Firenze 77 tells the story of a number of artists who passed through Florence, and Villa Romana, between the second half of the 1970s and the early 1980s. This publication is a collection of heterogeneous, autonomous material—a series of notes, comments, book summaries and various kinds of devices.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

The 3 volumes of the Vasarelyptiques: the ultimate original portfolios conceived by Vasarely himself—some high quality prints made between 1971 and 1977—and a set of original documents (1954-2013), gathered in an exclusive and ultra-luxurious box, with an additional book containing translations into four languages.

Thierry de Duve's writings on Marcel Duchamp.

The public art program conceived in the context of the urban development project for the city of Poitiers in France, with commissioned works by Élisabeth Ballet, Pierre Joseph, Didier Marcel, Benoît-Marie Moriceau, and Christian Robert-Tissot.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

New monograph.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

An innovative examination of Jeff Wall's photography.

Representation of pain in the art of the twentieth and twenty-first centuries.

An innovative examination of Jeff Wall's photography.

Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

New monograph.

A compilation of interviews with thirty-one artists related to questions about the value of attention and spectacle..

Luis Camnitzer plays the Drawing Room Confessions.

Art and teaching.

A meeting of the GOL group with Brunhild Meyer-Ferrari around the piece composed in 1969 by Luc Ferrari, and an improvisation.

Grimmuseum looks back on two years of intense production and manifold explorations within alternative curator/artist frameworks.

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

Retrospective catalogue of La Salle de bains art center in Lyon: an archive of 67 shows from 1999 until 2012.

Volume #6 explores the production spaces and other soundscapes, through the works of Marie Cool Fabio Balducci, Martin Kersels, Raymond Gervais, Janet Cardiff & George Bures Miller or Dan Peterman, Marcel Broodthaers' performance at Speakers' Corner, and Audio Arts magazine. With special interventions by Arnaud Maguet and Cocktail Designers.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

Godard and Corman have worked concurrently on the same themes and subjects, using similar stylistic devices and production techniques. The fact that this affinity has so far remained undiscovered has its explanation in hard-set opinions and judgment criteria. Harald Harzheim has now succeeded in breaking this mindset, enabling us see the work of these radical independent filmmakers in a completely new perspective.

Julio Le Parc, “New impressions of Raymond Roussel”, François Curlet, Daniel Dewar & Grégory Gicquel, Joachim Koester, Evariste Richer...

The relationship to the animal in contemporary art.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Artist's book: Joël Hubaut's ABC (“a compressed, unprecise mini ABC of the art of living for the young generations in art schools in particular and for everyone else in general”).

A zine celebrating René Daniëls and his love for New York and music.

In 1984, John Cage gave a concert at the Akademie der Künste in Berlin. Thomas Wulffen seized the opportunity to talk to him about his work, about Berlin, and about Germany. The hitherto unpublished interview shows this major avant-garde artist in a relaxed mood, perfectly at his ease, though not without a light touch of irony. An historical document.

26 color reproductions of images used for the realization of the posters celebrating 10 years of Le Plateau / FRAC Ile-de-France, Paris, by artists who have produced a personal exhibition.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

Suspended spaces #2 is a trip in the libanese territories. It develops artistical proposals and philosophical approaches of modernism in a middle eastern country.

Documenta 5 in film.

New monograph / artist's book.

A film by Robert Milin to question the conditions and implications of “art in the suburbs.” (with Sylvie Blocher, Thomas Hirschhorn, Didier Marcel, Guy Tortosa...).

Five essays.

A unique testimony to Duchamp's personality, to his relationship to his friends and to his works, and to the slow reception of his works in France and in the U.S.

The Ginette Moulin & Guillaume Houzé Contemporary Art Collection.

The final opus and the prologue of the Palais de Tokyo's annual publications series.

First issue of the experimental music annual review.

Catalogue of a double exhibition dedicated to the contemporary British art scene.

A piece for mezzo-soprano, voices, instrumental ensemble, electronics and videos (with a DVD, with no sound, to synchronise, or not, with the CD).

Benoît Maire plays the Drawing Room Confessions.