What can be changed through the twists and tweaks of design, architecture, technology, infrastructure, economics, or daily routines? How can the way we eat, learn, dress, live, and talk be a way to renew ourselves, and so too our society, from the ground up? Given that a different present is almost impossible to imagine and utopia is currently out of reach, this issue looks at the non-heroic ways of doing things differently that can open our minds and make the world better. This issue is all about lifestyle protocols.

Mario Schifano's road trip in the United States.

A small selection of Ronan Bouroullec's recent drawings.

Reissue of the main publications by Angéline Neveu (1946-2011), a political figure of the poetic underground scene in France.

A panoptic cinema.

New monograph.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

A pioneer of time-based media.

A courtly tale that takes the form of prose poems, dedicated to Surrealist artist Benjamin Péret. Written by Emmanuelle K., poet, storyteller, video artist, and companion of the Situationist International.

This Is Television addresses the increasingly obsolete medium of television by way of the medium of the book, commenting on media's continuous changes of form and format. Through an interplay of theory and artistic research material, the book extends Judy Radul's ongoing investigation of media with an idiosyncratic perspective on television—while still feeding off collective experience. The book thematizes television as a cultural container, both in its format as a box for content and as an ideologically saturated apparatus for reception.

135 poems, calligrams and other visual experiments, spread over 54 years of poetic activity, by one of the major actors of the poetic avant-garde in France.

Collection of transcripts of performance poetry by Christian Prigent. This edition comes with a CD including the recordings of these performances, featuring the author and actress Vanda Benes.

A selection of essays that Jean-François Bory devoted to his favorite and somewhat marginal authors, ranging from Nadar to Raoul Hausmann via d'Annunzio.

Fourteen comical, absurd, ironic, moving short novels, by Jean-François Bory, unfaithful successor to Dada and active author of the avant-garde movements of the 1960s/1970s.

The drawings in 101 are made with a software application conceived by Erwan Bouroullec which extracts lines and colors out of photographs.

Catalogue raisonné of paintings realized by Peter Halley between 1980 and 1989.

First monograph.

A reflection on the genealogy of objects (artist's book).

A series of portraits of performance artist, avowed transsexual anarchist with no place to call home, macho woman, fashion model for Marianne Alvoni, target for the Swiss tabloid: Eve-Claudine Lorétan, alias Coco.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

The chronicles of the digital poetry movement, by one of its pioneers and main actors in France.

An exchange between artist Sterling Ruby and fashion designer Raf Simons.

Cocoon, the solo project of Clair Obscur's leader Christophe Demarthe, publishes his fourth album on Optical Sound.

First monograph dedicated to French artist, videographer, performer and poet Julien Creuzet.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory, with an original and unique artwork.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

A history of invisible art.

A contemporary narrative, an artist's book, a surprising journey into a place that we thought we knew.

It is a hundred and fifty years since Hector Berlioz is caught between storm and passion, violence and adolescence. This book wants to get out of these cliches, even to sink into others.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

A collection of texts by the French-American photographer and filmmaker in which she reflects on her artistic practice and discusses her collaborations with other filmmakers, artists, dancers and choreographers such as Marina Abramović, Chantal Akerman, Trisha Brown, and Yvonne Rainer.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

A composition for brass chamber ensemble that explores the origins of language and its relationship with music.

The first French translation of Neuhaus's writings.

A panorama of the world of do-it-yourself fanzines.

Reference monograph.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Philosopher Ludger Schwarte presents a critical essay against the notion of contemporaneity in art and pleads for a renewed temporality: an art of futurity.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

This monograph provides an exhaustive look at the practice of Yann Gerstberger, a French artist exiled in Mexico, whose work is deeply rooted in Mexican popular culture and pre-Columbian mythologies. The publication gathers series of works (sketches, photocopies, neon paper drawings and collages, tapestries), two essays, and poems by Gabriela Jauregui. The edition features an annex booklet devoted to exhibition views.

First English translation of Antonin Artaud's writings from his apocalyptic journey to Ireland in 1937.

Giving Voices features documentation on four of Erkan Özgen's video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human. It includes essays and an interview with the artist lead by Hans Ulrich Obrist and Hilde Teerlinck.

The first English translation of Hubert Fichte's investigation on New York's African diaspora in the late 1970s. Contesting the stylistic norms of ethnographic studies, Fichte offers an experimental, poetic, and radical reflection on the living conditions, struggles and cultural heritage of New York Africans.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

The memories of saxophonist Steve Potts, collected by his friend Michel Edelin.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.