monograph (second edition).

Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

An analysis of the implications, challenges and specificities of the artist's magazines, as an artistic practice.

New monograph.

An A–Z Memoir about art publishing.

First monograph.

A collective publication examining Rousseau's legacy through the ages, from the Revolutionaries of 1789 to environmentalists, musicians, educators, Socialists, Resistance fighters, Romantics… Each chapter is accompanied by a visual essay featuring archives and recent documents.

First monograph / artist's book.

Artist's edition (two-fold brochure).

New composition by Berlin-based sound artist Stefan Roigk: a highly dynamic and eclectic ride between directed feature, audio-art and faked diary.

A literary text by Guillaume Belhomme combining metafiction and cut-up, with a CD on which Daunik Lazro performs Vieux Carré, a composition by Joe McPhee evoking the old French Quarter of New Orleans.

A textual rendering of fifteen films from 1997 to 2015, completed by authors' comments and introductory notes by Narkevičius himself.

Renowned French art historian and philosopher Georges Didi-Huberman conducts a careful analysis of Cube—Giacometti's only abstract sculptural work.

Using Jérôme Bel's Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this series of essays explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Including interviews with Jérôme Bel and with the actors of Zurich's Theater HORA.