First monograph.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

Angéline Neveu, a figure of May '68 then of the French poetic underground, close to the Situationists, tells herself and offers a testimony on the years 1960-70.

First monograph on Swiss painter Sylvain Croci-Torti.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film. This artist's edition includes a hand numbered bonus LP, an art print and a dowload code for an exclusive 99' bonus track.

Available for the first time ever on vinyl, one of Bill Laswell's masterpieces, the meditative ethno-ambient project inspired by the holy region of Banaras in India, in collaboration with Coil, Tetsu Inoue and Trilok Gurtu.

Yvan Etienne's new sound composition (Serge Modular, field recording).

Yvan Etienne's new sound composition (Serge Modular, field recording).

The reissue, in a new translation, of one of the most important essays of Latin American poetry from the historical avant-gardes.

An original fable at war against the founding books of monotheisms (unpublished text of 1963).

This collection assembles key essays of Reiner Schürmann centering on the concepts of anarchy and the singularization to come. Setting out from the question of the status of practical philosophy at the end of metaphysics, these texts track the crucial role of Schürmann's engagement with the work of Michel Foucault between 1983 and 1991.

Recording of a duo that used to perform only once a year at the Plouc festival in Fillols (France), with Pascal Comelade at the piano and toy-piano and the comic artist Alex Barbier singing, in drag, female realist songs from the 1920s.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.

An album of the electronic music duo whose pieces are composed to be played on the big mechanical organs of the Café des Orgues in Herzeele (Flanders).

An essay on Philippe Beck, Jean-Paul Curnier and Michel Surya.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

The first English translation of Jacques Rancière's early philosophical text "The Dialectic of Reason and Private Interest", originally published in 1963. Written under the influence of Louis Althusser, the text is discussing the forms of law in Karl Marx's writings on the "debates on the law on thefts of wood".

One of Levinas' rare statements focusing on the fine arts.

Blanquet's notebook of fantastic and phantasmagorical drawings, in red ink mixed with green.

A dialogue of the drums.

In this compilation of essays, Dork Zabunyan analyses the creation, use and circulation of images in the contexts of the “Arab Spring” and the Syrian War.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

Told by Charles Berling, the film by Gilles Coudert juxtaposes the director's experience as an adolescent growing up in the biggest project ever built by Le Corbusier in Europe, in Firminy, France with insights from several contemporary artists including architects, a choreographer, a filmmaker, a designer and a composer. Architectural historian Jean Louis Cohen provides comment as do several inhabitants and users of Le Corbusier's complex.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

One year in the art world: Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays about contemporary art, and personal highlights from artists, curators, collectors, and museum directors.

Surveying the causes championed by feminists in the post-internet era.

An overview of study programs teaching socially engaged art.

A travel diary / a screenplay.

A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various potential in teractions between instrument and tape.

Jean-Paul Fargier's film about the historical encounter between the filmmaker and the writer in 1984.

Artist's book.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

An immersion in Zao Wou-Ki's works on paper, Chinese ink and watercolors, covering 60 years of creation.

Two pieces of electroacoustic music and musique concrète, Music Promenade (1964-1969, permanent version for four stand-alone tape recorder) and Unheimlich Schön (made in 1971 in the studios of the Südwestfunk in Baden-Baden).

Monograph / artist's book.

Monograph / artist's book.

Artist's book.

This artist's book presents a series of silkscreens on wall made by Pierre Lauwers between 2014 and 2018. These murals were digitally reproduced and reduced to 1:4 for offset printing.

A unique example of Amacher's late work.

Alessandra Eramo's solo album Tracing South is a sonic enchantment through the use of extended vocal techniques, analog electronics and her hypnotic field recording of bagpipe (zampogna) during the Carnival rites in Southern Italy.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

Serving as a score for David Hartt's film of the same name about the Habitat Puerto Rico project by Moshe Safdie, In The Forest finds Karl Fousek at his most focussed and controlled.

A conversation, accompanied by an introduction by Andrea Soto Calderón, to better understand the crucial role that images occupy in Jacques Rancière's work, and how images are the site of imaginative and reconfiguring operations.

Retrospective monograph, 2007-2018.

This publication of Maryanne Amacher's 1991 piece Petra marks her first commercially available instrumental work as well as the first time her music has ever been available on vinyl— a unique example of Amacher's late work.