Guest edited by Shawn Jaeger, the Lee Hyla issue features remembrances and appreciations of the deeply missed composer by Stephen Drury, Rhonda Rider, David Rakowski, Bryan Hayslett, Chris Fisher-Lochheed, Eliza Brown, Scott Wheeler, and Ben Hjertmann (as well as articles by or with Jerome Harris, Charissa Noble, Rick Moody, Sam Amidon, Colin Stetson, Claire Chase, Kate Soper, and Eric Wubbels).

The fifth issue of Rab-Rab: Journal of Political and Formal Inquiries in Art includes stories about nation traitors, fierce masses, socialist women struggles, love-forms, psychedelic counter-revolutionaries, workers unions, Brecht fiddlers, jazz surrealism, Soviet trains, and anti-fascism.

Concert by the improviser quartet recorded in public on September 22, 2018 at the Romanesque church in Vézac (France).

Simon Boudvin brings a narrative but also political depth to the architectural project of building the new museum of folklore in Mouscon.

A sound dialogue between eRikM and Anthony Pateras.

A kafkaesque artist's graphic novel.

A selection of recent works by one of the central figures in today's Norwegian painting.

In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to expert skills and sound recording techniques. The union of these materials create songs made of multiple tones combined with percussions and occasionally harmonica.

A retrospective of the Italian artist's sculptural work over ten years, with three essays.

This artist's book assembles 41 titles of literary works, transcribed in homophonic translation. An exercise in concrete poetry, stemming from the Oulipo tradition. To be seen as much as read.

An inventory of second-hand shelves and a photographic summation that is a praise of the occasion.

Katja Lee Eliad's Map Maker Like Lyrical offers a retrospective view on the self-taught artist's work over the past two decades. The extensively illustrated book is accompanied by two essays by Valentina Iancu and Anca Verona Mihuleț and a conversation with the artist by Nicolas de Ribou, aiming to map the coordinates of a tortuous journey.

Featuring Jeremy Toussaint-Baptiste, Ornette Coleman, Nicole Kaack, Bradford Bailey, G. Lucas Crane, Jennie Gottschalk, Ambrose Akinmusire, Mats Gustafsson, Peter Margasak, Terry Riley, Kim Brandt, John Cage, Josh Sinton, Edgard Varése, Marc Hannaford, John Zorn, Matthew Mehlan, Million Tongues Festival, Alex Mincek, Lester St. Louis, Steve Lehman...

A Kannada-English bilingual book of essays on the culture of flex banners put up by pro-Kannada outfits and political parties.

Trisha Erin / Freestyle Rap / “A Perfect Day” / by Cecilia Pavón / on the legitimate acquisition of tons of sex / the onset of automation / on the fim The Square;“Seismography of Struggles” / at INHA, Paris / Sam Pulitzer at Francesca Pia / Richard Maxwell at Greene Naftali / Clément Rodzielski on Edvard Munch at MET Breuer / Georgia Sagri at Kunstverein Braunschweig, Karl Holmqvist on Versace Retrospective at Kronprinzenpalais.

The portfolio of the exhibition at the Jeu de Paume.

This publication gathers the outcomes of a research project bringing together sociologists, art historians and artists to investigate the frontier as both a subject and an epistemic framework.

Collection of essays by Nicolas Bourriaud on the protean, poetic and Rabelaisian Swedish artist Erik Dietman.

In 2006, film director Amos Gitai invited Gabriele Basilico to undertake a journey retracing the locations of the shooting of Gitai's film Free Zone, on the demilitarized zone between Israel and Jordan. This publication follows this unique photographic project.

A visual archive of the Islamic State's destruction of artifacts.

An architectural exploration of haunted locations in Singapore.

Monograph on the work of Chinese artist Hu Xiaoyuan, featuring an essay by Nicolas Bourriaud and a conversation between Gea Politi and the artist.

A conversation with multidisciplinary French artist Béatrice Balcou, whose work investigates reflexive issues directed at her practice, such as the spectator's experience and the artistic gesture.

This comprehensive monograph offers an overview of the artist's oeuvre from the last decade. It brings together essays which explore Værslev's relationship to the history of painting and suburban architecture and culture, as well as his artistic process.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

A contemporary discussion around the use, value and purpose of analogue film.

A perspective on contemporary video and multimedia creation through the various works produced by students (promotions Michelangelo Antonioni & Chantal Akerman) and invited artists-professors for the 21th edition of the “Panorama” program at Le Fresnoy.

This catalogue presents an exploration of artistic imaginaries in the age of artificial intelligence. A series of essays examine these new aesthetics through various historical, contemporary and conceptual perspectives. The publication also includes a series of projects by artists such as Ian Cheng, Cécile B. Evans, Avery K Singer, Luca Trevisani…

This graphic anthology is dedicated to Elvifrance, the scandalous French publisher of erotic comic books whose catalogue was under the fierce scrutiny of French censorship authorities from the 1970s to the 1990s. The publication takes a look back at this infamous history through many unpublished archives and a wide selection of covers. It also features an ensemble of covers revisited by some forty contemporary graphic artists.

60 black and white photos taken in Lebanon, accompanied by poems by the artist.

A reflection on the myth of abundance, at the intersection of philosophy, arts and letters, anthropology, political and natural sciences.

This catalogue focuses on an immersive one-year project in Portugal, centered around questions of global ecology and tourism. Kawamata's large scale installation integrates both plastic residues and abandoned boats collected on Portugal's shores during beach cleaning campaigns. The publication features a text by the artist, exhibition views, and a section documenting related projects made by Kawamata throughout his career.

Catalogue of the first international retrospective dedicated to Brazilian-Italian painter Alfredo Volpi: a thorough exploration in words and images of the painter's peculiar life and career—from the bounds and relationships with the Brazilian art community, to his special link to the city of São Paulo and his adopted country, leading to the development of his unique artistic language.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio. This Artist Edition includes an additional 7" record, engraved with an exclusive track on one side and etched with a Charlemagne Palestine drawing on the other.

Artist designer Canedicoda built a a temporary tailor's atelier, where clothes were build directly onto the visitors' bodies. Conceived halfway between a journal and an inventory, this publication documents each phase of the project, collects pictures of the 100 actual garments, as well as participants' feedbacks.

The best of 2018: a renowned group of critics, artists, and curators from around the world—Kerry James Marshall, Johanna Fateman, Helen Molesworth, Douglas Crimp, Eungie Joo, Jack Bankowsky, David Rimanelli, Catherine Wood, Caroline Busta, Lanka Tattersall, Harry Cooper, Pauline Yao, and Claire Tancons—take stock of the year in art. 38 artists from around the world choose the most striking work, event, or exhibition of the year with responses from Kerry James Marshall, Barbara Kreuger, Genesis Breyer P-Orridge, and more. Plus, Top Tens on the best in film, music, books, and performance from John Waters, Vaginal Davis, and Melissa Anderson, and a special section on “The Year In Monsters.

Interviews with Oscar Tuazon, Jaque Fragua & Brad Kahlhamer, Ruth Cuthand, Janaina Tschäpe (by Francesco Clemente), Jessica Grindstaff (Phantom Limb Company), Tomoko Sauvage, Cecilia Vicuña, Alicia Kopf; portfolios by Ragna Robertsdottir / Monique Verdin & Raymond Jackson; fictions by Eliva Wilkan and Laura van den Berg; essay by Stefan Helmreich…

This publication combines a series of photographs by Louis De Belle with a story by writer Jordan Hruska, both echoing Bergson's reflections on perception modes of idealism and realism.

A series of hallucinatory illustrations inspired by psychedelic art and the darkest side of fairy tales.

Polaroid works.

A selection of about 2.000 mail art works on paper (drawings, collages…) created between 1991-1994 by the artists' trio. They would mail each other pictures, repeatedly overpainting and adding to them until they comprised several layers. Each book cover is unique, individually designed by Eric Schumacher and Andrea Clavadetscher.

Tennis Courts III completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

Publication accompanying the eponymous film by Danilo Correale, They Will Say I Killed Them is an investigation on Italian film projects that were aborted due to censorship, from the 1950s to the 80s.

A film on poet and visual artist Jean-Luc Parant.

Varia issue: Italo disco; French singer Olivia Ruiz; DIY punk fanzines in Russia; the political dimension of Ornette Coleman's music; Pop hits and new media strategy; interview with David Novak on Japanese noise; interview with Simon Frith on progressive rock. Illustrated with a selection of concert flyers.

Monograph showcasing 18 years of practice by the Swiss photographer. Alternating snapshots, self-portraits, documentary and fashion photography, pictures of arranged landscapes, buildings, people, and furniture, this publication provides a wide overview of Wassmann's artistic approach through associative sequences weaving on a loose narrative, like a stream of consciousness.

This publication presents a project by Linda Fregni Nagler about the photographic “School of Yokohama”, which emerged during the Meiji era in Japan. Over the past ten years, the artist has collected hand-colored photographs of this period representing Mount Fuji. She re-photographed them, printed them and colored them by hand, according to colorization method of that time.

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.

All for All! is a trip through All! (2012-2017), a project conceived by Kinkaleri and instigated by the voracious attacks on language committed by William Seward Burroughs. It intentionally strays beyond the limits of theatre and dance, suggesting an outside and setting the possible into motion along an undecidable boundary between the body and language.